as the farmer reaps the harvest of his seed. They earned them by labor and sagacity, and having them, they stood with heads erect, looking over their world and knowing that such as it is they helped to build it.
The day of the great merchant has already gone. Already the names of these honorable firms are mere symbols, cloaking corporate management, trading on the old personalities. No one saw the inevitable drift clearer than Colonel Price. In common with his class he cherished the desire of handing on the structure that he had built to the next generation, with the same sign-manual over the door—to his son and his grandson. So he had resisted the temptation to incorporate the business and "take his profits." There was a son to sit in his seat. The sons of the other partners would not be fit: Starbird's only son, after a dissipated youth, was nursing himself somewhere on the Riviera; his daughter had married an Easterner, and beyond the quarterly check which the daughter and son received from the business, this family no longer had a share in it. As for Parrott there was a younger son serving somewhere in the immense establishment, but he had already proved his amiable incapacity for responsibility. The second generation, as the Colonel was forced to admit, was a disappointment. Somehow these merchants had failed to transmit the iron in their blood to their children. The sons and sons-in-law either lacked ability and grit, or were frankly degenerate—withered limbs!
With the Colonel it had promised to be different; that first boy he had left behind when he went to the War had grown up under his eye, was saturated with the business idea. Young Ezra had preferred to leave the military academy where he had been at school and enter the store at eighteen. At twenty-six he had been made treasurer of the firm, only a few months before his death. … The Colonel's thin figure bent perceptibly after that autumn of ninety-seven. He erected a pseudo-Greek temple in Fairview Cemetery, with the name Price cut in deep Roman letters above the door, to hold the ashes of his son—then devoted all his energies to measures for sanitary reform in the city. He was a fighter, even of death. …
Vickers had cabled at once when the news reached him that he was sailing for home. He and Isabelle had inherited their mother's nervous constitution and had come later in the family fortunes. They had known only ease and luxury, tempered as it was by their father's democratic simplicity and their mother's plain tastes. Insensibly they had acquired the outlook of the richer generation, the sense of freedom to do with themselves what they pleased. Both had been sent East to school—to what the Colonel had been told were the best schools—and Vickers had gone to a great university.
There for a time the boy had tried to compete in athletics, as the one inevitable path of ambition for an American boy at college; but realizing soon that he was too slightly built for this field, he had drifted into desultory reading and sketching for the college comic paper. Then a social talent and a gift for writing music gave him the composition of the score for the annual musical play. This was a hit, and from that time he began to think seriously of studying music. It was agreed in the family that after his graduation he should go abroad "to see what he could do." Ezra had already taken his place in the hardware business, and the younger son could be spared for the ornamental side of life, all the more as he was delicate in health and had not shown the slightest evidence of "practical ability." So the summer that he took his degree, a creditable degree with honors in music, the Prices sailed for Europe to undertake one of those elaborate tasting tours of foreign lands that well-to-do American families still essay. In the autumn it concluded by the Colonel's establishing the family in Munich and returning to his affairs. Vickers had been in Europe most of the time since, living leisurely, studying, writing "little things" that Isabelle played over for the Colonel on the piano.
* * * * *
Now he had come home at the family call—an odd figure it must be confessed in St. Louis, with his little pointed beard, and thin mustache, his fondness for flowing neckwear and velveteen waistcoats, his little canes and varnished boots. And he stayed on; for the family seemed to need him, in a general way, though it was not clear to him what good he could do to them and there were tempting reasons for returning to Rome. In spite of the sadness of the family situation the young man could not repress his humorous sense of the futility of all hopes built upon himself.
"Just think of me selling nails,"—he always referred to the hardware business as "selling nails,"—he said to his mother when she spoke to him of the Colonel's hope that he would try to take his brother's place. "All I know about business is just enough to draw a check if the bank will keep the account straight. Poor Colonel! That germ ought to have got me instead of Junior!"
"You owe it to your father, Vick. You can't be more useless than Bob Parrott, and your father would like to see you in the office—for a time any way."
Vickers refrained from saying that there was an unmentioned difference between him and Bob Parrott. Young Parrott had never shown the desire to do anything, except play polo; while he might—at least he had the passion for other things. The family, he thought, took his music very lightly, as a kind of elegant toy that should be put aside at the first call of real duty. Perhaps he had given them reason by his slow preparation, his waiting on the fulness of time and his own development to produce results for the world to see. Isabelle alone voiced a protest against this absorption of the young man into the family business.
"Why, he has his own life! It is too much of a sacrifice," she remonstrated.
"Nothing that can give your father comfort is too much of a sacrifice,"
Mrs. Price replied sharply.
"It can't last long," Isabelle said to Vickers. "The Colonel will see—he is generous."
"He will see that I am no good fast enough!"
"He will understand what you are giving up, and he is too large hearted to want other people to do what they are not fitted to do."
"I don't suppose that the family fortunes need my strong right arm exactly?" the young man inquired.
"Of course not! It's the sentiment, don't you see?"
"Yes, of course, the sentiment for nails!" the young man accepted whimsically. "Poor Junior did the sentiment as well as the business so admirably, and I shall be such a hollow bluff at both, I fear."
Nevertheless, the next morning Vickers was at breakfast on time, and when the Colonel's motor came around at eight-thirty, he followed his father into the hall, put on an unobtrusive black hat, selected a sober pair of gloves, and leaving his little cane behind him took the seat beside his father. Their neighbor in the block was getting into his brougham at the same moment.
"Alexander Harmon," the Colonel explained, "president of the Commercial
Trust Company."
They passed more of the Colonel's acquaintances on their way down the avenue, emerging from their comfortable houses for the day's work. It was the order of an industrial society, the young man realized, in a depressed frame of mind. He also realized, sympathetically, that he was occupying his brother's seat in the motor, and he was sorry for the old man at his side. The Colonel looked at him as if he were debating whether he should ask his son to stop at a barber shop and sacrifice his pointed beard—but he refrained.
Vickers had never seen the towering steel and terra-cotta building in which the hardware business was now housed. It stood in a cloud of mist and smoke close by the river in the warehouse district. As the car drew up before its pillared entrance, the Colonel pointed with pride to the brass plaque beside the door on which was engraved the architect's name.
"Corbin did it—you know him? They say he's the best man in America. It was his idea to sign it, the same as they do in Paris. Pretty good building, eh?"
The young man threw back his head and cast a critical glance over the twelve-story monster and again at the dwarfed classic entrance through which was pouring just now a stream of young men.
"Yes, Corbin is a good man," he assented vaguely, looking through the smoke drifts down the long crowded thoroughfare, on into a mass of telegraph wires, masts, and smokestacks, and lines of bulky freight cars. Some huge drays were backed against the Price building receiving bundles of iron rods that fell clanging into their place. Wagons rattled past