NIGHT?”
It was one of those moist nights of spring when the air is pungent with the odour of the softened earth, and the gentle breaths that stirred the curtains in Mr. Parr's big dining-room wafted, from the garden, the perfumes of a revived creation—delicious, hothouse smells. At intervals, showers might be heard pattering on the walk outside. The rector of St. John's was dining with his great parishioner.
Here indeed were a subject for some modern master, a chance to picture for generations to come an aspect of a mighty age, an age that may some day be deemed but a grotesque and anomalistic survival of a more ancient logic; a gargoyle carved out of chaos, that bears on its features a resemblance to the past and the future.
Our scene might almost be mediaeval with its encircling gloom, through which the heavy tapestries and shadowy corners of the huge apartment may be dimly made out. In the center, the soft red glow of the candles, the gleaming silver, the shining cloth, the Church on one side—and what on the other? No name given it now, no royal name, but still Power. The two are still in apposition, not yet in opposition, but the discerning may perchance read a prophecy in the salient features of the priest.
The Man of Power of the beginning of the twentieth century demands a subtler analysis, presents an enigma to which the immortal portraits of forgotten Medicis and Capets give no clew. Imagine, if you can, a Lorenzo or a Grand Louis in a tightly-buttoned frock coat! There must be some logical connection between the habit and the age, since crimson velvet and gold brocade would have made Eldon Parr merely ridiculous.
He is by no means ridiculous, yet take him out of the setting and put him in the street, and you might pass him a dozen times without noticing him. Nature, and perhaps unconscious art, have provided him with a protective exterior; he is the colour of his jungle. After he has crippled you—if you survive—you will never forget him. You will remember his eye, which can be unsheathed like a rapier; you will recall his lips as the expression of a relentless negative. The significance of the slight bridge on the narrow nose is less easy to define. He is neither tall nor short; his face is clean-shaven, save for scanty, unobtrusive reddish tufts high on the cheeks; his hair is thin.
It must be borne in mind, however, that our rector did not see him in his jungle, and perhaps in the traditional nobility of the lion there is a certain truth. An interesting biography of some of the powerful of this earth might be written from the point of view of the confessor or the physician, who find something to love, something to pity, and nothing to fear—thus reversing the sentiments of the public.
Yet the friendship between John Hodder and Eldon Parr defied any definite analysis on the rector's part, and was perhaps the strangest—and most disquieting element that had as yet come into Hodder's life. The nature of his intimacy with the banker, if intimacy it might be called, might have surprised his other parishioners if they could have been hidden spectators of one of these dinners. There were long silences when the medium of communication, tenuous at best, seemed to snap, and the two sat gazing at each other as from mountain peaks across impassable valleys. With all the will in the world, their souls lost touch, though the sense in the clergyman of the other's vague yearning for human companionship was never absent. It was this yearning that attracted Hodder, who found in it a deep pathos.
After one of these intervals of silence, Eldon Parr looked up from his claret.
“I congratulate you, Hodder, on the stand you took in regard to Constable's daughter,” he said.
“I didn't suppose it was known,” answered the rector, in surprise.
“Constable told me. I have reason to believe that he doesn't sympathize with his wife in her attitude on this matter. It's pulled him down—you've noticed that he looks badly?”
“Yes,” said the rector. He did not care to discuss the affair; he had hoped it would not become known; and he shunned the congratulations of Gordon Atterbury, which in such case would be inevitable. And in spite of the conviction that he had done his duty, the memory of his talk with Mrs. Constable never failed to make him, uncomfortable.
Exasperation crept into Mr. Pares voice.
“I can't think what's got into women in these times—at Mrs. Constable's age they ought to know better. Nothing restrains them. They have reached a point where they don't even respect the Church. And when that happens, it is serious indeed. The Church is the governor on our social engine, and it is supposed to impose a restraint upon the lawless.”
Hodder could not refrain from smiling a little at the banker's conception.
“Doesn't that reduce the Church somewhere to the level of the police force?” he asked.
“Not at all,” said Eldon Parr, whose feelings seemed to be rising. “I am sorry for Constable. He feels the shame of this thing keenly, and he ought to go away for a while to one of these quiet resorts. I offered him my car. Sometimes I think that women have no morals. At any rate, this modern notion of giving them their liberty is sheer folly. Look what they have done with it! Instead of remaining at home, where they belong, they are going out into the world and turning it topsy-turvy. And if a man doesn't let them have a free hand, they get a divorce and marry some idiot who will.”
Mr. Parr pushed back his chair and rose abruptly, starting for the door. The rector followed him, forcibly struck by the unusual bitterness in his tone.
“If I have spoken strongly, it is because I feel strongly,” he said in a strange, thickened voice. “Hodder, how would you like to live in this house—alone?”
The rector looked down upon him with keen, comprehending eyes, and saw Eldon Parr as he only, of all men, had seen him. For he himself did not understand his own strange power of drawing forth the spirit from its shell, of compelling the inner, suffering thing to reveal itself.
“This poison,” Eldon Parr went on unevenly, “has eaten into my own family. My daughter, who might have been a comfort and a companion, since she chose not to marry, was carried away by it, and thought it incumbent upon her to have a career of her own. And now I have a choice of thirty rooms, and not a soul to share them with. Sometimes, at night, I make up my mind to sell this house. But I can't do it—something holds me back, hope, superstition, or whatever you've a mind to call it. You've never seen all of the house, have you?” he asked.
The rector slowly shook his head, and the movement might have been one that he would have used in acquiescence to the odd whim of a child. Mr. Parr led the way up the wide staircase to the corridor above, traversing chamber after chamber, turning on the lights.
“These were my wife's rooms,” he said, “they are just as she left them. And these my daughter Alison's, when she chooses to pay me a visit. I didn't realize that I should have to spend the last years of my life alone. And I meant, when I gave my wife a house, to have it the best in the city. I spared nothing on it, as you see, neither care nor money. I had the best architect I could find, and used the best material. And what good is it to me? Only a reminder—of what might have been. But I've got a boy, Hodder—I don't know whether I've ever spoken of him to you—Preston. He's gone away, too. But I've always had the hope that he might come back and get decently married, and live, here. That's why I stay. I'll show you his picture.”
They climbed to the third floor, and while Mr. Parr way searching for the electric switch, a lightning flash broke over the forests of the park, prematurely revealing the room. It was a boy's room, hung with photographs of school and college crews and teams and groups of intimates, with deep window seats, and draped pennons of Harvard University over the fireplace. Eldon Parr turned to one of the groups on the will, the earliest taken at school.
“There he is,” he said, pointing out a sunny little face at the bottom, a boy of twelve, bareheaded, with short, crisping yellow hair, smiling lips and laughing eyes. “And here he is again,” indicating another group. Thus he traced him through succeeding years until they came to those of college.
“There