deeper gloom of the garden wall, and stood forth uncertainly. One of the shadows held out a hand.
“Cord!” she murmured. She pushed back the enveloping folds of the lace mantilla about her head. It fell away upon her shoulders, and the pale beams of the moon shone full upon her face. It was Doris.
At sight of her, the exclamation of joy died on Van Ingen’s lips. He stood rooted to the spot by the startling change in her countenance. Her blue eyes, once so laughing, looked out from black hollows, her cheeks were pale and slightly drawn, and her mouth colourless. Fear, depression, misery, spoke in every drooping line of her figure.
“Well?” she said at last, tremulously. “You — are not glad to see me?”
With a hoarse little cry, he took her into his arms, and held her close.
“My Doris!” he whispered. “What have they done to you?”
She trembled in the close embrace, and clung to him.
“I — I have been afraid,” she said simply, “for so many endless days! So many long white nights! I thought at times I should go mad at the horror of it! And when I heard that you were here, near me, in Jerez, I decided to risk all. And so I — I came with Maria, who knows the way,” she nodded toward the other figure which had withdrawn into the shadows, “to — to see you.”
“To see me?” he repeated in a low voice, as one cons a difficult lesson. “You risked all, to see me?”
She nodded, and raised her eyes to his. “But if you are not glad to see me?” She strove gently to disengage herself.
He held her fast. At the moment, as if the heavens had opened wide, a great light broke in upon him. He stared at the face lying against his shoulder, flushed, eager, incredulous. Her soft eyelids were closed. Love lay upon them like a dream, and upon the faintly smiling lips. Her breath mounted to his nostrils like delicate incense. He bent lower and lower.
“Open your eyes, darling!” he entreated. She obeyed — their lips met. He kissed her again.
A slight sound came from the shadows. Doris broke from him, breathless, but unashamed, a newfound joy in her eyes.
“I had almost forgot!” she exclaimed. “I came to tell you something — something important.” Cord laughed.
“You have told it already!” he said. “You have been chanting wonderful, thrilling, cosmic things to me the last ten minutes!”
He sat down and drew her beside him on the bench.
“Tell me — everything,” he said gravely. She eased herself within the circle of his arm.
“First, I wish you to take a message to my aunt. Tell her I am well and happy — now!”
“Lady Dinsmore?” he asked in surprise. “Is she not with you?”
She shook her head. “Aunt Patricia is in Biarritz,” she replied in a low tone. “I — I am with my father.” Fear had crept into her voice again.
“That is what I came to tell you,” she continued.
“My aunt does not understand — she would have me desert my father. But I shall stay with him to the end.
“And — Poltavo?” Van Ingen recalled her letter, and jealousy started up within him.
“Count Poltavo is with us — at present,” she answered in a constrained voice. “How long he will remain—”
“Tell me everything, darling!” he pleaded.
“I can tell you — nothing!” she said passionately, her breast heaving. “Save only that I shall be glad, glad, when this terrible search is completed. So many lives—” For the first time, she broke down completely, and turning from him, sobbed bitterly, her face hidden in her hands. She rocked back and forth in a paroxysm of grief. He bent over her, in an agony of distress, and put his arms about her.
“Cord!” The voice came to him, strangled with sobs.
“Darling?” his mouth was close to her lips.
“Promise me that you will give it up?”
“No.”
“But they will kill you — too!” she moaned.
“Not me!” he said cheerfully. “Not after this!” He raised her tearful face to his. “Tell me, at least, where a letter may find you.”
“I shall be with my father,” she replied evasively. “Count Poltavo and Mr. Baggin are in open rupture,” she hurried on. “Each is fighting for mastery. Count Poltavo has the brains, but Baggin has the money. Between them, they tear my poor father to pieces.”
“And you!” he cried in a choked, angry voice.
“They are killing you, too.”
“I am a pawn in the game,” she said listlessly.
“Each side plays me off against the other.” She rose. “It is late. Maria.”
The old woman materialised out of the gloom, and held open the gate. Cord arose also.
“You are not to come with me!” she whispered urgently. “Goodnight!”
He held her closely. “You love me?”
“Forever!” she said simply.
She rearranged the lace mantilla about her head, and held out her hand.
“I am coming with you,” he said composedly.
Something in his tone checked the protest on her lips.
They walked quietly along the narrow street, the duenna behind, climbed a slight ascent, and stopped in front of a house standing apart, and surrounded by a large garden.
She turned to him, laying one hand upon a small wicket gate.
“One moment,” he implored. “Count Poltavo Your promise—”
“I gave my pledge to him if he would save my father,” she said sadly. “That he has not done.” She opened the gate.
“But if he should—” he insisted.
She lifted her head proudly. “Then I should redeem my pledge.”
She vanished into the darkness of the garden, and the young man retraced his steps to the hotel. The next morning he mounted the steep little street with hope in his heart, and hung about, watching anxiously. No sign of life exhibited itself. The windows, with their close-drawn shades, stared at him blankly. Presently an old woman hobbled out of the little wicket gate. Van Ingen approached her eagerly. “The young lady—” he began in a low tone.
“Gone, senor!” She threw out her hands with an expressive gesture, to indicate illimitable distances. “They departed, in mad haste, in the night.”
“And she left no message?” he cried, in bitter disappointment.
She shrugged her shoulders. “Nothing more than she told the senor last night.”
Van Ingen tossed her a silver piece, and turned slowly back to the hotel.
26. T.B. Smith Reports
In red, blue, and green; in type varying in size according to the temperament of the newspaper; in words wild or sedate, as the character of the journal demanded, the newspaper contents bills gave London its first intimation of the breaking up of the Nine Bears.
As a sensation scarcely less vivid came the astounding exposé of Count Ivan Poltavo. Society rocked to its foundations by this news