among the Dead. It would have been less bitter to have knelt beside her tomb, knowing the heart forever still had, to the last, beat true with love for him; knowing the dead arms, lying cold and stiff, had he come sooner, would have been flung around him; knowing the lips, now silent in death, living, would have called to him in tenderest greeting.
But this cold travesty of the radiant woman he had left, said: "Touch me not," and bade him seek a wife elsewhere; he, who had remained faithful to her, even when he had thought her faithless.
And yet, cold though she was, in her saintly aloofness, she was still the woman he loved. Moreover she still had the noble carriage, the rich womanly beauty, the look of vital, physical vigour, which marked her out as meant by Nature to be the mother of brave sons and fair daughters. Yet he must leave her—to this!
He looked round the room, noted the low archway leading to the sleeping chamber, took a step toward it, then fell back as from a sanctuary; marked the great table, covered with missals, parchments, and vellum. It might well have been the cell of a learned monk, rather than the chamber of the woman he loved. His eye, travelling round, fell upon the Madonna and Child.
In the pure evening light there was a strangely arresting quality about the marble group; something infinitely human in the brooding tenderness of the Mother, as she bent over the smiling Babe. It spoke of home, rather than of the cloister. It struck a chord in the heart of the Knight, a chord which rang clear and true, above the jangle of disputation and bitterness.
He put out his hand and touched the little foot of the Holy Babe.
"Mother of God," he said aloud, "send her to me! Take pity on a hungry heart, a lonely home, a desolate hearth. Send her to me!"
Then he lifted from the floor the white robe and hood, and drew them on.
CHAPTER XIV
FAREWELL—HERE, AND NOW
When the Prioress, a lighted lantern in her hand, opened the door of her chamber, a tall figure in the dress of the White Ladies of Worcester stood motionless against the wall, facing the door.
"Come!" she whispered, beckoning; and, noiselessly, it stood beside her. Then she closed the door and, using her master-key, locked it behind her.
Silently the two white figures passed along the passage, through the cloister, and down the flight of steps into the Convent crypt. The Prioress unlocked the door and stooping they passed under the arch, and entered the subterranean way.
Placing the lantern on the ground, the Prioress drew out the key, closed the door, and locked it on the inside.
She turned, and lifting the lantern, saw that the Knight had rid himself of his disguise, and now stood before her, very straight and tall, just within the circle of light cast by her lantern.
With the closing and locking of the door a strange sense came over them, as of standing together in a third world—neither his nor hers—tomblike in its complete isolation and darkness; heavy with a smell of earth and damp stones; the slightest sound reverberating in hollow exaggeration; yet, in itself, silent as the grave.
This tomblike quality in their surroundings seemed to make their own vitality stronger and more palpitating.
The seconds of silence, after the grating of the key in the lock ceased, seemed hours.
Then the Knight spoke.
"Give me the lantern," he said.
She met his eyes. Again the dignity of her Office slipped from her.
Again it was sweet to obey.
He held the lantern so that its light illumined her face and his.
"Mora," he said, "it is long since thou and I last walked together over the sunny fields, amid buttercups and cowslips, and the sweet-smelling clover. To-night we walk beneath the fields instead of through them. We are under the grass, my sweet. I seem to stand beside thee in the grave. And truly my hopes lie slain; the promise of our love is dead, and shall soon be buried. Yet thou and I still live, and now must walk together side by side, the sad ghosts of our former selves.
"So now I ask thee, Mora, for the sake of those past walks among the flowers, to lay thy hand within my arm and walk with me in gentle fellowship, here in this place of gloom and darkness, as, long ago, we walked among the flowers."
His dark eyes searched her face. An almost youthful eagerness vibrated in his voice.
She hesitated, lifting her eyes to his. Then slowly moved toward him and laid her hand within his arm.
Then, side by side, they paced on through the darkness; he, in his right hand, holding the lantern, swinging low, to light their feet; she, leaning on his left arm, keeping slow pace with him.
Over their heads, in the meadows, walked lovers, arm in arm; young men and maidens out in the gathering twilight. All nature, refreshed, poured forth a fragrant sweetness. But the rose, with its dewy petals, seemed to the youth less sweet than the lips of the maid. This, he shyly ventured to tell her; whereupon, as she bent to its fragrance, her cheeks reflected the crimson of those delicate folds.
So walked and talked young lovers in the Worcester meadows; little dreaming that, beneath their happy feet, the Knight and the Prioress paced slowly, side by side, through the darkness.
No word passed between them. With, her hand upon his arm, her face so near his shoulder, his arm pressing her hand closer and closer against his heart, silence said more than speech. And in silence they walked.
They passed beneath the city wall, under the Foregate.
The Sheriff rode home to supper, well pleased with a stroke of business accomplished in a house in which he had chanced to shelter during the storm.
The good people of Worcester bought and sold in the market. Men whose day's work was over, hastened to reach the rest and comfort of wife and home. Crowds jostled gaily through the streets, little dreaming that beneath their hurrying, busy feet, the Knight and the Prioress paced slowly, side by side, through the darkness.
Had the Knight spoken, her mind would have been up in arms to resist him. But, because he walked in silence, her heart had leisure to remember; and, remembering, it grew sorely tender.
At length they reached the doorway leading into the Cathedral crypt.
The Prioress carried the key in her left hand. Freeing her right from the grip of his arm, she slipped the key noiselessly into the lock; but, leaving it there unturned, she paused, and faced the Knight.
"Hugh," she said, "I beg you, for my sake and for the sake of all whose fair fame is under my care, to pass through quickly into the crypt, and to go from thence, if possible, unseen, or in such manner as shall prevent any suspicion that you come from out this hidden way. Tales of wrong are told so readily, and so quickly grow."
"I will observe the utmost caution," said the Knight.
"Hugh," she said, "I grieve to have had, perforce, to disappoint you." The brave voice shook. "This is our final farewell. Do you forgive me, Hugh? Will you think kindly, if you ever think on me?"
The Knight held the lantern so that its rays illumined both her face and his.
"Mora," he said, "I cannot as yet take thine answer as final. I will return no more, nor try to speak with thee again. But five days longer, I shall wait. I shall have plans made with the utmost care, to bear thee, in safety and unseen, from the Cathedral. I know the doors are watched, and that all who pass in and out are noted and observed. But, if thou wilt but come to me, belovèd, trust me to know how to guard mine own. … Nay, speak not! Hear me out.
"Daily, after Vespers, I shall stand hidden among the pillars, close to the winding stair. One step aside—only one step—and my arm will be around thee. A new life of love and home will lie before us. I shall take