of your age, are confounding the method with the thing. You see how charmingly Mrs. Pallas sits back and goes on with her crochet while Dr. Volta talks to her; and then, at the right moment, she says just the right thing, and makes him laugh, or makes him cry, or makes him defend himself, or makes him explain himself; and you think that there is a particular knack or rule for doing this so glibly, or that she has a particular genius for it which you are not born to, and therefore you both propose hermitages for yourselves because you cannot do as she does. Dear children, it would be a very stupid world if anybody in it did just as anybody else does. There is no particular method about talking or talking well. It is one of the things in life which "does itself." And the only reason why you do not talk as easily and quite as pleasantly as Mrs. Pallas is, that you are thinking of the method, and coming to me to inquire how to do that which ought to do itself perfectly, simply, and without any rules at all.
It is just as foolish girls at school think that there is some particular method of drawing with which they shall succeed, while with all other methods they have failed. "No, I can't draw in india-ink [pronounced in-jink], 'n' I can't do anything with crayons,--I hate crayons,--'n' I can't draw pencil-drawings, 'n' I won't try any more; but if this tiresome old Mr. Apelles was not so obstinate, 'n' would only let me try the 'monochromatic drawing,' I know I could do that. 'T so easy. Julia Ann, she drew a beautiful piece in only six lessons."
My poor Pauline, if you cannot see right when you have a crayon in your hand, and will not draw what you see then, no "monochromatic system" is going to help you. But if you will put down on the paper what you see, as you see it, whether you do it with a cat's tail, as Benjamin West did it, or with a glove turned inside out, as Mr. Hunt bids you do it, you will draw well. The method is of no use, unless the thing is there; and when you have the thing, the method will follow.
So there is no particular method for talking which will not also apply to swimming or skating, or reading or dancing, or in general to living. And if you fail in talking, it is because you have not yet applied in talking the simple master-rules of life.
For instance, the first of these rules is,
Tell the Truth.
Only last night I saw poor Bob Edmeston, who has got to pull through a deal of drift-wood before he gets into clear water, break down completely in the very beginning of his acquaintance with one of the nicest girls I know, because he would not tell the truth, or did not. I was standing right behind them, listening to Dr. Ollapod, who was explaining to me the history of the second land-grant made to Gorges, and between the sentences I had a chance to hear every word poor Bob said to Laura. Mark now, Laura is a nice clever girl, who has come to make the Watsons a visit through her whole vacation at Poughkeepsie; and all the young people are delighted with her pleasant ways, and all of them would be glad to know more of her than they do. Bob really wants to know her, and he was really glad to be introduced to her. Mrs. Pollexfen presented him to her, and he asked her to dance, and they stood on the side of the cotillon behind me and in front of Dr. Ollapod. After they had taken their places, Bob said: "Jew go to the opera last week, Miss Walter?" He meant, "Did you go to the opera last week?"
"No," said Laura, "I did not."
"O, 't was charming!" said Bob. And there this effort at talk stopped, as it should have done, being founded on nothing but a lie; which is to say, not founded at all. For, in fact, Bob did not care two straws about the opera. He had never been to it but once, and then he was tired before it was over. But he pretended he cared for it. He thought that at an evening party he must talk about the opera, and the lecture season, and the assemblies, and a lot of other trash, about which in fact he cared nothing, and so knew nothing. Not caring and not knowing, he could not carry on his conversation a step. The mere fact that Miss Walter had shown that she was in real sympathy with him in an indifference to the opera threw him off the track which he never should have been on, and brought his untimely conversation to an end.
Now, as it happened, Laura's next partner brought her to the very same place, or rather she never left it, but Will Hackmatack came and claimed her dance as soon as Bob's was done. Dr. Ollapod had only got down to the appeal made to the lords sitting in equity, when I noticed Will's beginning. He spoke right out of the thing he was thinking of.
"I saw you riding this afternoon," he said.
"Yes," said Laura, "we went out by the red mills, and drove up the hill by Mr. Pond's."
"Did you?" said Will, eagerly. "Did you see the beehives?"
"Beehives? no;--are there beehives?"
"Why, yes, did not you know that Mr. Pond knows more about bees than all the world beside? At least, I believe so. He has a gold medal from Paris for his honey or for something. And his arrangements there are very curious."
"I wish I had known it," said Laura. "I kept bees last summer, and they always puzzled me. I tried to get books; but the books are all written for Switzerland, or England, or anywhere but Orange County."
"Well," said the eager Will, "I do not think Mr. Pond has written any book, but I really guess he knows a great deal about it. Why, he told me--" &c., &c., &c.
It was hard for Will to keep the run of the dance; and before it was over he had promised to ask Mr. Pond when a party of them might come up to the hill and see the establishment; and he felt as well acquainted with Laura as if he had known her a month. All this ease came from Will's not pretending an interest where he did not feel any, but opening simply where he was sure of his ground, and was really interested. More simply, Will did not tell a lie, as poor Bob had done in that remark about the opera, but told the truth.
If I were permitted to write more than thirty-five pages of this note-paper (of which this is the nineteenth), I would tell you twenty stories to the same point. And please observe that the distinction between the two systems of talk is the eternal distinction between the people whom Thackeray calls snobs and the people who are gentlemen and ladies. Gentlemen and ladies are sure of their ground. They pretend to nothing that they are not. They have no occasion to act one or another part. It is not possible for them, even in the choice of subjects, to tell lies.
The principle of selecting a subject which thoroughly interests you requires only one qualification. You may be very intensely interested in some affairs of your own; but in general society you have no right to talk of them, simply because they are not of equal interest to other people. Of course you may come to me for advice, or go to your master, or to your father or mother, or to any friend, and in form lay open your own troubles or your own life, and make these the subject of your talk. But in general society you have no right to do this. For the rule of life is, that men and women must not think of themselves, but of others: they must live for others, and then they will live rightly for themselves. So the second rule for talk would express itself thus:--
Do Not Talk About Your Own Affairs.
I remember how I was mortified last summer, up at the Tiptop House, though I was not in the least to blame, by a display Emma Fortinbras made of herself. There had gathered round the fire in the sitting-room quite a group of the different parties who had come up from the different houses, and we all felt warm and comfortable and social; and, to my real delight, Emma and her father and her cousin came in,--they had been belated somewhere. She is a sweet pretty little thing, really the belle of the village, if we had such things, and we are all quite proud of her in one way; but I am sorry to say that she is a little goose, and sometimes she manages to show this just when you don't want her to. Of course she shows this, as all other geese show themselves, by cackling about things that interest no one but herself. When she came into the room, Alice ran to her and kissed her, and took her to the warmest seat, and took her little cold hands to rub them, and began to ask her how it had all happened, and where they had been, and all the other questions. Now, you see, this was a very dangerous position. Poor Emma was not equal to it. The subject was given her, and so far she was not to blame. But when, from the misfortunes of the party, she rushed immediately to detail individual misfortunes of her own, resting principally on the history of a pair of boots which she had thought would be strong enough to last all through the expedition, and which she had meant to send to Sparhawk's before she left home to have their heels cut down, only