Algernon Blackwood

The Collected Novels of Algernon Blackwood (11 Titles in One Edition)


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affair. It seems, indeed, that this calmer adjudication never came to him at all, for even to this day the mere mention of the clergyman's name brings to his round cheeks a flush of that enthusiasm and wonder which are the enemies of all sober discrimination. Skale still remains the great battering force of his life that carried him off his feet towards the stars, and sent his imagination with wings of fire tearing through the Unknown to a goal that once attained should make them all four as gods.

      Chapter VII

       Table of Contents

      I

      And thus the affair moved nearer to its close. The theory and practice of molding form by means of sound was the next bang at his mind—delivered in the clergyman's most convincing manner, and, in view of the proofs that soon followed, an experience that seemed to dislocate the very foundations of his visible world, deemed hitherto secure enough at least to stand on.

      Had it all consisted merely of talk on Mr. Skale's part the secretary would have known better what to think. It was the interludes of practical proof that sent his judgment so awry. These definite, sensible results, sandwiched in between all the visionary explanation, left him utterly at sea. He could not reconcile them altogether with hypnotism. He could only, as an ordinary man, already with a bias in the mystical direction, come to the one conclusion that this overwhelming and hierophantic man was actually in touch with cisterns of force so terrific as to be dangerous to what he had hitherto understood to be—life. It was easy enough for the clergyman, in his optimistic enthusiasm, to talk about their leading to a larger life. But what if the experiment failed, and these colossal powers ran amok upon the world—and upon the invokers?

      Moreover—chief anxiety of all—what was this name to be experimented with? What was the nature of this force that Skale hoped to invoke—so mighty that it should make them "as gods," so terrible that a chord alone could compass even the first of its stupendous syllables?

      And, further, he was still haunted with the feeling that other "beings" occupied certain portions of the rambling mansion, and more than once recently he had wakened in the night with an idea, carried over from dreams possibly, that the corridor outside his bedroom was moving and alive with footsteps. "From dreams possibly," for when he went and peered shivering through the narrow crack of the half-opened door, he saw nothing unusual. And another time—he was awake beyond question at the moment, for he had been reading till two o'clock and had but just extinguished the candle—he had heard a sound that he found impossible to describe, but that sent all the blood with a swift rush from the region of his heart. It was not wind; it was not the wood cracking with the frost; it was not snow sliding from the slates outside. It was something that simultaneously filled the entire building, yet sounded particularly loud just outside his door; and it came with the abrupt suddenness of a report. It made him think of all the air in the rooms and halls and passages being withdrawn by immense suction, as though a gigantic dome had been dropped over the building in order to produce a vacuum. And just after it he heard, unmistakably, the long soft stride of Skale going past his door and down the whole length of the corridor—stealthily, very quickly, with the hurry of anxiety or alarm in his silence and his speed.

      This, moreover, had now happened twice, so that imagination seemed a far-fetched explanation. And on both occasions the clergyman had remained invisible on the day following until the evening, and had then reappeared, quiet and as usual, but with an atmosphere of immense vibratory force somehow about his person, and a glow in his face and eyes that at moments seemed positively colored.

      No word of explanation, however, had as yet been forthcoming of these omens, and Spinrobin waited with what patience he could, meanwhile, for the final test which he knew to be close upon him. And in his diary, the pages usually left blank now because words failed him, he wrote a portion of Anone's cry that had caught his memory and expressed a little of what he felt:

      … for fiery thoughts Do shape themselves within me, more and more, Whereof I catch the issue, as I hear Dead sounds at night come from the inmost hills, Like footsteps upon wool….

      II

      It was within three days of the expiration of his trial month that he then had this conversation with the clergyman, which he understood quite well was offered by way of preparation for the bigger tests about to come. He has reported what he could of it; it seemed to him at the time both plausible and absurd; it was of a piece, that is, with the rest of the whole fabulous adventure.

      Mr. Skale, as they walked over the snowy moors in the semi-darkness between tea and dinner, had been speaking to him about the practical results obtainable by sound-vibrations (what he already knew for that matter), and how it is possible by fiddling long enough upon a certain note to fiddle down a bridge and split it asunder. From that he passed on to the scientific fact that the ultimate molecules of matter are not only in constant whirring motion, but that also they do not actually touch one another. The atoms composing the point of a pin, for instance, shift and change without ceasing, and—there is space between them.

      Then, suddenly taking Spinrobin's arm, he came closer, his booming tone dropping to a whisper:

      "To change the form of anything," he said in his ear, "is merely to change the arrangement of those dancing molecules, to alter their rate of vibration." His eyes, even in the obscurity of the dusk, went across the other's face like flames.

      "By means of sound?" asked the other, already beginning to feel eerie.

      The clergyman nodded his great head in acquiescence.

      "Just as the vibrations of heat-waves," he said after a pause, "can alter the form of a metal by melting it, so the vibrations of sound can alter the form of a thing by inserting themselves between those whirling molecules and changing their speed and arrangement—change the outline, that is."

      The idea seemed fairly to buffet the little secretary in the face, but Mr. Skale's proximity was too overpowering to permit of very clear thinking. Feeling that a remark was expected from him, he managed to ejaculate an obvious objection in his mind.

      "But is there any sound that can produce vibrations fine and rapid enough—to—er—accomplish such a result?"

      Mr. Skale appeared almost to leap for pleasure as he heard it. In reality he merely straightened himself up.

      "That," he cried aloud, to the further astonishment and even alarm of his companion, "is another part of my discovery—an essential particular of it: the production of sound-vibrations fine and rapid enough to alter shapes! Listen and I will tell you!" He lowered his voice again. "I have found out that by uttering the true inner name of anything I can set in motion harmonics—harmonics, note well, half the wave length and twice the frequency!—that are delicate and swift enough to insert themselves between the whirling molecules of any reasonable object—any object, I mean, not too closely or coherently packed. By then swelling or lowering my voice I can alter the scale, size or shape of that object almost indefinitely, its parts nevertheless retaining their normal relative proportions. I can scatter it to a huge scale by separating its molecules indefinitely, or bring them so closely together that the size of the object would be reduced to a practical invisibility!"

      "Re-create the world, in fact!" gasped Spinrobin, feeling the earth he knew slipping away under his feet.

      Mr. Skale turned upon him and stood still a moment. The huge moors, glimmering pale and unreal beneath their snow, ran past them into the sky—silent forms corresponding to who knows what pedal notes? The wind sighed—audible expression of who shall say what mighty shapes?… Something of the passion of sound, with all its mystery and splendor, entered his heart in that windy sigh. Was anything real? Was anything permanent?… Were Sound and Form merely interchangeable symbols of some deeper uncataloged Reality? And was the visible cohesion after all the illusory thing?

      "Re-mold the whole universe, sir!" he roared through the darkness, in a way that