choice possessed them deep within.
"Here," exclaimed the clergyman in a hushed tone that yet woke echoes on all sides, while he lit a candle and held it aloft, "you see the cellar vaults all ready for the first great syllable when our chord shall bring it leaping down from the rooms upstairs. Here will reside the pattern of the name's opening syllable till we shall have accomplished the construction of the others."
And like some august master of forbidden ceremonies, looking twice his natural size as the shadows played tricks with his arms and shoulders, merging his outline into walls and ceiling, Skale stood and looked about him.
Spaces stretched away on all sides as in the crypt of a cathedral, most beautifully and harmoniously draped with the separate colors of the four rooms, red, yellow, violet and green; immense gongs, connected apparently with some intricate network of shining wires, hung suspended in midair beneath the arches; rising from the floor were gigantic tuning forks, erect and silent, immediately behind which gaped artificial air-cavities placed to increase the intensity of the respective notes when caught; and in the dim background the clergyman pointed out an elaborate apparatus for quickly altering the temperature of the air, and another for the rapid production of carbonic acid gas, since by means of a lens of carbonic acid gas sound can be refracted like light, and by changing the temperature of the air that conveys it, sound can be bent, also like a ray of light, in any desired direction. The whole cellar seemed in some way to sum up and synthesize the distinctive characteristics of the four rooms. Over it all, sheeting ceiling and walls, lay the living and receptive wax. Singularly suggestive, too, was the appearance of those huge metal discs, like lifeless, dark faces waiting the signal to open their bronze lips and cry aloud, ready for the advent of the Sound that should give them birth and force them to proclaim their mighty secret. Spinrobin stared, silent and fascinated, almost expecting them to begin there and then their dreadful and appalling music.
Yet the place was undeniably empty; no ghost of a sound stirred the gorgeous draperies; nothing but a faint metallic whispering seemed to breathe out from the big discs and forks and wires as Skale's voice, modulated and hushed though it was, vibrated gently against them. Nothing moved, nothing uttered, nothing lived—as yet.
"Destitute of all presence, you see it now," whispered the clergyman, shading the candle with one huge hand; "though before long, when we transfer our great captured syllable down here, you shall know it alive and singing with a thousand thunders. The Letters shall not escape me. The gongs and colors correspond exactly. They will retain both the sounds and the outlines … and the wax is sensitive as the heart of a child." And his big face shone quite dreadfully as the whole pomp and splendor of his dream come true set fire to his thoughts.
But Spinrobin was glad when at length they turned and moved slowly again up the stone steps and emerged into the pale December daylight. That dark cellar, wired, draped, waxed and be-gonged, awaiting its mighty occupant, filled his mind with too vast a sensation of wonder and anticipation for peace.
"And for the syllables to follow," Skale resumed when they were once more in the library, "we shall want spaces larger still. There are great holes in these hills"—stretching out an arm to indicate the mountains above the house—"and down yonder in the heart of those cliffs by the sounding sea there are caverns. They are far, but the distance is of no consequence. They will serve us well. I know them. I have marked them. They are ready."
He swept his beard to and fro with one hand. Spinrobin already saw those holes and caverns in the terms of sound and color.
"And—for the entire name—when completed?" he asked, knowing that the question was but a feeble substitute for that other one he burned to ask, yet dared not allow his lips to utter. Skale turned and looked at him. He raised his hands aloft. His voice boomed again as of old.
"The open sky!" he cried with enthusiasm; "the vault of heaven itself! For no solid structure exists in the world, not even the ribs of these old hills, that could withstand the power of that—of that eternal and terrific—"
Spinrobin leapt to his feet. The question swept from his lips at last like a flame. Miriam clung to his arm, trying in vain to stop him.
"Then tell me," he cried aloud, "tell me, you great blasphemer, whose is the Name that you seek to utter under heaven … and tell me why it is my soul faints and is so fearfully afraid?"
Mr. Skale looked at him for a moment as a man might look at some trifling phenomenon of life that puzzled yet interested him. But there was love in his eyes—love, and the forgiveness of a great soul. Spinrobin, afraid at his own audacity, met his eyes recklessly, while Miriam peered from one to the other, perplexed and questioning.
"Spinrobin," said the clergyman at length, in a voice turned soft and tender with compassion, "the name I seek—this awful name we may all eventually utter together, completely formed—is one that no living man has spoken for nigh two thousand years, though all this time the search has been kept alive by a few men in every age and every country of the world. Some few, they say—ah, yes, 'they say'—have found it, then instantly forgotten it again; for once pronounced it may not be retained, but goes utterly lost to the memory on the instant. Only once, so far as we may know"—he lowered his voice to a hushed and reverent whisper that thrilled about them in the air like the throbbing of a string—"has it been preserved: the Prophet of Nazareth, purer and simpler than all other men, recovered the correct utterance of the first two syllables, and swiftly—very swiftly—phonetically, too, of necessity,—wrote them down before the wondrous memory had time to fade; then sewed the piece of parchment into his thigh, and hence 'had Power' all his life.
"It is a name," he continued, his tone rising to something of its old thunder, "that sounds like the voice of many waters, that piles the ocean into standing heaps and makes the high hills to skip like little lambs. It is a name the ancient Hebrews concealed, as Tetragrammaton, beneath a thousand devices, the name, they said, that 'rusheth through the universe,' to call upon which—that is, to utter correctly—is to call upon that name which is far above all others that can be named—"
He paused midway in the growing torrent of his speech and lifted his companion out of the sofa. He set him upon his feet, holding both his hands and peering deep into his eyes—those bewildered yet unflinching blue eyes of the little man who sought terrific adventure as an escape from insignificance—
"—to know which," he added, in a sudden awed whisper, "is to know the ultimate secrets of life and death, and to read the riddle of the world and the soul—to become even as itself—Gods."
He stopped abruptly, and again that awful, flaming smile ran over his face, flushing it from chin to forehead with the power of his burning and tremendous belief.
Spinrobin was already weeping inwardly, without sound. He understood at last, only too well, what was coming. Skale's expression held the whole wild glory, and the whole impious audacity of what seemed his blasphemous spiritual discovery. The fires were alight in his eyes. He stooped down lower and opened wide his capacious arms. The next second, Spinrobin, Miriam, and Mrs. Mawle, who had unexpectedly come upon them from behind, were gathered all together against his breast. His voice then dropped suddenly to a tiny whisper of awful joy that seemed to creep from his lips like some message too mighty to be fully known, and half lost itself among the strands of his beard.
"My wonderful redeemed children, notes in my human chord," he whispered over their heads, "it is the Name that shall make us as God, for it is none other than the Name that rusheth through the universe"—his breath failed him most curiously for an instant—"the NAME OF THE ALMIGHTY!"
Chapter XII
I
A certain struggling incoherence is manifest in Spinrobin's report of it all, as of a man striving to express violent thoughts in a language he has not yet mastered. It is evident, for instance, as those few familiar with the "magical" use