a fight. The bloated face of the Parson grew purple.
"Woodford!" he roared.
"I said," repeated Ump slowly, "to Mister Ward. An' his enemies, may the devil fly away with 'em."
Peppers hurled down his pitcher, and it broke into a thousand pieces on the oak floor. I saw the hunchback's eyes blink. I saw Jud take a step towards Peppers, but he was too late. Lem Marks made a sign to Malan. The club-footed giant bounded on Peppers, pinned his arms to his sides, and lifting him from the table carried him toward the door. A fight in Roy's tavern was not a part of the plan of Hawk Rufe.
For a moment the Parson's rage choked him, and he fought and sputtered. Then he began to curse with terrible roaring oaths that came boiling up, oaths that would have awakened new echoes in the foul hold of any pirate ship that ever ran.
His bloodshot eyes rolled and glared at the hunchback over the woolly head of Malan. There seemed to be something in Ump's face that lashed the drunkard to a fury. I looked at Ump to see what it was, and unless I see the devil, I shall never see the like of that expression. It was the face of a perfectly cool imp.
Black Malan carried Peppers through the door as though he were a bushel of corn in a bag, and I marked the build of this powerful man. His neck had muscle creases like the folds on the neck of a muley bull. His shoulders were bigger than Jud's. His arms were not so long, but they were thicker, and his legs stood under him like posts. But he was slow, and he had but little light in his head. A tremendous animal was the club-footed Malan.
Lem Marks stopped at the door, fingered his hat and began to apologise. He was sorry Peppers was drunk, and we must overlook the vapourings of a drunkard. He wished us a pleasant journey.
"To the devil," added Ump when the door had closed on him.
Chapter IX
Christian the Blacksmith
We ate our dinner from the quaint old Dutch blue bowls, and the teacups with the queer kneeling purple cows on them. Then we went to feed the horses. Roy brought us a hickory split basket filled with white corn on the cob, and wiped out a long chestnut trough which lay by the roadside. We took the bits out of the horses' mouths, leaving the headstalls on them, and they fell to with the hearty impatience of the very hungry.
I have always liked to see a horse or an ox eat his dinner. Somehow it makes the bread taste better in one's own mouth. They look so tremendously content, provokingly so I used to think when I was little, especially the ox with the yoke banging his horns. I remember how I used to fill my pockets with "nubbins" and, holding one out to old Berry or some other patriarch of the work cattle, watch how he reached for it with his rough tongue, and how surprised he was when I snatched it away and put it back in my pocket, or gave it to him, and then thrust my finger against his jaw, pushing in his cheek so that he could not eat it. He would look so wofully hurt that I laughed with glee until old Jourdan came along, gathered me up under his arm, and carried me off kicking to the kingdom of old Liza.
My early experience with the horse was not so entirely satisfactory to my youthful worship. Somewhere on my shoulder to this day are the faint marks of teeth, set there long ago on a winter morning when I was taking liberties with the table etiquette of old Charity.
We lolled in the sunshine while the horses ate, Jud on his back by the nose of the Cardinal, his fingers linked under his head. I sat on the poplar horse-block with my hands around my knee, while Ump was in the road examining El Mahdi's feet. For once he had abandoned the Bay Eagle.
He rubbed the fetlocks, felt around the top of the hoofs with his finger, scraped away the clinging dirt with the point of a knife blade, and tried the firmness of each shoe-nail. Then he lifted the horse's foot, rested it on his knee, and began to examine the shoe as an expert might examine some intricate device.
Ump held that bad shoeing was the root of all evil. "Along comes a flat-nose," he would say, "with a barefooted colt, an' a gabbin', chuckle-headed blacksmith nails shoes on its feet, an' the flat-nose jumps on an' away he goes, hipety click, an' the colt interferes, an' the flat-nose begins a kickin' an' a cursin', an' then—" Here the hunchback's fingers began to twitch. "Somebody ought to come along an' grab the fool by the scruff of his neck an' kick him till he couldn't set in a saddle, an' then go back an' boot the sole-leather off the blacksmith."
I have seen the hunchback stop a stranger in the road and point out with indignation that the shoe on his horse was too short, or binding the hoof, or too heavy or too light, and then berate the stranger like a thief because he would not turn instantly and ride back to a smith-shop. And I have seen him sit over a blacksmith with his narrow face thrust up under the horse's belly, and put his finger on the place where every nail was to go in and the place where it was to come out, and growl and curse and wrangle, until, if I had been that smith, I should have killed him with a hammer.
But the hunchback knew what he was about. Ward said of Ump that, in his field, the land of the horse's foot, he was as much an expert as any professor behind his spectacles. His knowledge came from the observation of a lifetime, gathered by tireless study of every detail. Even now, when I see a great chemist who knows all about some drug; a great surgeon who knows all about the body of a man; or a great oculist who knows all about the human eye, I must class the hunchback with them.
Ump explored El Mahdi's shoes, pulled at the calks, picked at the nails, and prodded into the frog of the foot to see if there was any tendency to gravel. He found a left hind shoe that did not suit him, and put down the foot and wiped his hands on his breeches.
"Who shod this horse, Quiller?" he said.
"Dunk Hodge," I answered.
The hunchback made a gesture as of one offered information that is patent. "I know Dunk made the shoes," he said, "by the round corks. But they've been reset. Who reset 'em?"
"Dunk," said I.
"Not by a jugful!" responded Ump. "Old Dunk never reset 'em."
"I sent the horse to him," I said.
"I don't care a fiddler's damn where you sent the horse," replied the hunchback. "Dunk didn't drive them nails. They're beat over at the point instead of being clinched. It's a slut job."
"I expect," said Jud, "it was his ganglin' son-in-law, Ab."
"That's the laddiebuck," said Ump, "an' he ought to be withed. That hind shoe has pulled loose an' broke. We've got to git it put on."
"Then we shall have to try Christian," said I; "there's no other shop this side of the Stone Coal."
"I know it," mused Ump, "an' when he goes to the devil, flat-nosed niggers will never shovel dirt on a meaner dog."
Jud arose and began to bridle the Cardinal. "He's mighty triflin'," said he; "he uses store nails, an' he's too lazy to p'int 'em."
Now, to use the manufactured nail was brand enough in the Hills. But to drive it into a horse's foot without first testing the point was a piece of turpitude approaching the criminal.
"Well," said I, "he'll drive no nail into El Mahdi that isn't home-made and smooth."
"Then Ump 'ill have to stand over him," replied Jud.
"Damn it," cried the hunchback, striking his clenched right hand into the palm of his left, "ain't I stood over every one of the shirkin' pot-wallopers from the mountains to the Gauley an' showed him how to shoe a horse, an' told him over an' over just what to do an' how to do it, an' put my finger on the place? An' by God! The minute my back's turned, he'll lame a horse with a splintered nail, or bruise a frog with a pinchin' cork, or pare off the toe of the best mare that ever walked because he's too damn' lazy to make the shoe long enough."
Ump turned savagely and went around El Mahdi to the Bay Eagle, put the bit in her mouth and mounted the mare. I bridled El Mahdi and climbed into the saddle, and we rode out toward the Valley River, on the way but an hour