on, the sound of some tom-toms dulled by distance came to his ears. He hesitated at a crossing where a side alley led down towards the bazaar, then without thought or intention walked down the turning, the music growing louder as he advanced.
It came from a house some way lower down, before the open door of which hung a large white sheet with scarlet letters on it. Hamilton glanced up and read on it, "Dancing girls from the Deccan. Admission, six annas. Walk in." He stared dully at it till the red letters danced in the fierce, torrid sunlight, and the flies, finding him standing motionless, came thickly round his face. A puff of hot wind blew down the street, bringing the dust: it lifted a corner of the sheet and turned it back from the doorway. Within looked cool and dark. The entry was a square of darkness. He was tired of the sun, the heat, the noise, the dust and the flies. With no thought other than seeking for shelter, he stepped behind the sheet and was in the darkness; a turnstile barred his way: on the top of it he laid down his six annas, his eyes too full of the yellow glare of the outside to see whom he paid: he felt the turnstile yield, and stumbled on in the obscurity. A hand pushed him between two curtains. Then he found himself in a low square room, and could see about him again by the subdued light of oil lamps fixed against the wall. At one end was the small stage, its scarlet curtain now down; in front a row of tin lamps, primitive footlights, and the rest of the room was filled with rows of empty chairs. Mechanically and without interest, Hamilton went forward and seated himself in the first of these rows. The tom-toms had ceased: there was quiet, an interval of rest presumably for the dancers. It was far cooler than outside, and Hamilton breathed a sigh of relief as he sank into his seat. The dimness of the light, the quiet, the coolness all pleased him: he had not known till he sat down how tired he was. He might have sat there a quarter of an hour, his mind in that state of hopeless blank that supervenes on overmuch unsatisfactory thinking, when suddenly the tom-toms started up again with a terrific rattle, and the scarlet curtain was somewhat spasmodically jerked up, displaying a semicircle of girls seated on European chairs facing the tin lamps. Two of the seven were African girls, with the woolly hair and jet black skin of their race; they were seated one at each end of the semicircle, dressed in short scarlet skirts, standing out from their waist in English ballet-girl fashion, the upper part of their bodies bare, except for the masses of coloured glass necklaces covering their breast from throat to waist. The next pair of girls seemed to represent Spanish dancers, and were in ankle-long black and yellow dresses, little yellow caps with bells depending from them sat in amongst their masses of black hair, and they held languidly to their sides their tambourines and castenets. Next on the chairs sat two strictly Eastern dancers in transparent pale green gauzy clothing held into waist and each ankle by jeweled bands. Their pale ivory bodies shone through the filmy green muslin as the moon shines clearly in green water, and the jewels blazed like stars with red and blue fires at each movement of their limbs. Their heads were crowned simply with white clematis, and the glory of their straight-featured Circassian faces, together with the unrivalled contours of softly moulded throat and breast and perfect limbs, veiled only so much as a light mist may veil, would have taken the breath away of the most inveterate frequenter of the Alhambra and Empire in dull old England. Hamilton drew in his breath with a little start as he first saw the semicircle, but it was not on the Circassians that his eyes were fixed, but on the very centre figure of that beautiful half-moon. Set in the centre, she seemed to be considered the pearl amongst them, as indeed she was. The mist that enveloped her was not pale green as the veils of the other two, but white, and the beautiful perfect form that it enclosed was of a warmer, brighter tint than theirs.
The white films of the drapery fell from the base of her throat, leaving her arms quite bare, but softly clinging to breast and flanks, till a gold band resting on her hips confined it closely, and depressed in the centre, was fastened by a single enormous ruby, the one spot of blood-red colour upon her. Beneath the sloping belt of gold fell her loose Turkish trousers of gleaming white, transparent tissue, clasped at the ankles by bands of gold. On her feet were little Turkish slippers, on her brow—nothing, but the crown of her radiant youth and beauty. Hamilton, gazing at it across the footlights, thought he had never seen, either pictured or in the flesh, a face so beautiful, so full of the beauty, the goodness, the power and wonder of life.
