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Tammas Haggart, after a pause, 'but what it's kind o' nat'ral.'
Chapter III.
Rob Goes Out Into the World
One evening, nearly a month after Rob Angus became 'single,' Mr. George Frederick Licquorish, editor and proprietor of the Silchester Mirror, was sitting in his office cutting advertisements out of the Silchester Argus, and pasting each on a separate sheet of paper. These advertisements had not been sent to the Mirror, and, as he thought this a pity, he meant, through his canvasser, to call the attention of the advertisers to the omission.
Mr. Licquorish was a stout little man with a benevolent countenance, who wrote most of his leaders on the backs of old envelopes. Every few minutes he darted into the composing-room, with an alertness that was a libel on his genial face; and when he returned it was pleasant to observe the kindly, good-natured manner in which he chaffed the printer's devil who was trying to light the fire. It was, however, also noticeable that what the devil said subsequently to another devil was—'But, you know, he wouldn't give me any sticks.'
The Mirror and the Argus are two daily newspapers published in Silchester, each of which has the largest circulation in the district, and is therefore much the better advertising medium. Silchester is the chief town of an English midland county, and the Mirror's business notepaper refers to it as the centre of a population of half a million souls.
The Mirror's offices are nearly crushed out of sight in a block of buildings, left in the middle of a street for town councils to pull down gradually. This island of houses, against which a sea of humanity beats daily, is cut in two by a narrow passage, off which several doors open. One of these leads up a dirty stair to the editorial and composing-rooms of the Daily Mirror, and down a dirty stair to its printing-rooms. It is the door at which you may hammer for an hour without any one's paying the least attention.
During the time the boy took to light Mr. Licquorish's fire, a young man in a heavy overcoat knocked more than once at the door in the alley, and then moved off as if somewhat relieved that there was no response. He walked round and round the block of buildings, gazing upwards at the windows of the composing-room; and several times he ran against other pedestrians on whom he turned fiercely, and would then have begged their pardons had he known what to say. Frequently he felt in his pocket to see if his money was still there, and once he went behind a door and counted it. There was three pounds seventeen shillings altogether, and he kept it in a linen bag that had been originally made for carrying worms in when he went fishing. When he re-entered the close he always drew a deep breath, and if any persons emerged from the Mirror office he looked after them. They were mostly telegraph boys, who fluttered out and in.
When Mr. Licquorish dictated an article, as he did frequently, the apprentice-reporter went into the editor's room to take it down, and the reporters always asked him, as a favour, to shut George Frederick's door behind him. This apprentice-reporter did the police reports and the magazine notices, and he wondered a good deal whether the older reporters really did like brandy and soda. The reason why John Milton, which was the unfortunate name of this boy, was told to close the editorial door behind him was that it was close to the door of the reporters' room, and generally stood open. The impression the reporters' room made on a chance visitor varied according as Mr. Licquorish's door was ajar or shut. When they heard it locked on the inside, the reporters and the sub-editor breathed a sigh of relief; when it opened they took their legs off the desk.
The editor's room had a carpet, and was chiefly furnished with books sent in for review. It was more comfortable, but more gloomy-looking than the reporters' room, which had a long desk running along one side of it, and a bunk for holding coals and old newspapers on the other side. The floor was so littered with papers, many of them still in their wrappers, that, on his way between his seat and the door, the reporter generally kicked one or more into the bunk. It was in this way, unless an apprentice happened to be otherwise disengaged, that the floor was swept.
In this room were a reference library and an old coat. The library was within reach of the sub-editor's hand, and contained some fifty books, which the literary staff could consult, with the conviction that they would find the page they wanted missing. The coat had hung unbrushed on a nail for many years, and was so thick with dust that John Milton could draw pictures on it with his finger. According to legend, it was the coat of a distinguished novelist, who had once been a reporter on the Mirror, and had left Silchester unostentatiously by his window.
It was Penny, the foreman in the composing-room, who set the literary staff talking about the new reporter. Penny was a lank, loosely-jointed man of forty, who shuffled about the office in slippers, ruled the compositors with a loud voice and a blustering manner, and was believed to be in Mr. Licquorish's confidence. His politics were respect for the House of Lords, because it rose early, enabling him to have it set before supper-time.
The foreman slithered so quickly from one room to another that he was at the sub-editor's elbow before his own door had time to shut. There was some copy in his hand, and he flung it contemptuously upon the desk.
'Look here, Mister,' he said, flinging the copy upon the sub-editor's desk, 'I don't want that.'
The sub-editor was twisted into as little space as possible, tearing telegrams open and flinging the envelopes aside, much as a housewife shells peas. His name was Protheroe, and the busier he was the more he twisted himself. On Budget nights he was a knot. He did voluntarily so much extra work that Mr. Licquorish often thought he gave him too high wages; and on slack nights he smiled to himself, which showed that something pleased him. It was rather curious that this something should have been himself.
'But—but,' cried Protheroe, all in a flutter, 'it's town council meeting; it—it must be set, Mr. Penny.'
'Very well, Mister; then that special from Birmingham must be slaughtered.'
'No, no, Mr. Penny; why, that's a speech by Bright.'
Penny sneered at the sub-editor, and flung up his arms to imply that he washed his hands of the whole thing, as he had done every night for the last ten years, when there was pressure on his space. Protheroe had been there for half of that time, yet he still trembled before the autocrat of the office.
'There's enough copy on the board,' said Penny, 'to fill the paper. Any more specials coming in?'
He asked this fiercely, as if of opinion that the sub-editor arranged with leading statesmen nightly to flood the composing-room of the Mirror with speeches, and Protheroe replied abjectly, as if he had been caught doing it—'Lord John Manners is speaking to-night at Nottingham.'
The foreman dashed his hand upon the desk.
'Go it, Mister, go it,' he cried; 'anything else? Tell me Gladstone's dead next.'
Sometimes about two o'clock in the morning Penny would get sociable, and the sub-editor was always glad to respond. On those occasions they talked with bated breath of the amount of copy that would come in should anything happen to Mr. Gladstone; and the sub-editor, if he was in a despondent mood, predicted that it would occur at midnight. Thinking of this had made him a Conservative.
'Nothing so bad as that,' he said, dwelling on the subject, to show the foreman that they might be worse off; 'but there's a column of local coming in, and a concert in the People's Hall, and——'
'And you expect me to set all that?' the foreman broke in. 'Why, the half of that local should have been set by seven o'clock, and here I've only got the beginning of the town council yet. It's ridiculous.'
Protheroe looked timidly towards the only reporter present, and then apologetically towards Penny for having looked at the reporter.
'The stuff must be behind,' growled Tomlinson, nicknamed Umbrage, 'as long as we're a man short.'
Umbrage was very short and stout, with a big moon face, and always wore his coat unbuttoned. In the streets, if he was walking