Jimbo's state of oblivion in the tree was in reality a momentary return to consciousness in his body on the bed, and the repaired mechanism of the brain and muscles had summoned him back on a sort of trial visit. He remembered nothing of it afterwards, any more than one remembers the experiences of deep sleep; but the fact was that, with the descent of the darkness upon him in the branches, he had opened his eyes once again on the scene in the night-nursery bedroom where his body lay.
He saw figures standing round the bed and about the room; his mother with the same white face as before, was still bending over the bed asking him if he knew her; a tall man in a long black coat moved noiselessly to and fro; and he saw a shaded lamp on a table a little to the right of the bed. Nothing seemed to have changed very much, though there had probably been time enough since he last opened his eyes for the black-coated doctor to have gone and come again for a second visit. He held an instrument in his hands that shone brightly in the lamplight. Jimbo saw this plainly and wondered what it was. He felt as if he were just waking out of a nice, deep sleep—dreamless and undisturbed. The Empty House, the Governess, Fright and the Children had all vanished from his memory, and he knew no more about wings and feathers than he did about the science of meteorology.
But the bedroom scene was a mere glimpse after all; his eyes were already beginning to close again. First they shut out the figure of the doctor; then the bed-curtains; and then the nurse moved her arm, making the whole scene quiver for an instant, like some huge jelly-shape, before it dipped into profound darkness and disappeared altogether. His mother's voice ran off into a thin trickle of sound, miles and miles away, and the light from the lamp followed him with its glare for less than half a second. All had vanished.
"Jimbo, dear, where have you been? Can you remember anything?" asked the soft voice beside him, as he looked first at the stars overhead, and then from the tracery of branches and leaves beneath him to the great sea of tree-tops and open country all round.
But he could tell her nothing; he seemed dreamy and absent-minded, lying and staring at her as if he hardly knew who she was or what she was saying. His mind was still hovering near the border-line of the two states of consciousness, like the region between sleeping and waking, where both worlds seem unreal and wholly wonderful.
He could not answer her questions, but he evidently caught some reflex of her emotions, for he leaned towards her across the branches, and said he was happy and never wanted to leave her. Then he crawled to the end of the big bough and sprang out into the air with a shout of delight. He was the child again—the flying child, wild with the excitement of tearing through the night air at fifty miles an hour.
The governess soon followed him and they flew home together, taking a long turn by the sea and past the great chalk cliffs, where the sea sang loud beneath them.
These lapses became with time more frequent, as well as of longer duration; and with them the boy noticed that the longing to escape became once again intense. He wanted to get home, wherever home was; he experienced a sort of nostalgia for the body, though he could not remember where that body lay. But when he asked the governess what this feeling meant, she only mystified him by her answers, saying that every one, in the body or out of it, felt a deep longing for their final home, though they might not have the least idea where it lay, or even to be able to recognise, much less to label, their longing.
His normal feelings, too, were slowly returning to him. The Older Self became more and more submerged. As he approached the state of ordinary, superficial consciousness, the characteristics of that state reflected themselves more and more in his thoughts and feelings. His memory still remained a complete blank; but he somehow felt that the things, places, and people he wanted to remember, had moved much nearer to him than before. Every day brought them more within his reach.
"All these forgotten things will come back to me soon, I know," he said one day to the governess, "and then I'll tell you all about them."
"Perhaps you'll remember me too then," she answered, a shadow passing across her face.
Jimbo clapped his hands with delight.
"Oh," he cried, "I should like to remember you, because that would make you a sort of two-people governess, and I should love you twice as much."
But with the gradual return to former conditions the feelings of age and experience grew dim and indefinite, his knowledge lessened, becoming obscure and confused, showing itself only in vague impressions and impulses, until at last it became quite the exception for the child-consciousness to be broken through by flashes of intuition and inspiration from the more deeply hidden memories.
For one thing, the deep horror of the Empty House and its owner now returned to him with full force. Fear settled down again over the room, and lurked in the shadows over the yard. A vivid dread seized him of the other door in the room—the door through which the Frightened Children had disappeared, but which had never opened since. It gradually became for him a personality in the room, a staring, silent, listening thing, always watching, always waiting. One day it would open and he would be caught! In a dozen ways like this the horror of the house entered his heart and made him long for escape with all the force of his being.
But the governess, too, seemed changing; she was becoming more vague and more mysterious. Her face was always sad now, and her eyes wistful; her manner became restless and uneasy, and in many little ways the child could not fail to notice that her mind was intent upon other things. He begged her to name the day for the final flight, but she always seemed to have some good excuse for putting it off.
"I feel frightened when you don't tell me what's going on," he said to her.
"It's the preparations for the last flight," she answered, "the flight of escape. He'll try to prevent us going together so that you should get lost. But it's better you shouldn't know too much," she added. "Trust me and have patience."
"Oh, that's what you're so afraid of," he said, "separation!" He was very proud indeed of the long word, and said it over several times to himself.
And the governess, looking out of the window at the fading sunlight, repeated to herself more than to him the word he was so proud of.
"Yes, that's what I'm so afraid of—separation; but if it means your salvation——" and her sentence remained unfinished as her eyes wandered far above the tops of the trees into the shadows of the sky.
And Jimbo, drawn by the sadness of her voice, turned towards the window and noticed to his utter amazement that he could see right through her. He could see the branches of the trees beyond her body.
But the next instant she turned and was no longer transparent, and before the boy could say a word, she crossed the floor and disappeared from the room.
CHAPTER XVI
PREPARATION
Now that he was preparing to leave it, Jimbo began to realise more fully how things in this world of delirium—so the governess sometimes called it—were all terribly out of order and confused. So long as he was wholly in it and of it, everything had seemed all right; but, as he approached his normal condition again, the disorder became more and more apparent.
And the next few hours brought it home with startling clearness, and increased to fever heat the desire for final escape.
It was not so much a nonsense-world—it was too alarming for that—as a world of nightmare, wherein everything was distorted. Events in it were all out of proportion; effects no longer sprang from adequate causes; things happened in a dislocated sort of way, and there was no sequence in the order of their happening. Tiny occurrences filled him with disproportionate, inconceivable horror; and great events, on the other hand, passed him scathless. The spirit of disorder—monstrous, uncouth, terrifying—reigned supreme; and Jimbo's whole desire, though inarticulate, was to escape back into order and harmony again.
In contrast to all this dreadful uncertainty, the conduct of the governess