Basil King

The Street Called Straight


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have had the way of life she craved, without ever knowing the price he was about to pay for it.

      In withdrawing his glance from hers he turned it about on the various objects in the room. Many of them had stood in their places since before he was born; others he had acquired at occasional sales of Guion property, so that, as the different branches of the family became extinct or disappeared, whatever could be called "ancestral" might have a place at Tory Hill; others he had collected abroad. All of them, in these moments of anguish—the five K'ang-hsi vases on the mantelpiece, brought home by some seafaring Guion of Colonial days, the armorial "Lowestoft" in the cabinets, the Copley portraits of remote connections on the walls, the bits of Chippendale and Hepplewhite that had belonged to the grandfather who built Tory Hill—all of them took on now a kind of personality, as with living look and utterance. He had loved them and been proud of them; and as he turned out the lights, leaving them to darkness, eyes could not have been more appealing nor lips more eloquent than they in their mute farewell.

      Returning to the library, he busied himself with his main undertaking. He was anxious that nothing should be left behind that could give Olivia additional pain, while whatever she might care to have, her mother's letters to himself or other family documents, might be ready to her hand. It was the kind of detail to which he could easily give his attention. He worked methodically and phlegmatically, steeling himself to a grim suppression of regret. He was almost sorry to finish the task, since it forced his mind to come again face to face with facts. The clock struck two as he closed the last drawer and knew that that part of his preparation was completed.

      In reading the old letters with their echoes of old incidents, old joys, old jokes, old days in Paris, Rome, or England, he had been so wafted back to another time that on pushing in the drawer, which closed with a certain click of finality, the realization of the present rolled back on his soul with a curious effect of amazement. For a few minutes it was as if he had never understood it, never thought of it, before. They were going to make him, Henry Guion, a prisoner, a criminal, a convict! They were going to clip his hair, and shave his beard, and dress him in a hideous garb, and shut him in a cell! They were going to give him degrading work to do and degrading rules to keep, and degrading associates to live with, as far as such existence could be called living with any one at all. They were going to do this for year upon year, all the rest of his life, since he never could survive it. He was to have nothing any more to come in between him and his own thoughts—his thoughts of Olivia brought to disgrace, of the Clay heirs brought to want, of the Rodman heirs and the Compton heirs deprived of half their livelihood! He had called it that evening the Strange Ride with Morrowby Jukes to the Land of the Living Dead, but it was to be worse than that. It was to be worse than Macbeth with his visions of remorse; it was to be worse than Vathek with the flame burning in his heart; it was to be worse than Judas—who at least could hang himself.

      He got up and went to a mirror in the corner of the room. The mere sight of himself made the impossible seem more impossible. He was so fine a specimen—he could not but know it!—so much the free man, the honorable man, the man of the world! He tried to see himself with his hair clipped and his beard shaven and the white cravat and waistcoat replaced by the harlequin costume of the jailbird. He tried to see himself making his own bed, and scrubbing his own floor, and standing at his cell door with a tin pot in his hand, waiting for his skilly. It was so absurd, so out of the question, that he nearly laughed outright. He was in a dream—in a nightmare! He shook himself, he pinched himself, in order to wake up. He was ready in sudden rage to curse the handsome, familiar room for the persistence of its reality, because the rows of books and the Baxter prints and the desks and chairs and electric lights refused to melt away like things in a troubled sleep.

      It was then that for the first time he began to taste the real measure of his impotence. He was in the hand of the law. He was in the grip of the sternest avenging forces human society could set in motion against him; and, quibbles, shifts, and subterfuges swept aside, no one knew better than himself that his punishment would be just.

      It was a strange feeling, the feeling of having put himself outside the scope of mercy. But there he was! There could never be a word spoken in his defense, nor in any one's heart a throb of sympathy toward him. He had forfeited everything. He could expect nothing from any man, and from his daughter least of all. The utmost he could ask for her was that she should marry, go away, and school herself as nearly as might be to renounce him. That she should do it utterly would not be possible; but something would be accomplished if pride or humiliation or resentment gave her the spirit to carry her head high and ignore his existence.

      It was incredible to think that at that very instant she was sleeping quietly, without a suspicion of what was awaiting her. Everything was incredible—incredible and impossible. As he looked around the room, in which every book, every photograph, every pen and pencil, was a part of him, he found himself once more straining for a hope, catching at straws. He took a sheet of paper, and sitting down at his desk began again, for the ten thousandth time, to balance feverishly his meagre assets against his overwhelming liabilities. He added and subtracted and multiplied and divided with a sort of frenzy, as though by dint of sheer forcing the figures he could make them respond to his will.

      Suddenly, with a gesture of mingled anger and hopelessness, he swept the scribbled sheets and all the writing paraphernalia with a crash to the floor, and, burying his face in his hands, gave utterance to a smothered groan. It was a cry, not of surrender, but of protest—of infinite, exasperated protest, of protest against fate and law and judgment and the eternal principles of right and wrong, and against himself most of all. With his head pressed down on the bare polished wood of his desk, he hurled himself mentally at an earth of adamant and a heaven of brass, hurled himself ferociously, repeatedly, with a kind of doggedness, as though he would either break them down or dash his own soul to pieces.

      "O God! O God!"

      It was an involuntary moan, stifled in his fear of becoming hysterical, but its syllables arrested his attention. They were the syllables of primal articulation, of primal need, condensing the appeal and the aspiration of the world. He repeated them:

      "O God! O God!"

      He repeated them again. He raised his head, as if listening to a voice.

      "O God! O God!"

      He continued to sit thus, as if listening.

      It was a strange, an astounding thought to him that he might pray. Though the earth of adamant were unyielding, the heaven of brass might give way!

      He dragged himself to his feet.

      He believed in God—vaguely. That is, it had always been a matter of good form with him to go to church and to call for the offices of religion on occasions of death or marriage. He had assisted at the saying of prayers and assented to their contents. He had even joined in them himself, since a liturgical service was a principle in the church to which he "belonged." All this, however, had seemed remote from his personal affairs, his life-and-death struggles—till now. Now, all at once, queerly, it offered him something—he knew not what. It might be nothing better than any of the straws he had been clutching at. It might be no more than the effort he had just been making to compel two to balance ten.

      He stood in the middle of the room under the cluster of electric lights and tried to recollect what he knew, what he had heard, of this Power that could still act when human strength had reached its limitations. It was nothing very definite. It consisted chiefly of great phrases, imperfectly understood: "Father Almighty," "Saviour of the World," "Divine Compassion" and such like. He did not reason about them, or try to formulate what he actually believed. It was instinctively, almost unconsciously, that he began to speak; it was brokenly and with a kind of inward, spiritual hoarseness. He scarcely knew what he was doing when he found himself saying, mentally:

      "Save me! … I'm helpless! … I'm desperate! … Save me! … Work a miracle! … Father! … Christ! Christ! Save my daughter! … We have no one—but—but You! … Work a miracle! Work a miracle! … I'm a thief and a liar and a traitor—but save me! I might do something yet—something that might render me—worth salvation—but then—I might not. … Anyhow, save me! … O God! Father Almighty! … Almighty! That