of this man, tracing his mysterious characters in the midst of profound silence.
The clock struck eight. The dull sound of the knocker at the outer door was heard, then a bell tinkled twice, several doors opened and shut, and a new personage entered the chamber. On seeing him, M. Rodin rose from the desk, stuck his pen between his teeth, bowed with a deeply submissive air, and sat down again to his work without uttering a word.
The two formed a striking contrast to one another. The newcomer, though really older than he seemed, would have passed for thirty-six or thirty eight years of age at most. His figure was tall and shapely, and few could have encountered the brightness of his large gray eye, brilliant as polished steel. His nose, broad at the commencement, formed a well-cut square at its termination; his chin was prominent, and the bluish tints of his close-shaved beard were contrasted with the bright carnation of his lips, and the whiteness of his fine teeth. When he took off his hat to change it for a black velvet cap which he found on the small table, he displayed a quantity of light chestnut hair, not yet silvered by time. He was dressed in a long frock-coat, buttoned up to the neck in military fashion.
The piercing glance and broad forehead of this man revealed a powerful intellect, even as the development of his chest and shoulders announced a vigorous physical organization; whilst his gentlemanly appearance, the perfection of his gloves and boots, the light perfume which hung about his hair and person, the grace and ease of his least movements, betrayed what is called the man of the world, and left the impression that he had sought or might still seek every kind of success, from the most frivolous to the most serious. This rare combination of strength of mind, strength of body, and extreme elegance of manners, was in this instance rendered still more striking by the circumstance, that whatever there might be of haughtiness or command in the upper part of that energetic countenance, was softened down, and tempered by a constant but not uniform smile—for, as occasion served, this smile became either kind or sly, cordial or gay, discreet or prepossessing, and thus augmented the insinuating charm of this man, who, once seen, was never again forgotten. But, in yielding to this involuntary sympathy, the doubt occurred if the influence was for good—or for evil.
M. Rodin, the secretary of the newcomer, continued to write.
"Are there any letters from Dunkirk, Rodin?" inquired his master.
"Post not yet in."
"Without being positively uneasy as to my mother's health, since she was already convalescent," resumed the other, "I shall only be quite reassured by a letter from my excellent friend, the Princess de Saint Dizier. I shall have good news this morning, I hope."
"It is to be desired," said the secretary, as humble and submissive as he was laconic and impassible.
"Certainly it is to be desired," resumed his master; "for one of the brightest days of my life was when the Princess de Saint-Dizier announced to me that this sudden and dangerous illness had yielded to the care and attention with which she surrounds my mother. Had it not been for that I must have gone down to her instantly, though my presence here is very necessary."
Then, approaching the desk, he added: "Is the summary of the foreign correspondence complete?"
"Here is the analysis."
"The letters are still sent under envelope to the places named, and are then brought here as I directed?"
"Always."
"Read to me the notes of this correspondence; if there are any letters for me to answer, I will tell you." And Rodin's master began to walk up and down the room, with his hands crossed behind his back, dictating observations of which Rodin took careful note.
The secretary turned to a pretty large pile of papers, and thus began:
"Don Raymond Olivarez acknowledges from Cadiz receipt of letter No.19; he will conform to it, and deny all share in the abduction."
"Very well; file it."
"Count Romanoff, of Riga, finds himself in a position of pecuniary embarrassment."
"Let Duplessis send him fifty louis; I formerly served as captain in his regiment, and he has since given us good information."
"They have received at Philadelphia the last cargo of Histories of France, expurgated for the use of the faithful they require some more of the same sort."
"Take note of it, and write to Duplessis. Go on."
"M. Spindler sends from Namur the secret report on M. Ardouin."
"To be examined."
"M. Ardouin sends from the same town the secret report on M. Spindler."
"To be examined."
"Doctor Van Ostadt, of the same town, sends a confidential note on the subject of Messrs. Spindler and Ardouin."
"To be compared. Go on!"
"Count Malipierri, of Turin, announces that the donation of 300,000 francs is signed."
"Inform Duplessis. What next?"
"Don Stanislaus has just quitted the waters of Baden with Queen Marie Ernestine. He informs us that her majesty will receive with gratitude the promised advices, and will answer them with her own hand."
"Make a note of it. I will myself write to the queen."
Whilst Rodin was inscribing a few remarks on the margin of the paper, his master, continuing to walk up and down the room, found himself opposite to the globe marked with little red crosses, and stood contemplating it for a moment with a pensive air.
Rodin continued: "In consequence of the state of the public mind in certain parts of Italy, where sundry agitators have turned their eyes in the direction of France, Father Arsenio writes from Milan, that it would be of importance to distribute profusely in that country, some little book, in which the French would be represented as impious and debauched, rapacious and bloody."
"The idea is excellent. We might turn to good account the excesses committed by our troops in Italy during the wars of the Republic. You must employ Jacques Dumoulin to write it. He is full of gall, spite, and venom: the pamphlet will be scorching. Besides, I may furnish a few notes; but you must not pay Dumoulin till after delivery of the manuscript."
"That is well understood: for, if we were to pay him beforehand, he would be drunk for a week in some low den. It was thus we had to pay him twice over for his virulent attack on the pantheistic tendencies of Professor Martin's philosophy."
"Take note of it—and go on!"
"The merchant announces that the clerk is about to send the banker to give in his accounts. You understand?' added Rodin, after pronouncing these words with a marked emphasis.
"Perfectly," said the other, with a start; "they are but the expressions agreed on. What next?"
"But the clerk," continued the secretary, "is restrained by a last scruple."
After a moment's silence, during which the features of Rodin's master worked strongly, he thus resumed: "They must continue to act on the clerk's mind by silence and solitude; then, let him read once more the list of cases in which regicide is authorized and absolved. Go on!"
"The woman Sydney writes from Dresden, that she waits for instructions. Violent scenes of jealousy on her account have again taken place between the father and son; but neither from these new bursts of mutual hatred, nor from the confidential communications which each has made to her against his rival, has she yet been able to glean the information required. Hitherto, she has avoided giving the preference to one or the other; but, should this situation be prolonged, she fears it may rouse their suspicion. Which ought she then to choose—the father or the son?"
"The son—for jealous resentment will be much more violent and cruel in the old man, and, to revenge himself for the preference bestowed upon his son, he will perhaps tell what they have both such an interest to conceal. The next?"
"Within the last three years, two maid-servants of Ambrosius whom we placed in that little parish in the mountains of the Valais, have disappeared, without any one