tion id="ub88f6da9-81b1-5b15-92d6-54861c37a06e">
Fergus Hume
Miss Mephistopheles A Novel (Sequel to Madame Midas.) Published by Good Press, 2019 EAN 4064066215514 Table of Contents
CHAPTER I.
FACES IN THE FIRE. A wet Sunday--dreary, dismal, and infinitely sloppy. Even the bells ringing the people into evening service seemed to feel the depressing influence of the weather, and their brazen voices sounded hoarse and grumbling, as if they rang under protest. Cold, too!--not a brisk sharp frost--for here in Melbourne frost and snow are unknown; but a persevering, insinuating, gnawing cold, just disagreeable enough to make one shiver and shake with anxiety to get home to a bright fire and dry clothes. Overhead a leaden-coloured sky, with great masses of black clouds, from out whose sombre bosoms poured the steady rain, splashing noisily on the shining roofs, and swelling the gutters in the streets to miniature torrents. And then the wind,--a gusty, chilly wind,--that came along unexpectedly, and drove the unwilling rain against the umbrellas of struggling pedestrians, or else took a mean advantage of its power, and turned their umbrellas inside out, with a shrill whistle of triumph. The steady light streamed out from the painted church windows, and the dull, blurred glare of the street lamps was reflected in the wet pavements. Ugh! a night not fit for a dog to be out in, and yet there were a good many people hurrying along to the church, in answer to the clamorous voices of the bells. Some folk, however--wise in their generation--preferred staying at home to sitting in church, with damp boots and a general sense of stickiness about their clothes, and though possibly their souls suffered from such an omission, their bodies were certainly more comfortable. Among these godless people, who thus preferred comfort to religion, were two young men occupying a room on a first floor, the windows of which looked across to the church, now full of damp and steaming worshippers. A room in a boarding-house--especially one where boarders only pay twenty-five shillings a week--is not generally a very luxurious apartment, and this special room was certainly no exception to the rule. It was square, with a fairly lofty ceiling, and the walls were covered with a dull red paper, which, being mellowed by time, had assumed a somewhat rusty hue. It was rapidly growing dark outside, and there was no light in the room, save that which came from a roaring coal fire blazing brightly up the chimney, and illuminating the apartment in a curiously fantastic manner. It sent out red shafts of light into dark corners, as if to find out what was hidden there, and then being disappointed, would sink back into a dull, sulky glow, only to fall into a chaotic mass, and blaze merrily up once more. The apartment wherein the fire played these elfish tricks was furnished comfortably, but the furniture had a somewhat dingy look. The carpet was threadbare, except under the table, where there could be traced some vestiges of its original pattern. A cottage piano was pushed into a corner slanting ways, and beside it was a great untidy pile of music. At one end of the room, a desk covered with papers, and immediately above it a shelf containing a small array of well-worn books. Near the desk stood an aggravatingly bright sideboard, whereon were some glasses, a jug of water, and a half-empty bottle of whisky. Four or five lounging chairs of wicker-work were scattered about, covered with rugs of wallaby fur, whilst the walls and mantelpiece were almost covered with photographs, mostly of women, but here and there a male face, showing the well-known features of Beethoven, Chopin, and other famous musicians. This somewhat incongruous apartment was a private sitting-room in an East Melbourne boarding-house, and was at present in the occupation of Ezra Lazarus, journalist. Ezra Lazarus himself was seated at the piano playing snatches of music, while on the hearth-rug, smoking a pipe, lay a man propped up on his elbow, with his head resting on his hand, staring into the burning coals, and listening to his friend playing. Ezra Lazarus was a young man of medium height, with a slender figure, a pale face, rather dreamy, dark eyes, and black hair and beard carefully trimmed. He dressed neatly, and, in contrast to most of his race, wore no jewellery. Why he had become a journalist no one knew,--himself least of all,--as his tastes did not lie in the direction of newspaper work, for having all the Hebraic love of music, he was an accomplished pianist. As for the rest--staid in his demeanour, soft-spoken in his language, and much given to solitary wanderings. Yet he was no misanthrope, and those who knew him intimately found him a most charming companion, full of quaint ideas and bookish lore, but he was essentially a man of ideality, and shrank from contact with the work-a-day world. For such a nature as this a journalistic sphere was most unsuitable, and he felt it to be so, but having drifted into such a position, he lacked the energy to extricate himself from his uncongenial employment, and accepted his fate with oriental apathy, recompensing himself in some measure by giving every spare moment to the study of music. The man lying before the fire was the direct opposite of Ezra, both in appearance and temperament. A tall, sinewy-figured young fellow of six-and-twenty, with restless keen grey eyes under strongly-marked eyebrows, and a sensitive mouth, almost hidden by a small fair moustache. His nose was thin and straight, with delicately-cut nostrils, and his head was well set on his broad shoulders, albeit he had a trick of throwing it back which gave him a somewhat haughty carriage. He had a fair complexion, with that reddish-brown hue which comes from constantly living in the open air, and altogether looked like a man addicted to sport rather than to study. This was Keith Stewart, who, having passed most of his life in Gippsland, and in wandering about Australia generally, had a year previously come down to Melbourne with the laudable intention of devoting himself to literature. That he was poor might be surmised from his shabby, well-brushed clothes, and his face constantly wore that expression of watchfulness habitual to those who have to fight the world in their youth and be on their guard against everyone. That two such dissimilar natures as these could find any reciprocity appears strange, but curiously enough some undercurrent of sympathy had drawn them together from the first time they met. Jew and Gentile, musician and student, different nationalities, different trains of thought, yet the mere fact that they could both live in an ideal world of their own creation, heedless of the restless life which seethed around, seemed to form a bond of concord between them, and their mutual isolation drew them almost imperceptibly together. Keith had only been boarding in the house a week, consequently Ezra knew nothing about his friend's life, beyond the fact that he was poor and ambitious. As Stewart never volunteered any information about himself, Ezra, with the delicacy of a sensitive nature, shrank from forcing himself on his confidence. The inexhaustible subjects of books and music, a walk by the banks of the Yarra, or an occasional visit to the theatre, had been, so far, the limit of their social companionship. Their inner selves were still unknown to each other. To all, however, there comes a moment when the desire to unburden the mind to a sympathetic nature is strong, and it was in such a moment that Ezra Lazarus first learned the past life of Stewart. On this dreary Sunday night Ezra let his fingers wander over the piano, vaguely following his thoughts,
