somehow acted as an anchor that has held the capital fast moored at Madrid through all succeeding years.
It was a dreary and somewhat shabby court for many reigns. The great kings who started the Austrian dynasty were too busy in their world conquest to pay much attention to beautifying Madrid, and their weak successors, sunk in ignoble
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pleasures, had not energy enough to indulge the royal folly of building. When the Bourbons came down from France there was a little flurry of construction under Philip V., but he never finished his palace in the Plaza del Oriente, and was soon absorbed in constructing his castle in cloud-land on the heights of La Granja. The only real ruler the Bourbons ever gave to Spain was Charles III., and to him Madrid owes all that it has of architecture and civic improvement. Seconded by his able and liberal minister, Count Aranda, who was educated abroad, and so free from the trammels of Spanish ignorance and superstition, he rapidly changed the ignoble town into something like a city. The greater portion of the public buildings date from this active and beneficent reign. It was he who laid out the walks and promenades which give to Madrid almost its only outward attraction. The Picture Gallery, which is the shrine of all pilgrims of taste, was built by him for a Museum of Natural Science. In nearly all that a stranger cares to see, Madrid is not an older city than Boston.
There is consequently no glory of tradition here. There are no cathedrals. There are no
THE PALACE, MADRID
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ruins. There is none of that mysterious and haunting memory that peoples the air with spectres in quiet towns like Ravenna and Nuremberg. And there is little of that vast movement of humanity that possesses and bewilders you in San Francisco and New York. Madrid is larger than Chicago; but Chicago is a great city and Madrid a great village. The pulsations of life in the two places resemble each other no more than the beating of Dexter's heart on the home-stretch is like the rising and falling of an oozy tide in a marshy inlet.
There is nothing indigenous in Madrid. There is no marked local color. It is a city of Castile, but not a Castilian city, like Toledo, which girds its graceful waist with the golden Tagus, or like Segovia, fastened to its rock in hopeless shipwreck.
But it is not for this reason destitute of an interest of its own. By reason of its exceptional history and character it is the best point in Spain to study Spanish life. It has no distinctive traits itself, but it is a patchwork of all Spain. Every province of the Peninsula sends a contingent to its population. The Gallicians hew its wood and draw its water; the Asturian women nurse its babies
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at their deep bosoms, and fill the promenades with their brilliant costumes; the Valentians carpet its halls and quench its thirst with orgeat of chufas; in every street you shall see the red bonnet and sandalled feet of the Catalan; in every café, the shaven face and rat-tail chignon of the Majo of Andalusia. If it have no character of its own, it is a mirror where all the faces of the Peninsula may sometimes be seen. It is like the mockingbird of the West, that has no song of its own, and yet makes the woods ring with every note it has ever heard.
Though Madrid gives a picture in little of all Spain, it is not all Spanish. It has a large foreign population. Not only its immediate neighbors, the French, are here in great numbers, -- conquering so far their repugnance to emigration, and living as gayly as possible in the midst of traditional hatred, -- but there are also many Germans and English in business here, and a few stray Yankees have pitched their tents, to reinforce the teeth of the Dons, and to sell them ploughs and sewing-machines. Its railroads have waked it up to a new life, and the Revolution has set free the thought of its people to an extent which would
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have been hardly credible a few years ago. Its streets swarm with newsboys and strangers, -- the agencies that are to bring its people into the movement of the age.
It has a superb opera-house, which might as well be in Naples, for all the national character it has; the court theatre, where not a word of Cas-tilian is ever heard, nor a strain of Spanish music. Even cosmopolite Paris has her grand opera sung in French, and easy-going Vienna insists that Don Juan shall make love in German. The champagny strains of Offenbach are heard in every town of Spain oftener than the ballads of the country. In Madrid there are more pilluelos who whistle Bu qui s'avance than the Hymn of Riego. The Cancan has taken its place on the boards of every stage in the city, apparently to stay; and the exquisite jota and cachucha are giving way to the bestialities of the casino cadet. It is useless perhaps to fight against that hideous orgie of vulgar Menads which in these late years has swept over all nations, and stung the loose world into a tarantula dance from the Golden Horn to the Golden Gate. It must have its day and go out; and when it has passed, perhaps we may see that it was not so utterly
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causeless and irrational as it seemed; but that, as a young American poet has impressively said, "Paris was proclaiming to the world in it somewhat of the pent-up fire and fury of her nature, the bitterness of her heart, the fierceness of her protest against spiritual and political repression. It is an execration in rhythm, -- a dance of fiends, which Paris has invented to express in license what she lacks in liberty."
This diluted European, rather than Spanish, spirit may be seen in most of the amusements of the politer world of Madrid. They have classical concerts in the circuses and popular music in the open air. The theatres play translations of French plays, which are pretty good when they are in prose, and pretty dismal when they are turned into verse, as is more frequent, for the Spanish mind delights in the jingle of rhyme. The fine old Spanish drama is vanishing day by day. The masterpieces of Lope and Calderón, which inspired all subsequent playwriting in Europe, have sunk almost utterly into oblivion. The stage is flooded with the washings of the Boulevards. Bad as the translations are, the imitations are worse. The original plays produced by the geniuses of the
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Spanish Academy, for which they are crowned and sonneted and pensioned, are of the kind upon which we are told that gods and men and columns look austerely.
This infection of foreign manners has completely gained and now controls what is called the best society of Madrid. A soiree in this circle is like an evening in the corresponding grade of position in Paris or Petersburg or New York in all external characteristics. The toilets are by Worth; the beauties are coiffed by the deft fingers of Parisian tiring-women; the men wear the penitential garb of Poole; the music is by Gounod and Verdi; Strauss inspires the rushing waltzes, and the married people walk through the quadrilles to the measures of Blue Beard and Fair Helen, so suggestive of conjugal rights and duties. As for the suppers, the trail of the Neapolitan serpent is over them all. Honest eating is a lost art among the effete denizens of the Old World. Tantalizing ices, crisped shapes of baked nothing, arid sandwiches, and the feeblest of sugary punch, are the only supports exhausted nature receives for the shock of the cotillon. I remember the stern reply of a friend of mine when I asked him to go with me to a
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brilliant reception,--"No! Man liveth not by biscuit-glace alone!" His heart was heavy for the steamed cherry-stones of Harvey and the stewed terrapin of Augustin.
The speech of the gay world has almost ceased to be national. Every one speaks French sufficiently for all social requirements. It is sometimes to be doubted whether this constant use of a foreign language in official and diplomatic circles is a cause or effect of paucity of ideas. It is impossible for any one to use another tongue with the ease and grace with which he could use his own. You know how tiresome the most charming foreigners are when they speak English. A fetter-dance is always more curious than graceful. Yet one who has nothing to say can say it better in a foreign language. If you must speak nothing but phrases, Ollendorff's are as good as any one's. Where there are a dozen people all speaking French equally badly, each one imagines there is a certain elegance in the hackneyed forms. I know of no other way of accounting for the fact that clever people seem stupid and stupid people clever when