face” and the word of command upon his lips. On the opposite side of the room lies the reverse figure; there the patriot chief is stretched full length upon his bier as on a bed of rest, the noble face set in a mighty calm, the left arm thrown across his breast, the right straightened at his side, grasping his sword, “the attitude in which he always slept upon the battle-field.” So one of his faithful followers tells us as he looks down on the recumbent figure.
“Why represent him in repose?” he demurs. “To me, who have seen him so often in action, it is not the attitude in which he should have been immortalised.”
We think otherwise as we gaze on the serene and noble face set in the calm of—is it sleep? or death? After action, repose; after the battle-fever, rest. To us it is sweet, not sad, to think how—
“To the white regions of eternal peace
The General has gone forward!”
In the centre of the room a huge calico extinguisher has descended from the ceiling, and hides something we are about to see; some invisible machinery upraises the extinguisher, and reveals a muffled group, swathed in wet linen, which is slowly unwound—and we gaze upon the sculptor’s masterpiece, Andromache, modelled in clay. He has chosen no moment of tragic agony for his work; but a still scene of home life. Hector has gone to the war—the pain of parting is over, and Andromache sits at her spinning-wheel, her hands lying listlessly in her lap, the thread still between her fingers, her eyes looking forward but seeing nothing. Her thoughts have wandered after her hero, and are lost on the battle-field. The attitude, full of grace, is one of utter despondency, the lovely face is full of sadness and longing, shadowed by a weariness that tells of almost helpless despair. A lizard, the emblem of death, is stealing out from among the folds of her drapery, to snap the thread that lies so loosely in her hand. Her child, a sunny-faced, smiling cherub, has climbed upon her lap, and is playing with her neck ornament, trying in vain to attract her attention, and watching for the smile of recognition to dawn upon her lips.
The work is still in an unfinished state; the artist being occupied in arranging the draperies and carrying out other details of his work. It is exquisite in design and finely executed. I have no doubt that this rare work of art, will, when completed, find its way into the European galleries. Meanwhile the artist turns a shower of spray upon the beautiful group, wraps her again in her damp swathing clothes, the calico extinguisher descends, and Andromache is lost to view.
CHAPTER III.
Fire and ruins.—Through sylvan scenes.—The cave of Luray.—A jewelled city underground.—The white savages of Wise County.
After spending a delightful week in Richmond, we begin to think it is time to be “moving on.” So anxious are we to resume our journey southward, we decide to go by the evening train, but unfortunately about mid-day a thick smoke fills the air, and over-spreads the city like a funeral pall. We learn that the railway bridge is on fire, burning so furiously, and spreading so rapidly, that in the space of an incredibly short time the buildings on either side are gutted, and the wind carries the flying sparks over the city, and for a time it is in danger of total destruction; people rush out of their houses, and watch breathlessly the result; but the sparks fly over the house-tops in a flaming shower, setting fire to one roof after another; and at last, after scaring half the town, catching at the tindery thatch of the Allan House, threatening to destroy one of the chief landmarks of the ill-starred poet’s life, but the passers by rush to the rescue, and the old house is saved for the benefit of new generations of relic hunters.
We fear that the destruction of the railway bridge will cause us difficulty, and detain us in Richmond to our inconvenience; but our landlord assures us we shall be able to start in the evening, as we had originally designed. “Things are sure to be fixed all right,” he says. Wonderfully expressive, and variously applied is that little word “fix,” in the idiomatic language of this “Greater Britain.” Never did so small a word mean so much! It does duty as a “word of all work,” in the kitchen, in the stable, and in the lady’s chamber; the ladies “fix” their hair, the gentlemen “fix” their whiskers, they “fix” their dinners, they “fix” their babies, they “fix” their weddings, they “fix” their funerals—in fact that little insignificant monosyllable is imported into all the articles of their daily life, and they live in a general atmosphere of “fixing.”
In accordance with our host’s kind assurance, things are pleasantly “fixed” for our departure, the only inconvenience being that we have to drive across the foot-bridge (so called because it is a wide carriage drive) over the river, and take the train from Manchester on the other side. The shades of evening are fast falling round us as we drive down the narrow streets towards the river, and thence take our last view of these Richmond hills, which remind us so strongly of that other Richmond, girded by our winding river Thames.
The Capitol with its silent groups of heroic dead is dimly shadowed forth in the fading light; here and there the street lamps are lit, and look like glimmering glow-worms crawling up the narrow winding ways; and from the stained glass windows of many churches the mellow light streams through, revealing a fantastic kind of mosaic in brilliant hues—blue and crimson, green and gold, blending harmoniously together; the roll of the organ, and the united voices of the singers follow us down through the hilly street until they are lost in the distance.
The dark river is rushing beneath the foot-bridge at our feet; and on our right the foaming flood is lighted by the fading fires of the still burning wreck of the railway bridge. The whole structure is down, and the huge beams lying like fiery serpents on the river’s surface, now smouldering in red sullen fires, then up-leaping in tiny flickering tongues of blue flame, licking round and feeding upon every remnant that remains of the bridge that only at noon had stood proud and strong against the sky, its iron limbs spanning the dark water. It had been supported by twelve brick pillars, which are still left standing; each one wearing its crown of jewelled flames, burning in lurid flashes, like altars of the Eastern fire-worshippers, or beacon lights at sea, showing the gloomy gaps between, whence the burning masses had fallen into the sea. These colossal pillars blazing in the darkness, between the sable shadows of the river, and the moonless midnight of the sky, threw a light bright as the brightest day around us. On both banks of the broad river, before and behind us, rise the gaunt ruins that were prosperous factories in the morning, now mere blackened shells, yet picturesque and radiant in the soft golden ruddy glow of the beautiful cruel flames, that still lick and twist serpent-like in and out of the empty window frames. Successful commonplace prosperity at noon, they are transfigured into resplendent ruin at night. Well, the train awaited us on the opposite side, and there the owners of the destroyed property were already talking together, planning the rebuilding of their factories with improvements; wasting no words in useless regrets; they were scheming, and in their mind’s eye reconstructing the works, while the ruins still smouldered before their eyes.
The road to Western Virginia leads through some of the most beautiful scenery of the south. Lying near, and around us, are soft swelling hills and undulating valleys, with here and there dark pine woods, grouped in sombre masses; their branches standing out stiff and grim, like serried ranks of swords, pricking the skies—a standing army of nature’s wild recruits rooted to her breast, their only warfare being carried on with the raging elements, when the storm king comes crashing down from the distant mountains in a whirlwind of raging wrath, and armed with the invisible horrors of the air hurls itself upon the woodland kings, tearing their stiffened limbs, wrenching and twisting their tall straight trunks, and leaving them a shapeless shivering mass upon the ground, broken like a gallant army, but not vanquished; the earth still holds them fast, wrapping her soft moss about their bleeding wounds, fanning them with sweet airs, and lifting them up again to flourish in the face of the sun. Here and there broad bands of the silver stream sandal the foothills, and lace the ragged fringes of the earth together. We look round on a wide panoramic view of variegated green, where hill and valley, wooded knolls and rocky ridges, frowning forests and smiling meadows, are blended in one harmonious