at the foot of the bed and had a good look at her. She lay with her head on her hand, and the hollow in the pillow was like a nest lined with her brown wavy hair. He remembered, though he had long forgotten it, that she always gave her hair a holiday at night. How sweet the frills of her nightgown were! He was very glad she was such a pretty mother.
But she looked sad, and he knew why she looked sad. One of her arms moved as if it wanted to go round something, and he knew what it wanted to go round.
'O mother!' said Peter to himself, 'if you just knew who is sitting on the rail at the foot of the bed.'
Very gently he patted the little mound that her feet made, and he could see by her face that she liked it. He knew he had but to say 'Mother' ever so softly, and she would wake up. They always wake up at once if it is you that says their name. Then she would give such a joyous cry and squeeze him tight. How nice that would be to him, but oh! how exquisitely delicious it would be to her. That, I am afraid, is how Peter regarded it. In returning to his mother he never doubted that he was giving her the greatest treat a woman can have. Nothing can be more splendid, he thought, than to have a little boy of your own. How proud of him they are! and very right and proper, too.
But why does Peter sit so long on the rail; why does he not tell his mother that he has come back?
I quite shrink from the truth, which is that he sat there in two minds. Sometimes he looked longingly at his mother, and sometimes he looked longingly at the window. Certainly it would be pleasant to be her boy again, but on the other hand, what times those had been in the Gardens! Was he so sure that he should enjoy wearing clothes again? He popped off the bed and opened some drawers to have a look at his old garments. They were still there, but he could not remember how you put them on. The socks, for instance, were they worn on the hands or on the feet? He was about to try one of them on his hand, when he had a great adventure. Perhaps the drawer had creaked; at any rate, his mother woke up, for he heard her say 'Peter,' as if it was the most lovely word in the language. He remained sitting on the floor and held his breath, wondering how she knew that he had come back. If she said 'Peter' again, he meant to cry 'Mother' and run to her. But she spoke no more, she made little moans only, and when he next peeped at her she was once more asleep, with tears on her face.
It made Peter very miserable, and what do you think was the first thing he did? Sitting on the rail at the foot of the bed, he played a beautiful lullaby to his mother on his pipe. He had made it up himself out of the way she said 'Peter,' and he never stopped playing until she looked happy.
He thought this so clever of him that he could scarcely resist wakening her to hear her say, 'O Peter, how exquisitely you play!' However, as she now seemed comfortable, he again cast looks at the window. You must not think that he meditated flying away and never coming back. He had quite decided to be his mother's boy, but hesitated about beginning to-night. It was the second wish which troubled him. He no longer meant to make it a wish to be a bird, but not to ask for a second wish seemed wasteful, and, of course, he could not ask for it without returning to the fairies. Also, if he put off asking for his wish too long it might go bad. He asked himself if he had not been hard-hearted to fly away without saying good-bye to Solomon. 'I should like awfully to sail in my boat just once more,' he said wistfully to his sleeping mother. He quite argued with her as if she could hear him. 'It would be so splendid to tell the birds of this adventure,' he said coaxingly. 'I promise to come back,' he said solemnly, and meant it, too.
And in the end, you know, he flew away. Twice he came back from the window, wanting to kiss his mother, but he feared the delight of it might waken her, so at last he played her a lovely kiss on his pipe, and then he flew back to the Gardens.
Many nights, and even months, passed before he asked the fairies for his second wish; and I am not sure that I quite know why he delayed so long. One reason was that he had so many good-byes to say, not only to his particular friends, but to a hundred favourite spots. Then he had his last sail, and his very last sail, and his last sail of all, and so on. Again, a number of farewell feasts were given in his honour; and another comfortable reason was that, after all, there was no hurry, for his mother would never weary of waiting for him. This last reason displeased old Solomon, for it was an encouragement to the birds to procrastinate. Solomon had several excellent mottoes for keeping them at their work, such as 'Never put off laying to-day because you can lay to-morrow,' and 'In this world there are no second chances,' and yet here was Peter gaily putting off and none the worse for it. The birds pointed this out to each other, and fell into lazy habits.
But, mind you, though Peter was so slow in going back to his mother, he was quite decided to go back. The best proof of this was his caution with the fairies. They were most anxious that he should remain in the Gardens to play to them, and to bring this to pass they tried to trick him into making such a remark as 'I wish the grass was not so wet,' and some of them danced out of time in the hope that he might cry, 'I do wish you would keep time!' Then they would have said that this was his second wish. But he smoked their design, and though on occasions he began, 'I wish——' he always stopped in time. So when at last he said to them bravely, 'I wish now to go back to mother for ever and always,' they had to tickle his shoulders and let him go.
He went in a hurry in the end, because he had dreamt that his mother was crying, and he knew what was the great thing she cried for, and that a hug from her splendid Peter would quickly make her to smile. Oh! he felt sure of it, and so eager was he to be nestling in her arms that this time he flew straight to the window, which was always to be open for him.
But the window was closed, and there were iron bars on it, and peering inside he saw his mother sleeping peacefully with her arm around another little boy.
Peter called, 'Mother! mother!' but she heard him not; in vain he beat his little limbs against the iron bars. He had to fly back, sobbing, to the Gardens, and he never saw his dear again. What a glorious boy he had meant to be to her! Ah, Peter! we who have made the great mistake, how differently we should all act at the second chance. But Solomon was right—there is no second chance, not for most of us. When we reach the window it is Lock-out Time. The iron bars are up for life.
V.
The Little House
Everybody has heard of the Little House in the Kensington Gardens, which is the only house in the whole world that the fairies have built for humans. But no one has really seen it, except just three or four, and they have not only seen it but slept in it, and unless you sleep in it you never see it. This is because it is not there when you lie down, but it is there when you wake up and step outside.
In a kind of way every one may see it, but what you see is not really it, but only the light in the windows. You see the light after Lock-out Time. David, for instance, saw it quite distinctly far away among the trees as we were going home from the pantomime, and Oliver Bailey saw it the night he stayed so late at the Temple, which is the name of his father's office. Angela Clare, who loves to have a tooth extracted because then she is treated to tea in a shop, saw more than one light, she saw hundreds of them all together; and this must have been the fairies building the house, for they build it every night, and always in a different part of the Gardens. She thought one of the lights was bigger than the others, though she was not quite sure, for they jumped about so, and it might have been another one that was bigger. But if it was the same one, it was Peter Pan's light. Heaps of children have seen the light, so that is nothing. But Maimie Mannering was the famous one for whom the house was first built.
Maimie was always rather a strange girl, and it was at night that she was strange. She was four years of age, and in the daytime she was the ordinary kind. She was pleased when her brother Tony, who was a magnificent fellow of six, took notice of her, and she looked up to him in the right way, and tried in vain to imitate him, and was flattered rather than annoyed when he shoved her about. Also, when she was batting, she would pause though the ball was in the air to point out to you that she was wearing new shoes. She was quite the ordinary kind in the daytime.
But as the shades of night fell, Tony, the swaggerer,