at all. Miriam spoke from time to time across the table to the secretary. She did not ask questions, she stated facts, as though she already knew all about his feelings and tastes. She may have been twenty years of age, perhaps, but in some way she took him back to childhood. And she said things with the simple audacity of a child, ignoring Mr. Skale's presence. It seemed to the secretary as if he had always known her.
"I knew just how you would look," she said, without a trace of shyness, "the moment I heard your name. And you got my name very quickly, too?"
"Only part of it, at first—"
"Oh yes; but when you saw me completely you got it all," she interrupted. "And I like your name," she added, looking him full in the eye with her soft grey orbs; "it tells everything."
"So does yours, you know."
"Oh, of course," she laughed; "Mr. Skale gave it to me the day I was born."
"I heard it," put in the clergyman, speaking almost for the first time. And the talk dropped again, the secretary's head fairly whirling.
"You used it all, of course, as a little boy," she said presently again; "names, I mean?"
"Rather," he replied without hesitation; "only I've rather lost it since—"
"It will come back to you here. It's so splendid, all this world of sound, and makes everything seem worth while. But you lose your way at first, of course; especially if you are out of practice, as you must be."
Spinrobin did not know what to say. To hear this young girl make use of such language took his breath away. He became aware that she was talking with a purpose, seconding Mr. Skale in the secret examination to which the clergyman was all the time subjecting him. Yet there was no element of alarm in it all. In the room with these two, and with the motherly figure of the housekeeper busying about to and fro, he felt at home, comforted, looked after—more even, he felt at his best; as though the stream of his little life were mingling in with a much bigger and worthier river, a river, moreover, in flood. But it was the imagery of music again that most readily occurred to him. He felt that the note of his own little personality had been caught up into the comforting bosom of a complete chord….
VII
"Mr. Spinrobin," suddenly sounded soft and low across the table, and, thrilled to hear the girl speak his name, he looked up quickly and found her very wide-opened eyes peering into his. Her face was thrust forward a little as she leaned over the table in his direction.
As he gazed she repeated his name, leisurely, quietly, and even more softly than before: "Mr. Spinrobin." But this time, as their eyes met and the syllables issued from her lips, he noticed that a singular after-sound—an exceedingly soft yet vibrant overtone—accompanied it. The syllables set something quivering within him, something that sang, running of its own accord into a melody to which his rising pulses beat time and tune.
"Now, please, speak my name," she added. "Please look straight at me, straight into my eyes, and pronounce my name."
His lips trembled, if ever so slightly, as he obeyed.
"Miriam …" he said.
"Pronounce each syllable very distinctly and very slowly," she said, her grey eyes all over his burning face.
"Mir … i … am," he repeated, looking in the center of the eyes without flinching, and becoming instantly aware that his utterance of the name produced in himself a development and extension of the original overtones awakened by her speaking of his own name. It was wonderful … exquisite … delicious. He uttered it again, and then heard that she, too, was uttering his at the same moment. Each spoke the other's name. He could have sworn he heard the music within him leap across the intervening space and transfer itself to her … and that he heard his own name singing, too, in her blood.
For the names were true. By this soft intoning utterance they seemed to pass mutually into the secret rhythm of that Eternal Principle of Speech which exists behind the spoken sound and is independent of its means of manifestation. Their central beings, screened and limited behind their names, knew an instant of synchronous rhythmical vibration. It was their introduction absolute to one another, for it was an instant of naked revelation.
"Spinrobin…."
"Miriam…."
VIII
… A great volume of sound suddenly enveloped and caught away the two singing names, and the spell was broken. Miriam dropped her eyes; Spinrobin looked up. It was Mr. Skale's voice upon them with a shout.
"Splendid! splendid!" he cried; "your voices, like your names, are made for one another, in quality, pitch, accent, everything." He was enthusiastic rather than excited; but to Spinrobin, taking part in this astonishing performance, to which the other two alone held the key, it all seemed too perplexing for words. The great bass crashed and boomed for a moment about his ears; then came silence. The test, or whatever it was, was over. It had been successful.
Mr. Skale, his face still shining with enthusiasm, turned towards him.
Miriam, equally happy, watched, her hands folded in her lap.
"My dear fellow," exclaimed the clergyman, half rising in his chair, "how mad you must think us! How mad you must think us! I can only assure you that when you know more, as you soon shall, you will understand the importance of what has just taken place…."
He said a good deal more that Spinrobin did not apparently quite take in. He was too bewildered. His eyes sought the girl where she sat opposite, gazing at him. For all its pallor, her face was tenderly soft and beautiful; more pure and undefiled, he thought, than any human countenance he had ever seen, and sweet as the face of a child. Utterly unstained it was. A similar light shone in the faces of Skale and Mrs. Mawle. In their case it had forged its way through the more or less defiling garment of a worn and experienced flesh. But the light in Miriam's eyes and skin was there because it had never been extinguished. She had retained her pristine brilliance of soul. Through the little spirit of the perplexed secretary ran a thrill of genuine worship and adoration.
"Mr. Skale's coffee is served in the library," announced the voice of the housekeeper abruptly behind them; and when Spinrobin turned again he discovered that Miriam had slipped from the room unobserved and was gone.
Mr. Skale took his companion's arm and led the way towards the hall.
"I am glad you love her," was his astonishing remark. "It is the first and most essential condition of your suiting me."
"She is delightful, wonderful, charming, sir—"
"Not 'sir,' if you please," replied the clergyman, standing aside at the threshold for his guest to pass; "I prefer the use of the name, you know. I think it is important."
And he closed the library door behind them.
Chapter II
I
For some minutes they sat in front of the fire and sipped their coffee in silence. The secretary felt that the sliding platform on which he was traveling into this extraordinary adventure had been going a little too fast for him. Events had crowded past before he had time to look squarely at them. He had lost his bearings rather, routed by Miriam's beauty and by the amazing way she talked to him. Had she lived always inside his thoughts she could not have chosen words better calculated to convince him that they were utterly in sympathy one with the other. Mr. Skale, moreover, approved heartily. The one thing Spinrobin saw clearly through it all was that himself and Miriam—their voices, rather—were necessary for the success of the clergyman's mysterious experiments. Only, while Miriam, little witch, knew all about it, he, candidate on trial, knew as yet—nothing.