he should conceal beneath a false brutality the amenity, the kindness which, at the moment of his emerging from Mme. de Villeparisis's, I could see displayed so innocently upon his face. Blinking his eyes in the sunlight, he seemed almost to be smiling, I found in his face seen thus in repose and, so to speak, in its natural state something so affectionate, so disarmed, that I could not help thinking how angry M. de Charlus would have been could he have known that he was being watched; for what was suggested to me by the sight of this man who was so insistent, who prided himself so upon his virility, to whom all other men seemed odiously effeminate, what he made me suddenly think of, so far had he momentarily assumed her features, expression, smile, was a woman.
I was about to change my position again, so that he should not catch sight of me; I had neither the time nor the need to do so. What did I see? Face to face, in that courtyard where certainly they had never met before (M. de Charlus coming to the Hôtel de Guermantes only in the afternoon, during the time when Jupien was at his office), the Baron, having suddenly opened wide his half-shut eyes, was studying with unusual attention the ex-tailor poised on the threshold of his shop, while the latter, fastened suddenly to the ground before M. de Charlus, taking root in it like a plant, was contemplating with a look of amazement the plump form of the middle-aged Baron. But, more astounding still, M. de Charlus's attitude having changed, Jupien's, as though in obedience to the laws of an occult art, at once brought itself into harmony with it. The Baron, who was now seeking to conceal the impression that had been made on him, and yet, in spite of his affectation of indifference, seemed unable to move away without regret, went, came, looked vaguely into the distance in the way which, he felt, most enhanced the beauty of his eyes, assumed a complacent, careless, fatuous air. Meanwhile Jupien, shedding at once the humble, honest expression which I had always associated with him, had—in perfect symmetry with the Baron—thrown up his head, given a becoming tilt to his body, placed his hand with a grotesque impertinence on his hip, stuck out his behind, posed himself with the coquetry that the orchid might have adopted on the providential arrival of the bee. I had not supposed that he could appear so repellent. But I was equally unaware that he was capable of improvising his part in this sort of dumb charade, which (albeit he found himself for the first time in the presence of M. de Charlus) seemed to have been long and carefully rehearsed; one does not arrive spontaneously at that pitch of perfection except when one meets in a foreign country a compatriot with whom an understanding then grows up of itself, both parties speaking the same language, even though they have never seen one another before.
This scene was not, however, positively comic, it was stamped with a strangeness, or if you like a naturalness, the beauty of which steadily increased. M. de Charlus might indeed assume a detached air, indifferently let his eyelids droop; every now and then he raised them, and at such moments turned on Jupien an attentive gaze. But (doubtless because he felt that such a scene could not be prolonged indefinitely in this place, whether for reasons which we shall learn later on, or possibly from that feeling of the brevity of all things which makes us determine that every blow must strike home, and renders so moving the spectacle of every kind of love), each time that M. de Charlus looked at Jupien, he took care that his glance should be accompanied by a spoken word, which made it infinitely unlike the glances we usually direct at a person whom we do or do not know; he stared at Jupien with the peculiar fixity of the person who is about to say to us: "Excuse my taking the liberty, but you have a long white thread hanging down your back," or else: "Surely I can't be mistaken, you come from Zurich too; I'm certain I must have seen you there often in the curiosity shop." Thus, every other minute, the same question seemed to be being intensely put to Jupien in the stare of M. de Charlus, like those questioning phrases of Beethoven indefinitely repeated at regular intervals, and intended—with an exaggerated lavishness of preparation—to introduce a new theme, a change of tone, a 're-entry.' On the other hand, the beauty of the reciprocal glances of M. de Charlus and Jupien arose precisely from the fact that they did not, for the moment at least, seem to be intended to lead to anything further. This beauty, it was the first time that I had seen the Baron and Jupien display it. In the eyes of both of them, it was the sky not of Zurich but of some Oriental city, the name of which I had not yet divined, that I saw reflected. Whatever the point might be that held M. de Charlus and the ex-tailor