How to Speak and Write Correctly. Joseph Devlin

LOOSE PARTICIPLES

       BROKEN CONSTRUCTION

       DOUBLE NEGATIVE

       FIRST PERSONAL PRONOUN

       SEQUENCE OF TENSES

       BETWEEN—AMONG

       LESS—FEWER

       FURTHER—FARTHER

       EACH OTHER—ONE ANOTHER

       EACH, EVERY, EITHER, NEITHER

       NEITHER-NOR

       NONE

       RISE-RAISE

       LAY-LIE

       SAYS I—I SAID

       IN—INTO

       EAT—ATE

       SEQUENCE OF PERSON

       AM COME—HAVE COME

       PAST TENSE—PAST PARTICIPLE

       PREPOSITIONS AND THE OBJECTIVE CASE

       SUMMON—SUMMONS

       UNDENIABLE—UNEXCEPTIONABLE

       THE PRONOUNS

       THAT FOR SO

       THESE—THOSE

       THIS MUCH—THUS MUCH

       FLEE—FLY

       THROUGH—THROUGHOUT

       VOCATION AND AVOCATION

       WAS—WERE

       A OR AN

       CHAPTER IX

       STYLE

       DICTION

       PURITY

       PROPRIETY

       SIMPLICITY

       CLEARNESS

       UNITY

       STRENGTH

       HARMONY

       EXPRESSIVE OF WRITER

       KINDS OF STYLE

       CHAPTER X

       SUGGESTIONS

       CHAPTER XI

       SLANG

       CHAPTER XII

       WRITING FOR NEWSPAPERS

       CHAPTER XIII

       CHOICE OF WORDS

       CHAPTER XIV

       ENGLISH LANGUAGE

       CHAPTER XV

       MASTERS AND MASTERPIECES OF LITERATURE

       INDISPENSABLE BOOKS

       A GOOD LIBRARY

       MASTERPIECES OF AMERICAN LITERATURE

       TEN GREATEST AMERICAN POETS

       TEN GREATEST ENGLISH POETS