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OF HUMAN BONDAGE


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him to turn the handle. He turned it very gently, as if to prevent anyone within from hearing, and then slowly pushed the door open. He stood on the threshold for a moment before he had the courage to enter. He was not frightened now, but it seemed strange. He closed the door behind him. The blinds were drawn, and the room, in the cold light of a January afternoon, was dark. On the dressing-table were Mrs. Carey's brushes and the hand mirror. In a little tray were hairpins. There was a photograph of himself on the chimney-piece and one of his father. He had often been in the room when his mother was not in it, but now it seemed different. There was something curious in the look of the chairs. The bed was made as though someone were going to sleep in it that night, and in a case on the pillow was a night-dress.

      Philip opened a large cupboard filled with dresses and, stepping in, took as many of them as he could in his arms and buried his face in them. They smelt of the scent his mother used. Then he pulled open the drawers, filled with his mother's things, and looked at them: there were lavender bags among the linen, and their scent was fresh and pleasant. The strangeness of the room left it, and it seemed to him that his mother had just gone out for a walk. She would be in presently and would come upstairs to have nursery tea with him. And he seemed to feel her kiss on his lips.

      It was not true that he would never see her again. It was not true simply because it was impossible. He climbed up on the bed and put his head on the pillow. He lay there quite still.

      IV

       Table of Contents

       Philip parted from Emma with tears, but the journey to Blackstable amused him, and, when they arrived, he was resigned and cheerful. Blackstable was sixty miles from London. Giving their luggage to a porter, Mr. Carey set out to walk with Philip to the vicarage; it took them little more than five minutes, and, when they reached it, Philip suddenly remembered the gate. It was red and five-barred: it swung both ways on easy hinges; and it was possible, though forbidden, to swing backwards and forwards on it. They walked through the garden to the front-door. This was only used by visitors and on Sundays, and on special occasions, as when the Vicar went up to London or came back. The traffic of the house took place through a side-door, and there was a back door as well for the gardener and for beggars and tramps. It was a fairly large house of yellow brick, with a red roof, built about five and twenty years before in an ecclesiastical style. The front-door was like a church porch, and the drawing-room windows were gothic.

      Mrs. Carey, knowing by what train they were coming, waited in the drawing-room and listened for the click of the gate. When she heard it she went to the door.

      "There's Aunt Louisa," said Mr. Carey, when he saw her. "Run and give her a kiss."

      Philip started to run, awkwardly, trailing his club-foot, and then stopped. Mrs. Carey was a little, shrivelled woman of the same age as her husband, with a face extraordinarily filled with deep wrinkles, and pale blue eyes. Her gray hair was arranged in ringlets according to the fashion of her youth. She wore a black dress, and her only ornament was a gold chain, from which hung a cross. She had a shy manner and a gentle voice.

      "Did you walk, William?" she said, almost reproachfully, as she kissed her husband.

      "I didn't think of it," he answered, with a glance at his nephew.

      "It didn't hurt you to walk, Philip, did it?" she asked the child.

      "No. I always walk."

      He was a little surprised at their conversation. Aunt Louisa told him to come in, and they entered the hall. It was paved with red and yellow tiles, on which alternately were a Greek Cross and the Lamb of God. An imposing staircase led out of the hall. It was of polished pine, with a peculiar smell, and had been put in because fortunately, when the church was reseated, enough wood remained over. The balusters were decorated with emblems of the Four Evangelists.

      "I've had the stove lighted as I thought you'd be cold after your journey," said Mrs. Carey.

      It was a large black stove that stood in the hall and was only lighted if the weather was very bad and the Vicar had a cold. It was not lighted if Mrs. Carey had a cold. Coal was expensive. Besides, Mary Ann, the maid, didn't like fires all over the place. If they wanted all them fires they must keep a second girl. In the winter Mr. and Mrs. Carey lived in the dining-room so that one fire should do, and in the summer they could not get out of the habit, so the drawing-room was used only by Mr. Carey on Sunday afternoons for his nap. But every Saturday he had a fire in the study so that he could write his sermon.

      Aunt Louisa took Philip upstairs and showed him into a tiny bed-room that looked out on the drive. Immediately in front of the window was a large tree, which Philip remembered now because the branches were so low that it was possible to climb quite high up it.

      "A small room for a small boy," said Mrs. Carey. "You won't be frightened at sleeping alone?"

      "Oh, no."

      On his first visit to the vicarage he had come with his nurse, and Mrs. Carey had had little to do with him. She looked at him now with some uncertainty.

      "Can you wash your own hands, or shall I wash them for you?"

      "I can wash myself," he answered firmly.

      "Well, I shall look at them when you come down to tea," said Mrs. Carey.

      She knew nothing about children. After it was settled that Philip should come down to Blackstable, Mrs. Carey had thought much how she should treat him; she was anxious to do her duty; but now he was there she found herself just as shy of him as he was of her. She hoped he would not be noisy and rough, because her husband did not like rough and noisy boys. Mrs. Carey made an excuse to leave Philip alone, but in a moment came back and knocked at the door; she asked him, without coming in, if he could pour out the water himself. Then she went downstairs and rang the bell for tea.

      The dining-room, large and well-proportioned, had windows on two sides of it, with heavy curtains of red rep; there was a big table in the middle; and at one end an imposing mahogany sideboard with a looking-glass in it. In one corner stood a harmonium. On each side of the fireplace were chairs covered in stamped leather, each with an antimacassar; one had arms and was called the husband, and the other had none and was called the wife. Mrs. Carey never sat in the arm-chair: she said she preferred a chair that was not too comfortable; there was always a lot to do, and if her chair had had arms she might not be so ready to leave it.

      Mr. Carey was making up the fire when Philip came in, and he pointed out to his nephew that there were two pokers. One was large and bright and polished and unused, and was called the Vicar; and the other, which was much smaller and had evidently passed through many fires, was called the Curate.

      "What are we waiting for?" said Mr. Carey.

      "I told Mary Ann to make you an egg. I thought you'd be hungry after your journey."

      Mrs. Carey thought the journey from London to Blackstable very tiring. She seldom travelled herself, for the living was only three hundred a year, and, when her husband wanted a holiday, since there was not money for two, he went by himself. He was very fond of Church Congresses and usually managed to go up to London once a year; and once he had been to Paris for the exhibition, and two or three times to Switzerland. Mary Ann brought in the egg, and they sat down. The chair was much too low for Philip, and for a moment neither Mr. Carey nor his wife knew what to do.

      "I'll put some books under him," said Mary Ann.

      She took from the top of the harmonium the large Bible and the prayer-book from which the Vicar was accustomed to read prayers, and put them on Philip's chair.

      "Oh, William, he can't sit on the Bible," said Mrs. Carey, in a shocked tone. "Couldn't you get him some books out of the study?"

      Mr. Carey considered the question for an instant.

      "I don't think it matters this once if you put the prayer-book on the top, Mary Ann," he said. "The book of Common Prayer is the composition of men like ourselves. It has no claim to divine authorship."

      "I