thus arrested, their pact seemed concluded and these superfluous glances to be but ritual preliminaries, like the parties that people give before a marriage which has been definitely 'arranged.' Nearer still to nature—and the multiplicity of these analogies is itself all the more natural in that the same man, if we examine him for a few minutes, appears in turn as a man, a man-bird or man-insect, and so forth—one would have called them a pair of birds, the male and the female, the male seeking to make advances, the female—Jupien—no longer giving any sign of response to these overtures, but regarding her new friend without surprise, with an inattentive fixity of gaze, which she doubtless felt to be more disturbing and the only effective method, once the male had taken the first steps, and had fallen back upon preening his feathers. At length Jupien's indifference seemed to suffice him no longer; from this certainty of having conquered, to making himself be pursued and desired was but the next stage, and Jupien, deciding to go off to his work, passed through the carriage gate. It was only, however, after turning his head two or three times that he escaped into the street towards which the Baron, trembling lest he should lose the trail (boldly humming a tune, not forgetting to fling a 'Good day' to the porter, who, half-tipsy himself and engaged in treating a few friends in his back kitchen, did not even hear him), hurried briskly to overtake him. At the same instant, just as M. de Charlus disappeared through the gate humming like a great bumble-bee, another, a real bee this time, came into the courtyard. For all I knew this might be the one so long awaited by the orchid, which was coming to bring it that rare pollen without which it must die a virgin. But I was distracted from following the gyrations of the insect for, a few minutes later, engaging my attention afresh, Jupien (perhaps to pick up a parcel which he did take away with him eventually and so, presumably, in the emotion aroused by the apparition of M. de Charlus, had forgotten, perhaps simply for a more natural reason) returned, followed by the Baron. The latter, deciding to cut short the preliminaries, asked the tailor for a light, but at once observed: "I ask you for a light, but I find that I have left my cigars at home." The laws of hospitality prevailed over those of coquetry. "Come inside, you shall have everything you require," said the tailor, on whose features disdain now gave place to joy. The door of the shop closed behind them and I could hear no more. I had lost sight of the bee. I did not know whether he was the insect that the orchid needed, but I had no longer any doubt, in the case of an extremely rare insect and a captive flower, of the miraculous possibility of their conjunction when M. de Charlus (this is simply a comparison of providential hazards, whatever they may be, without the slightest scientific claim to establish a relation between certain laws and what is sometimes, most ineptly, termed homosexuality), who for years past had never come to the house except at hours when Jupien was not there, by the mere accident of Mme. de Villeparisis's illness had encountered the tailor, and with him the good fortune reserved for men of the type of the Baron by one of those fellow-creatures who may indeed be, as we shall see, infinitely younger than Jupien and better looking, the man predestined to exist in order that they may have their share of sensual pleasure on this earth; the man who cares only for elderly gentlemen.
All that I have just said, however, I was not to understand until several minutes had elapsed; so much is reality encumbered by those properties of invisibility until a chance occurrence has divested it of them. Anyhow, for the moment I was greatly annoyed at not being able to hear any more of the conversation between the ex-tailor and the Baron. I then bethought myself of the vacant shop, separated from Jupien's only by a partition that was extremely slender. I had, in order to get to it, merely to go up to our flat, pass through the kitchen, go down by the service stair to the cellars, make my way through them across the breadth of the courtyard above, and on coming to the right place underground, where the joiner had, a few months ago, still been storing his timber and where Jupien intended to keep his coal, climb the flight of steps which led to the interior of the shop. Thus the whole of my journey would be made under cover, I should not be seen by anyone. This was the most prudent method. It was not the one that I adopted, but, keeping close to the walls, I made a circuit in the open air of the courtyard, trying not to let myself be seen. If I was not, I owe it more, I am sure, to chance than to my own sagacity. And for the fact that I took so imprudent a course, when the way through the cellar was so safe, I can see three