The Cathedrals of Southern France. M. F. Mansfield

chief architectural feature of this ancient town—the Mediolanum Santonum, chief town of the Santoni—is not its rather uninspiring cathedral (rebuilt in 1585), nor yet the church of St. Eutrope (1081—96) with its underground crypt—the largest in France.

      As a historical monument of rank far more interest centres around the Arc de Triomphe of Germanicus, which originally formed a part of the bridge which spans the Charente at this point. It was erected in the reign of Nero by Caius Julius Rufus, a priest of Roma and Augustus, in memory of Germanicus, Tiberius, his uncle, and his father, Drusus.

      The bridge itself, or what was left of it, was razed in the nineteenth century, which is of course to be regretted. A monument which could have endured a matter of eighteen hundred years might well have been left alone to takes its further chances with Father Time. Since then the bridge has been rebuilt on its former site, a procedure which makes the hiatus and the false position of the arch the more apparent. The cloister of the cathedral, in spite of the anachronism, is in the early Gothic manner, and the campanile is of the fifteenth century.

      Saintes became a bishopric, in the province of Bordeaux, in the third century. St. Eutrope—whose name is perpetuated in a fine Romanesque church of the city—was the first bishop. The year 1793 saw the suppression of the diocesan seat here, in favour of Angoulême.

      In the main, the edifice is of a late date, in that it was entirely rebuilt in the latter years of the sixteenth century, after having suffered practical devastation in the religious wars of that time.

      The first mention of a cathedral church here is of a structure which took form in 1117—the progenitor of the present edifice. Such considerable repairs as were necessary were undertaken in the fifteenth century, but the church seen to-day is almost entirely of the century following.

      The most remarkable feature of note, in connection with this ci-devant cathedral, is unquestionably the luxurious flamboyant tower of the fifteenth century.

      This really fine tower is detached from the main structure and occupies the site of the church erected by Charlemagne in fulfilment of his vow to Pepin, his father, after defeating Gaiffre, Duc d'Aquitaine.

      In the interior two of the bays of the transepts—which will be readily noted—date from the twelfth century, while the nave is of the fifteenth, and the vaulting of nave and choir—hardy and strong in every detail—is, in part, as late as the mid-eighteenth century.

      The Église de St. Eutrope, before mentioned, is chiefly of the twelfth century, though its crypt, reputedly the largest in all France, is of a century earlier.

      Saintes is renowned to lovers of ceramics as being the birthplace of Bernard Pallisy, the inventor of the pottery glaze; and is the scene of many of his early experiments. A statue to his memory adorns the Place Bassompierre near the Arc de Triomphe.

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       CATHÉDRALE DE TULLE

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      The charm of Tulle's cathedral is in its imposing and dominant character, rather than in any inherent grace or beauty which it possesses.

      It is not a beautiful structure; it is not even picturesquely disposed; it is grim and gaunt, and consists merely of a nave in the severe Romanesque-Transition manner, surmounted by a later and non-contemporary tower and spire.

      In spite of this it looms large from every view-point in the town, and is so lively a component of the busy life which surrounds it that it is—in spite of its severity of outline—a very appealing church edifice in more senses than one.