Sabbath.”
Adam remembered now that Seth had come home much depressed on Sunday evening, a circumstance which had been very unusual with him of late, for the happiness he had in seeing Dinah every week seemed long to have outweighed the pain of knowing she would never marry him. This evening he had his habitual air of dreamy benignant contentment, until he came quite close to Dinah and saw the traces of tears on her delicate eyelids and eyelashes. He gave one rapid glance at his brother, but Adam was evidently quite outside the current of emotion that had shaken Dinah: he wore his everyday look of unexpectant calm. Seth tried not to let Dinah see that he had noticed her face, and only said, “I’m thankful you’re come, Dinah, for Mother’s been hungering after the sight of you all day. She began to talk of you the first thing in the morning.”
When they entered the cottage, Lisbeth was seated in her arm-chair, too tired with setting out the evening meal, a task she always performed a long time beforehand, to go and meet them at the door as usual, when she heard the approaching footsteps.
“Coom, child, thee’t coom at last,” she said, when Dinah went towards her. “What dost mane by lavin’ me a week an’ ne’er coomin’ a-nigh me?”
“Dear friend,” said Dinah, taking her hand, “you’re not well. If I’d known it sooner, I’d have come.”
“An’ how’s thee t’ know if thee dostna coom? Th’ lads on’y know what I tell ’em. As long as ye can stir hand and foot the men think ye’re hearty. But I’m none so bad, on’y a bit of a cold sets me achin’. An’ th’ lads tease me so t’ ha’ somebody wi’ me t’ do the work—they make me ache worse wi’ talkin’. If thee’dst come and stay wi’ me, they’d let me alone. The Poysers canna want thee so bad as I do. But take thy bonnet off, an’ let me look at thee.”
Dinah was moving away, but Lisbeth held her fast, while she was taking off her bonnet, and looked at her face as one looks into a newly gathered snowdrop, to renew the old impressions of purity and gentleness.
“What’s the matter wi’ thee?” said Lisbeth, in astonishment; “thee’st been a-cryin’.”
“It’s only a grief that’ll pass away,” said Dinah, who did not wish just now to call forth Lisbeth’s remonstrances by disclosing her intention to leave Hayslope. “You shall know about it shortly—we’ll talk of it to-night. I shall stay with you to-night.”
Lisbeth was pacified by this prospect. And she had the whole evening to talk with Dinah alone; for there was a new room in the cottage, you remember, built nearly two years ago, in the expectation of a new inmate; and here Adam always sat when he had writing to do or plans to make. Seth sat there too this evening, for he knew his mother would like to have Dinah all to herself.
There were two pretty pictures on the two sides of the wall in the cottage. On one side there was the broad-shouldered, large-featured, hardy old woman, in her blue jacket and buff kerchief, with her dim-eyed anxious looks turned continually on the lily face and the slight form in the black dress that were either moving lightly about in helpful activity, or seated close by the old woman’s arm-chair, holding her withered hand, with eyes lifted up towards her to speak a language which Lisbeth understood far better than the Bible or the hymn-book. She would scarcely listen to reading at all to-night. “Nay, nay, shut the book,” she said. “We mun talk. I want t’ know what thee was cryin’ about. Hast got troubles o’ thy own, like other folks?”
On the other side of the wall there were the two brothers so like each other in the midst of their unlikeness: Adam with knit brows, shaggy hair, and dark vigorous colour, absorbed in his “figuring”; Seth, with large rugged features, the close copy of his brother’s, but with thin, wavy, brown hair and blue dreamy eyes, as often as not looking vaguely out of the window instead of at his book, although it was a newly bought book—Wesley’s abridgment of Madame Guyon’s life, which was full of wonder and interest for him. Seth had said to Adam, “Can I help thee with anything in here to-night? I don’t want to make a noise in the shop.”
“No, lad,” Adam answered, “there’s nothing but what I must do myself. Thee’st got thy new book to read.”
And often, when Seth was quite unconscious, Adam, as he paused after drawing a line with his ruler, looked at his brother with a kind smile dawning in his eyes. He knew “th’ lad liked to sit full o’ thoughts he could give no account of; they’d never come t’ anything, but they made him happy,” and in the last year or so, Adam had been getting more and more indulgent to Seth. It was part of that growing tenderness which came from the sorrow at work within him.
For Adam, though you see him quite master of himself, working hard and delighting in his work after his inborn inalienable nature, had not outlived his sorrow—had not felt it slip from him as a temporary burden, and leave him the same man again. Do any of us? God forbid. It would be a poor result of all our anguish and our wrestling if we won nothing but our old selves at the end of it—if we could return to the same blind loves, the same self-confident blame, the same light thoughts of human suffering, the same frivolous gossip over blighted human lives, the same feeble sense of that Unknown towards which we have sent forth irrepressible cries in our loneliness. Let us rather be thankful that our sorrow lives in us as an indestructible force, only changing its form, as forces do, and passing from pain into sympathy—the one poor word which includes all our best insight and our best love. Not that this transformation of pain into sympathy had completely taken place in Adam yet. There was still a great remnant of pain, and this he felt would subsist as long as her pain was not a memory, but an existing thing, which he must think of as renewed with the light of every new morning. But we get accustomed to mental as well as bodily pain, without, for all that, losing our sensibility to it. It becomes a habit of our lives, and we cease to imagine a condition of perfect ease as possible for us. Desire is chastened into submission, and we are contented with our day when we have been able to bear our grief in silence and act as if we were not suffering. For it is at such periods that the sense of our lives having visible and invisible relations, beyond any of which either our present or prospective self is the centre, grows like a muscle that we are obliged to lean on and exert.
That was Adam’s state of mind in this second autumn of his sorrow. His work, as you know, had always been part of his religion, and from very early days he saw clearly that good carpentry was God’s will—was that form of God’s will that most immediately concerned him. But now there was no margin of dreams for him beyond this daylight reality, no holiday-time in the working-day world, no moment in the distance when duty would take off her iron glove and breast-plate and clasp him gently into rest. He conceived no picture of the future but one made up of hard-working days such as he lived through, with growing contentment and intensity of interest, every fresh week. Love, he thought, could never be anything to him but a living memory—a limb lopped off, but not gone from consciousness. He did not know that the power of loving was all the while gaining new force within him; that the new sensibilities bought by a deep experience were so many new fibres by which it was possible, nay, necessary to him, that his nature should intertwine with another. Yet he was aware that common affection and friendship were more precious to him than they used to be—that he clung more to his mother and Seth, and had an unspeakable satisfaction in the sight or imagination of any small addition to their happiness. The Poysers, too—hardly three or four days passed but he felt the need of seeing them and interchanging words and looks of friendliness with them. He would have felt this, probably, even if Dinah had not been with them, but he had only said the simplest truth in telling Dinah that he put her above all other friends in the world. Could anything be more natural? For in the darkest moments of memory the thought of her always came as the first ray of returning comfort. The early days of gloom at the Hall Farm had been gradually turned into soft moonlight by her presence; and in the cottage, too, for she had come at every spare moment to soothe and cheer poor Lisbeth, who had been stricken with a fear that subdued even her querulousness at the sight of her darling Adam’s grief-worn face. He had become used to watching her light quiet movements, her pretty loving ways to the children, when he went to the Hall Farm; to listen for her voice as for a recurrent music; to think everything she said and did was just right, and could not have been better. In spite