Charles S. Olcott

The Country of Sir Walter Scott


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may be seen near the shores of Ullswater, and on the side of a hill rising above St. John's Beck, a little stream flowing out of Lake Thirlmere, is a huge rock now called 'Triermain Castle,' which at a distance, under certain conditions of the atmosphere, bears a fancied resemblance to the phantom castle of the poem.

      Scott frequently showed his profound admiration for the English Lake district, and if he did not love it with all the devotion of his friend Wordsworth, it was only because his own beloved Highlands had a prior claim upon his affections.

      On a summer day soon after his return from the Lake District, in the same year, Scott and his friend Adam Ferguson were riding together along a country road near the pleasant little village of Gilsland, in the north of England. The former was then twenty-six years of age. He was a tall man of athletic frame, who rode as though incapable of fatigue. There was a peculiar grace and charm in both face and figure, which almost irresistibly caused a passer-by to follow his first glance with a second and longer scrutiny.

      As they rode along, the two companions chanced to pass a young lady, also on horseback, who immediately attracted their notice. Her form was like that of a fairy, light and full of grace. Her long silken tresses were jet black, her complexion a clear olive, and her eyes a lovely brown, large, deep-set, and brilliant. Young and vivacious, with a natural air of gaiety, she was both pleasant to meet and charming to look upon.

      At the ball which took place in the evening there was much rivalry among the young men for the honour of dancing with this vision of loveliness, who had blotted out all other thoughts from their morning ride. To the tall young man fell the privilege of taking the fair stranger to supper, and this was the introduction of Walter Scott to Miss Charlotte Margaret Carpenter. The evening of September 30, immediately following the ball, was one of the happiest Scott ever knew. A friend records that he 'was sair beside himself about Miss Carpenter;—we toasted her twenty times over—and sat together, he raving about her until it was one in the morning.'

      This was not Scott's first love affair, but it was equally genuine. Some four years previously he had chanced to meet at the Greyfriars Church in Edinburgh, a very charming young lady of seventeen. As the Sunday service closed, an unexpected shower came up. Scott had an umbrella and the lady had none—sufficient reason for escorting the fair one to her home. There was also sufficient reason for falling in love with her, for Miss Williamina Stuart was not only beautiful in face and figure, but lovely in character. Highly educated, accomplished in music and painting, well versed in literature, and with the best family connections, she was still a sweet girl, of charming manners and no affectation. For three years Scott cherished the most ardent feelings of love, but in silence. He was then a young man of small worldly prospects. He had written nothing and was unknown outside the circle of friends in the law courts, where he was but a beginner. This, however, would not have been an insurmountable difficulty had the love been mutual. But the young lady had already given her heart unreservedly to an intimate friend of Scott's, William Forbes, a man of noble character. She gave Scott no encouragement, but frequently, wrote him in a friendly way, chiefly concerning literary topics. After many months of patient restraint, Scott finally wrote her a frank and unreserved declaration of his feelings, and received in reply a letter which filled him with many forebodings but with 'new admiration of her generosity and candour.' She urged upon him the continuation of their simple friendship as the 'prudent line of conduct.' Unfortunately, Scott read between the lines, as too hopeful persons sometimes do, sentiments which were not intended. The final disappointment came in the autumn of 1796, and in the following January Miss Stuart became the bride of Walter Scott's successful rival. It is pleasant to think that the success of the one and the disappointment of the other led to no bitterness. Both were men of noble and generous minds. And in the days of Scott's adversity, when he was wearing away his vitality in a desperate but honourable endeavour to pay his debts, Sir William Forbes, though his own bank was one of the heavy losers in the disaster that overwhelmed Scott, came forward with offers of assistance, and even went so far as to pay secretly a large and pressing debt, that his friend Sir Walter might not be entirely crushed.

      The poet never forgot the tender experiences of these years, and long afterward drew a lovely picture of Williamina in 'Rokeby':—

      Wreathed in its dark brown rings, her hair

       Half hid Matilda's forehead fair,

       Half hid and half revealed to view

       Her full dark eye of hazel hue.

       The rose, with faint and feeble streak,

       So lightly tinged the maiden's cheek,

       That you had said her hue was pale:

       But if she faced the summer gale,

       Or spoke, or sung, or quicker moved,

       Or heard the praise of those she loved,

       The mantling blood in ready play

       Rivalled the blush of rising day.

      But Walter Scott was a young man, and in his great big heart there was still room for love. If he thought his heart was broken, he admitted that it was 'handsomely pieced' again. Fascinated with the vivacity and attractiveness of Miss Carpenter, Scott remained at Gilsland much longer than he had intended. The lovers strolled through many delightful paths—walks which left their impress upon the poet's mind and gave him many backgrounds for his future verses and tales.

      Miss Carpenter had rooms at a large hotel, known as Shaw's, where the momentous ball was held, and Scott was at Wardrew House, a private residence with a picturesque walled-in garden on the slope of a hill not far away. We followed them in fancy as they descended into the glen which separates these two houses, where they might drink of the mineral spring which gives a local fame to the place. Then like the faithful page of the Baron of Triermain, no doubt they 'crossed green Irthing's Mead' and wandering along the shady bank of this pleasant stream, reached

      the favourite glade,

       Paled in by copsewood, cliff and stone,

       Where never harsher sounds invade

       To break affection's whispering tone

       Than the deep breeze that waves the shade,

       Than the small brooklet's feeble moan.

      Then, turning a bend in the stream, perchance he invited her to

      Come! rest thee on thy wonted seat;

       Mossed is the stone, the turf is green,

       A place where lovers best may meet

       Who would not that their love be seen.

      Here is the so-called 'Popping Stone,' where, local tradition asserts, Scott asked the all-important question. Whether this is true or not makes no difference. The question was asked and the stone is there. Whatever virtue there may be in the stone, it is certain that thousands of young couples have found their way thither, and they have literally worn it away until now it is scarcely half its original size.

       THE POPPING STONE THE POPPING STONE

      A little farther west we came to the beautiful old ruins of Lanercost, in which is the tomb of Thomas, Lord Dacre, to whom Marmion, with his last dying gasp on the field of Flodden, sent a message with his signet ring. Near by and entered through a beautiful park is the fine old feudal castle of Naworth, the stronghold of the Dacres and later of the Howards, both of whom are mentioned in 'The Lay of the Last Minstrel.'

      The place which seems to have interested Scott the most in these rambles was the old ruined wall of Triermain Castle. He saw more of it than can be seen to-day, for a great part of it remained standing until 1832. But it was a ruin in the time of Queen Elizabeth. Scott's imagination, however, soon rebuilt and repeopled it, and Sir Ronald de Vaux became immortalized in 'The Bridal of Triermain,' though forgotten in the pages of history. In almost the latest years of his life, the novelist came back to these scenes of his early manhood for another character whom he took from the same old castle of Triermain, the big and burly, but always faithful, Sir Thomas de Multon of 'The Talisman.'

      During