The sight thrilled him. Like the power of electricity, its power began to run along his veins, heating them, stirring them, calling upon nerve and muscle and sense to wake up. He looked, and life itself seemed to stream into him through his eyes. The girl's face was a well-rounded oval, supported on the round, perfect column of her throat; the eyes seemed pools of blackness that had caught all the splendour and the radiance of a thousand Eastern nights. The fires of many stars, the whole brilliance of the purple nights of Asia were mirrored in them. Above them rose the dark, arching span of the eyebrows on the soft warm-tinted forehead, cut in one line of severest beauty with the delicate nose. Beneath, the curling lips were like the flowers of the pomegranate, a living, vivid scarlet, and the rounded chin had the contour and bloom of the nectarine.
She smiled faintly as she met the fixed gaze of Hamilton's eyes across the footlights—such an innocent, merry little smile it seemed, not the mechanical contortions one buys with pieces of silver. Hamilton's blood seemed to catch light at it and flame all over his body. He sat upright in his seat: gone were his fatigue, his thirst, his eye-ache. His frame felt no more discomfort: his whole soul rushed to his eyes, and sat there watching. In some men their physical constitution is so closely knitted to the mental, that the slightest shock to either instantly vibrates through the other and works its effect equally on both. Hamilton was of this order, and his body responded, instantly now, to the joy and interest born suddenly in his mind.
A moment after the curtain was rolled up, a huge negro, dressed in a fancy dress of scarlet, and with a high cap of the same colour on his head, came on from the side. In his hand he carried a small dog-whip, and as he cracked it all the girls stood up. Hamilton sickened as he looked at him: an indefinable feeling of horror came over him as this man stalked about the stage. He pointed with his whip to the two African girls at the end of the semicircle, and they came forward, while the rest sat down. A horrid uneasy feeling of discomfort grew up in Hamilton, similar to that which a lover of animals feels, when called upon to witness performing dogs, and all the fear and anxiety pent up in their fast-beating little hearts is communicated to himself. He watched the girls' faces keenly as the negro went round and placed himself behind the middle chair of the semicircle, while the two Africans danced. Hamilton hardly noticed their dance, a curious barbaric performance that would have been alarming to the British matron, but was neither new nor interesting to Hamilton. He kept his eyes fixed on the white-clothed girl in the centre, and the sinister figure behind her chair. She seemed calm and indifferent, and when the negro put his hand on her shoulder looked up and listened to his words without fear or repulsion. Hamilton, keenly alive, with every sense alert, sat in his chair, a prey to the new and delightful feeling, not known for years, of interest.
Yes, he was interested, and the energetic sense of loathing for the negro proved it. The music, loud and strident—an ordinary Italian piano-organ having been introduced amongst the Oriental instruments—banged on, and then abruptly came to a stop when the negro cracked his whip. The two African women resumed their chairs, there was some applause, and a good many small coins fell on the stage from the hands of the audience. The second pair of girls rose, came forward and commenced to dance, the organ playing some appropriate Spanish airs. After these, the two Indian girls who gave the usual dance de ventre to a lively Italian air on the organ. Then, at last, she rose from her chair and approached the footlights. The organ ceased playing, only the Indian music continued: wild sensual music, imitating at intervals the cries of passion.
To this accompaniment the girl danced.
Had any British matrons been present we must hope they would have walked out, yet, to the eye of the artist, there was nothing coarse or offending, simply a most beautiful harmony of motion. The girl's beauty, her grace and youth, and the slight lissomness of all her body lent to the dance a poetry, a refinement it would not have possessed with another exponent.
Moreover, though there was a certain ardour in her looks and gestures, in the way she yielded her limbs and body to the influence of the music, yet there was also a gay innocence, a bright naïve irresponsibility in it that contrasted strongly with the sinister intention underlying all the movements of the other