Sara E. Vero

Fieldwork Ready


Скачать книгу

with. These are intended as a guide upon which you can and should build further skills. For those of you who are already experienced in the field, this book should help you think more deeply about how and why you do field research, and hopefully, to improve upon your skills and knowledge.

      Acknowledgments

      Thanks to Danielle Lynch for her patient editing and Karen Brey for creating such wonderful illustrations. I am grateful to each of the reviewers for their intelligent and constructive advice, and for sharing their experience of the field. Special thanks to everyone who so generously donated their fieldwork photos; Vikram Baliga, Giulia Bondi, Andrea Brookfield, Julie Campbell, Bo Collins, Jaclyn Fiola, Brandon Forsythe, Derek Gibson, David Jaramillo, Krista Keels, Colum Kennedy, Juliette Marie, Lauren McPhillips, Rachel Murphy, Jesse Nippert, Katherine O’Reilly, Nikki Roach, Sophie Sherriff, and Karen Vaughan. It has been a pleasure to see your exciting work.

      This manual provides simple guidance to help you perform safe and successful fieldwork as part of your research. The “field” can be urban, rural, or wild. You may work alone or in a team. The experiment may be structured or survey‐based in design. You may operate adjacent to your research center or in remote locations. Regardless, there are principles and considerations that can be universally applied that will allow you to implement a robust and meaningful research project and collect quality data. While this manual can help anyone involved in outdoor research, it is particularly aimed toward graduate and undergraduate students, and early‐career researchers who are honing their skills and gaining experience. Everyone makes mistakes in their early development, and fieldwork often involves a steep learning curve, potentially hazardous or challenging conditions, and considerable time and financial commitments. Naturally, your unique field of study will determine some of the technical skills that you will build and depend on, but elements of planning, site description, logistics, and teamwork are universal. Experience is the best teacher, but hopefully this manual will help you to make a good start.

      For simplicity, I will refer to all outdoor research as “fieldwork” and all indoor research (be it laboratory, desk, or workshop) as “labwork.”

Photo depicts a few researchers investigating a soil pit in Ireland.

      Source: Sara Vero.

Photo depicts a researcher in field research.

      Source: Bo Collins.

Photo depicts test tubes in a laboratory.

      Source: Bo Collins.

      1 A soil incubation study in the laboratory to indicate the release and adsorption potential. This would indicate fundamental chemical behavior of the soil, without any confounding factors.

      2 A pot study in a glasshouse or growth chamber to examine the response to various K levels in different species mixtures (Fig. 1.4). This would give an indicator of the potential implications of K availability.

      3 A plot study at field scale over three years (Fig. 1.5). This would reveal the impacts of the behaviors observed in detail in the first two experiments, but at an applied spatial and temporal scale. Results from this approach can be used to develop recommendations for farm management.

      While the conclusions from experiment one could be extrapolated to the field scale, without the bridging provided by experiment two, and the real‐world implications observed in the field during experiment three, any recommendations derived thus would be vulnerable to overemphasis or misinterpretation. Conversely, while field experiments might reveal the implications or applications of (for example) farm management practices, they may struggle to differentiate the underlying causative factors. A joint approach incorporating both laboratory and field elements can often yield a more comprehensive understanding, and justified conclusions than either can in isolation.

Photo depicts a pot study in a glasshouse.

      Source: Bo Collins.