JAMES, A Pluralistic Universe
"… A man's vision is the great fact about him. Who cares for Carlyle's reasons, or Schopenhauer's, or Spencer's? A philosophy is the expression of a man's intimate character, and all definitions of the Universe are but the deliberately adopted reactions of human characters upon it."
—Ibid
"There are certain persons who, independently of sex or comeliness, arouse an instant curiosity concerning themselves. The tribe is small, but its members unmistakable. They may possess neither fortune, good looks, nor that adroitness of advance-vision which the stupid name good luck; yet there is about them this inciting quality which proclaims that they have overtaken Fate, set a harness about its neck of violence, and hold bit and bridle in steady hands.
"Most of us, arrested a moment by their presence to snatch the definition their peculiarity exacts, are aware that on the heels of curiosity follows—envy. They know the very things that we forever seek in vain. And this diagnosis, achieved as it were en passant, comes near to the truth, for the hallmark of such persons is that they have found, and come into, their own. There is a sign upon the face and in the eyes. Having somehow discovered the 'piece' that makes them free of the whole amazing puzzle, they know where they belong and, therefore, whither they are bound: more, they are definitely en route. The littlenesses of existence that plague the majority pass them by.
"For this reason, if for no other," continued O'Malley, "I count my experience with that man as memorable beyond ordinary. 'If for no other,' because from the very beginning there was another. Indeed, it was probably his air of unusual bigness, massiveness rather,—head, face, eyes, shoulders, especially back and shoulders,—that struck me first when I caught sight of him lounging there hugely upon my steamer deck at Marseilles, winning my instant attention before he turned and the expression on his great face woke more—woke curiosity, interest, envy. He wore this very look of certainty that knows, yet with a tinge of mild surprise as though he had only recently known. It was less than perplexity. A faint astonishment as of a happy child—almost of an animal—shone in the large brown eyes—"
"You mean that the physical quality caught you first, then the psychical?" I asked, keeping him to the point, for his Irish imagination was ever apt to race away at a tangent.
He laughed good-naturedly, acknowledging the check. "I believe that to be the truth," he replied, his face instantly grave again. "It was the impression of uncommon bulk that heated my intuition—blessed if I know how—leading me to the other. The size of his body did not smother, as so often is the case with big people: rather, it revealed. At the moment I could conceive no possible connection, of course. Only this overwhelming attraction of the man's personality caught me and I longed to make friends. That's the way with me, as you know," he added, tossing the hair back from his forehead impatiently,"—pretty often. First impressions. Old man, I tell you, it was like a possession."
"I believe you," I said. For Terence O'Malley all his life had never understood half measures.
II
"The friendly and flowing savage, who is he? Is he waiting for civilization, or is he past it, and mastering it?"
—WHITMAN
"We find ourselves today in the midst of a somewhat peculiar state of society, which we call Civilization, but which even to the most optimistic among us does not seem altogether desirable. Some of us, indeed, are inclined to think that it is a kind of disease which the various races of man have to pass through….
"While History tells us of many nations that have been attacked by it, of many that have succumbed to it, and of some that are still in the throes of it, we know of no single case in which a nation has fairly recovered from and passed through it to a more normal and healthy condition. In other words, the development of human society has never yet (that we know of) passed beyond a certain definite and apparently final stage in the process we call Civilization; at that stage it has always succumbed or been arrested."
—EDWARD CARPENTER, Civilization: Its Cause and Cure
O'Malley himself is an individuality that invites consideration from the ruck of commonplace men. Of mingled Irish, Scotch, and English blood, the first predominated, and the Celtic element in him was strong. A man of vigorous health, careless of gain, a wanderer, and by his own choice something of an outcast, he led to the end the existence of a rolling stone. He lived from hand to mouth, never quite growing up. It seemed, indeed, that he never could grow up in the accepted sense of the term, for his motto was the reverse of nil admirari, and he found himself in a state of perpetual astonishment at the mystery of things. He was forever deciphering the huge horoscope of Life, yet getting no further than the House of Wonder, on whose cusp surely he had been born. Civilization, he loved to say, had blinded the eyes of men, filling them with dust instead of vision.
An ardent lover of wild outdoor life, he knew at times a high, passionate searching for things of the spirit, when the outer world fell away like dross and he seemed to pass into a state resembling ecstasy. Never in cities or among his fellow men, struggling and herded, did these times come to him, but when he was abroad with the winds and stars in desolate places. Then, sometimes, he would be rapt away, caught up to see the tail-end of the great procession of the gods that had come near. He surprised Eternity in a running Moment.
For the moods of Nature flamed through him—in him—like presences, potently evocative as the presences of persons, and with meanings equally various: the woods with love and tenderness; the sea with reverence and magic; plains and wide horizons with the melancholy peace and silence as of wise and old companions; and mountains with a splendid terror due to some want of comprehension in himself, caused probably by a spiritual remoteness from their mood.
The Cosmos, in a word, for him was psychical, and Nature's moods were transcendental cosmic activities that induced in him these singular states of exaltation and expansion. She pushed wide the gateways of his deeper life. She entered, took possession, dipped his smaller self into her own enormous and enveloping personality.
He possessed a full experience, and at times a keen judgment, of modern life; while underneath, all the time, lay the moving sea of curiously wild primitive instincts. An insatiable longing for the wilderness was in his blood, a craving vehement, unappeasable. Yet for something far greater than the wilderness alone—the wilderness was merely a symbol, a first step, indication of a way of escape. The hurry and invention of modern life were to him a fever and a torment. He loathed the million tricks of civilization. At the same time, being a man of some discrimination at least, he rarely let himself go completely. Of these wilder, simpler instincts he was afraid. They might flood all else. If he yielded entirely, something he dreaded, without being able to define, would happen; the structure of his being would suffer a nameless violence, so that he would have to break with the world. These cravings stood for that loot of the soul which he must deny himself. Complete surrender would involve somehow a disintegration, a dissociation of his personality that carried with it the loss of personal identity.
When the feeling of revolt became sometimes so urgent in him that it threatened to become unmanageable, he would go out into solitude, calling it to heel; but this attempt to restore order, while easing his nature, was never radical; the accumulation merely increased on the rebound; the yearnings grew and multiplied, and the point of saturation was often dangerously near. "Some day," his friends would say, "there'll be a bursting of the dam." And, though their meaning might be variously interpreted, they spoke the truth. O'Malley knew it, too.
A man he was, in a word, of deep and ever-shifting moods, and with more difficulty than most in recognizing the underlying self of which these outer aspects were projections masquerading as complete personalities.
The underlying ego that unified these projections was of the type touched with so sure a hand in the opening pages of an inspired little book: The Plea of Pan. O'Malley was useless as a citizen and knew it. Sometimes—he was