The Greatest Works of J. M. Barrie: 90+ Titles in One Volume (Illustrated Edition)
placard, 'Trust in the Lord: every other person cash.'
The only ornament Rob added to the room was the Christmas card in a frame. He placed this on his mantelpiece and looked at it frequently, but when he heard his landlady coming he slipped it back into his pocket. Yet he would have liked at times to have the courage to leave it there. Though he wanted to be a literary man he began his career in London with a little sense, for he wrote articles to editors instead of calling at the offices, and he had the good fortune to have no introductions. The only pressman who ever made anything by insisting on seeing the editor, was one—a Scotsman, no doubt—who got him alone and threatened to break his head if he did not find an opening for him. The editor saw that this was the sort of man who had made up his mind to get on, and yielded.
During his first month in London Rob wrote thirty articles, and took them to the different offices in order to save the postage. There were many other men in the streets at night doing the same thing. He got fifteen articles back by return of post, and never saw the others again. But here was the stuff Rob was made of. The thirty having been rejected, he dined on bread-and-cheese and began the thirty-first. It was accepted by the Minotaur, a weekly paper. Rob drew a sigh of exultation as he got his first proof in London, and remembered that he had written the article in two hours. The payment, he understood, would be two pounds at least, and at the rate of two articles a day, working six days a week, this would mean over six hundred a year. Rob had another look at the Christmas card, and thought it smiled. Every man is a fool now and then.
Except to his landlady, who thought that he dined out, Rob had not spoken to a soul since he arrived in London. To celebrate his first proof he resolved to call on Rorrison. He had not done so earlier because he thought that Rorrison would not be glad to see him. Though he had kept his disappointments to himself, however, he felt that he must remark casually to some one that he was writing for the Minotaur.
Rorrison had chambers at the top of one of the Inns of Court, and as he had sported his oak, Rob ought not to have knocked. He knew no better, however, and Rorrison came grumbling to the door. He was a full-bodied man of middle age, with a noticeably heavy chin, and wore a long dressing-gown.
'I'm Angus from Silchester,' Rob explained.
Rorrison's countenance fell. His occupation largely consisted in avoiding literary young men, who, he knew, were thirsting to take him aside and ask him to get them sub-editorships.
'I'm glad to see you,' he said gloomily; 'come in.'
What Rob first noticed in the sitting-room was that it was all in shadow, except one corner, whose many colours dazzled the eye. Suspended over this part of the room on a gas bracket was a great Japanese umbrella without a handle. This formed an awning for a large cane chair and a tobacco-table, which also held a lamp, and Rorrison had been lolling on the chair looking at a Gladstone bag on the hearthrug until he felt that he was busy packing.
'Mind the umbrella,' he said to his visitor.
The next moment a little black hole that had been widening in the Japanese paper just above the lamp cracked and broke, and a tongue of flame swept up the umbrella. Rob sprang forward in horror, but Rorrison only sighed.
'That makes the third this week,' he said, 'but let it blaze. I used to think they would set the place on fire, but somehow they don't do it. Don't give the thing the satisfaction of seeming to notice it.'
The umbrella had been frizzled in a second, and its particles were already trembling through the room like flakes of snow.
'You have just been in time to find me,' Rorrison said; 'I start to-morrow afternoon for Egypt in the special correspondent business.'
'I envy you,' said Rob, and then told the manner of his coming to London.
'It was a mad thing to do,' said Rorrison, looking at him not without approval, 'but the best journalists frequently begin in that way. I suppose you have been besieging the newspaper offices since you arrived; any result?'
'I had a proof from the Minotaur this evening,' said Rob.
Rorrison blew some rings of smoke into the air and ran his finger through them. Then he turned proudly to Rob, and saw that Rob was looking proudly at him.
'Ah, what did you say?' asked Rorrison.
'The Minotaur has accepted one of my things,' said Rob.
Rorrison said 'Hum,' and then hesitated.
'It is best that you should know the truth,' he said at last. 'No doubt you expect to be paid by the Minotaur, but I am afraid there is little hope of that—unless you dun them. A friend of mine sent them something lately, and Roper (the editor, you know) wrote asking him for more. He sent two or three other things, and then called at the office, expecting to be paid.'
'Was he not?'
'On the contrary,' said Rorrison, 'Roper asked him for the loan of five pounds.'
Rob's face grew so long that even the hardened Rorrison tried to feel for him.
'You need not let an experience that every one has to pass through dishearten you,' he said. 'There are only about a dozen papers in London that are worth writing for, but I can give you a good account of them. Not only do they pay handsomely, but the majority are open to contributions from any one. Don't you believe what one reads about newspaper rings. Every thing sent in is looked at, and if it is suitable any editor is glad to have it. Men fail to get a footing on the Press because—well, as a rule, because they are stupid.'
'I am glad to hear you say that,' said Rob, 'and yet I had thirty articles rejected before the Minotaur accepted that one.'
'Yes, and you will have another thirty rejected if they are of the same kind. You beginners seem able to write nothing but your views on politics, and your reflections on art, and your theories of life, which you sometimes even think original. Editors won't have that because their readers don't want it. Every paper has its regular staff of leader-writers, and what is wanted from the outside is freshness. An editor tosses aside your column and a half about evolution, but is glad to have a paragraph saying that you saw Herbert Spencer the day before yesterday gazing solemnly for ten minutes in at a milliner's window. Fleet Street at this moment is simply running with men who want to air their views about things in general.'
'I suppose so,' said Rob dolefully.
'Yes, and each thinks himself as original as he is profound, though they have only to meet to discover that they repeat each other. The pity of it is, that all of them could get on to some extent if they would send in what is wanted. There is copy in every man you meet, and, as a journalist on this stair says, when you do meet him you feel inclined to tear it out of him and use it yourself.'
'What sort of copy?' asked Rob.
'They should write of the things they have seen. Newspaper readers have an insatiable appetite for knowing how that part of the world lives with which they are not familiar. They want to know how the Norwegians cook their dinners and build their houses, and ask each other in marriage.'
'But I have never been out of Britain.'
'Neither was Shakspeare. There are thousands of articles in Scotland yet. You must know a good deal about the Scottish weavers—well, there are articles in them. Describe the daily life of a gillie: "The Gillie at Home" is a promising title. Were you ever snowed up in your saw-mill? Whether you were or not, there is a seasonable subject for January. "Yule in a Scottish Village" also sounds well, and there is a safe article in a Highland gathering.'
'These must have been done before, though,' said Rob.
'Of course they have,' answered Rorrison; 'but do them in your own way: the public has no memory, and besides, new publics are always springing up.'
'I am glad I came to see you,' said Rob, brightening considerably; 'I never thought of these things.'
'Of course you need not confine yourself to them. Write on politics if you will, but don't merely say what you yourself think; rather tell, for instance, what is the political situation in the country parts known