the beginning of the poem, and is distinguished by a fine outburst of enthusiasm for the poet's native city, 'Caledonia's Queen.' The sixth canto and the last is dedicated to Richard Heber, who had rendered able assistance in the preparation of the 'Border Minstrelsy.' He was a member of Parliament for Oxford and a man of profound knowledge of the literary monuments of the Middle Ages. He possessed an extensive library to which he gave the poet free access, and his oral commentaries were scarcely less important. The introduction was written at Mertoun House, where Scott had gone to spend the Christmas season at the home of the head of his clan.
Heap on more wood!—the wind is chill;
But let it whistle as it will,
We'll keep our Christmas merry still.
A brief review of the well-known narrative will serve to point out the most important of the many interesting and often beautiful scenes which the poet so graphically describes. The story opens, as everybody knows, at Norham Castle at close of day, when Lord Marmion, mounted on his red-roan charger, proudly enters—
Armed from head to heel
In mail and plate of Milan steel,
with helm richly embossed with burnished gold and surmounted by a flowing crest, amid which
A falcon hovered on her nest,
With wings outspread and forward breast.
He was followed by two gallant and ambitious squires; then came four men-at-arms 'with halbert, bill, and battle-axe,' bearing their chieftain's lance and pennon; and finally twenty yeomen, each a chosen archer who could bend a six-foot bow, and all with falcons embroidered on their breasts. They were welcomed with blare of trumpets and the martial salute of cannon, making a clangor, such as the old turrets of Norham had seldom heard. Marmion responded to the noisy welcome of soldiers and minstrels by a lavish distribution of gold and was ushered into the presence of Sir Hugh the Heron, with whom he spent the hours till midnight in sumptuous feasting.
Norham Castle, the ruins of which we reached at the close of day, after a long tour by motor from Berwick, was once a magnificent mansion and fortress, standing on high ground overlooking the Tweed. For a thousand years it was the scene of alternating peace and turmoil. Founded in the seventh century, it passed from English to Scottish hands and back again for many years. By the beginning of the thirteenth century it had become one of the strongest of English fortresses. James IV captured it just before the battle of Flodden Field, but after that event the English recovered it. For the past three hundred years it has been crumbling to ruins, and now there is little left except a single wall and a remnant of the
sable palisade,
That closed the castle barricade
before which Marmion's bugle-horn was sounded.
Like so many of Scott's characters, Marmion, though a fictitious personage, moved among the real people of history and could boast a genuine ancestry. There was a distinguished family of Marmion, Lords of Fontenoy in Normandy, one of whom became a follower of William the Conqueror and received a grant of the castle and tower of Tamworth and the manor of Scrivelby, in Lincolnshire. The family became extinct in the latter part of the thirteenth century.
In the second canto the scene changes to St. Cuthbert's Holy Isle, where Constance de Beverley is a prisoner. She had broken her vows as a nun and deserted the convent to follow Marmion, in the guise of a page, as his paramour—
And forfeited to be his slave
All here, and all beyond the grave.
The island, so called, is on the English coast of the North Sea, about ten miles southeast of Berwick. We reached it by crossing the sands in a two-wheeled vehicle, something like an Irish jaunting-car, in which springless instrument of torture we were compelled to travel about three miles. At intervals along the route there are little groups of poles standing in the water, with miniature platforms near the top. These are havens of refuge. If you get caught by the rising tides you have only to make for one of these, and, after watching your horse drown, wait for five or six hours until, with the turn of the tide, somebody comes along to rescue you. Our enterprising Jehu assured us that the tide would be running out, and that there was no danger. But when about halfway over we began to notice that the ride was rising, and the water was soon nearly up to the bed of the wagon. We had made the entire journey in the face of a rising tide and reached the island none too soon, for it was nearly high tide.
Cuthbert, the patron saint of the Holy Island, flourished in the seventh century. He was a prior of the original Melrose Abbey—not the one which is now a ruin in the town of that name, but its predecessor which occupied a site farther down the Tweed. Later he became Prior of Lindisfarne and afterward Bishop. The ruins of the abbey show that it must have been a very extensive establishment of great antiquity. Besides the foundation stones, little now remains except part of the walls of the church which are best described in the poet's words:—
In Saxon strength that abbey frowned,
With massive arches broad and round,
That rose alternate, row and row,
On ponderous columns, short and low,
Built ere the art was known
By pointed aisle and shafted stalk
The arcades of an alleyed walk
To emulate in stone.
We searched in vain for the dreadful 'Vault of Penitence,' the awful dungeon below the abbey, its position known only by the abbot, to which both victim and executioner were led blindfold. There is no trace of any underground vaults nor of anything resembling the niche where poor Constance was immured, to die a slow death from starvation. As a matter of fact, Lindisfarne was never a convent at all. But at Coldingham Abbey, on the coast of Scotland not many miles away, there was discovered, in Scott's time, a female skeleton which, from the shape of the niche and the position of the figure, seemed to be that of a nun immured very much as Constance was supposed to have been.
Returning to Norham Castle, and continuing the narrative, we find Marmion and his men preparing to depart at an early hour of the morning following their arrival. Guided by the supposed Holy Palmer, they travelled all day, following the mountain paths straight across the Lammermuir Hills, in a northwesterly direction, until at close of day they came to the village of Gifford, four or five miles south of the town of Haddington. A night at the village inn, a weird ghost story by the landlord, and a strange, uncanny adventure of Marmion resulting from it, complete the experiences of the first twenty-four hours. The next day the travellers meet a messenger from the King, Sir David Lindsay, by whom they are escorted to Crichton Castle and entertained in royal magnificence. We found the ruins of this picturesque old castle on the banks of the Tyne, a dozen miles southeast from Edinburgh. From his boyhood they had exercised a fascinating influence upon the poet.
Crichtoun! though now thy miry court
But pens the lazy steer and sheep,
Thy turrets rude and tottered keep
Have been the minstrel's loved resort.
During his school days, Scott took many a vacation tramp to visit the scenes in the neighbourhood of Edinburgh which appealed to his fancy, and nothing ever made a stronger appeal than some old ruin to which was attached a bit of history or legend. Referring to the time when he was about thirteen years old, he says, in the brief fragment of his 'Autobiography':—
To this period I can trace distinctly the awaking of that delightful feeling for the beauties of natural objects which has never since deserted me. … The romantic feelings which I have described as predominating in my mind, naturally rested upon and associated themselves with these grand features of the landscape around me; and the historical incidents, or traditional