at Gilead Balm, kept up with the fashions.
At the other end of the long, narrow deck a knot of country gentlemen were telling war stories. All had fought in the war—the war that had been over now for twenty years and more. There were an empty sleeve and a wooden leg in the group and other marks of bullet and sabre. They told good stories, the country gentlemen, and they indulged in mellow laughter. Blue rings of tobacco-smoke rose and mingled and made a haze about that end of the boat.
"How the gentlemen are enjoying themselves!" said placidly one of the knitting ladies.
The dark little girl continued to ponder the omission from the library. "Aunt Serena—"
"Yes, Hagar."
"Is it like 'Tom Jones'?"
"'Tom Jones'! What do you know about 'Tom Jones'?"
"Grandfather was reading it one day and laughing, and after he had done with it I got it down from the top shelf and asked him if I might read it, and he said, 'No, certainly not! it isn't a book for ladies.'"
"Your grandfather was quite right. You read entirely too much anyway. Dr. Bude told your mother so."
The little girl turned large, alarmed eyes upon her. "I don't read half as much as I used to. I don't read except just a little time in the morning and evening and after supper. It would kill me if I couldn't read—"
"Well, well," said Miss Serena, "I suppose we shall continue to spoil you!"
She said it in a very sweet voice, and she patted the child's arm and then she went back to "The Wooing O't." She was fond of reading novels herself, though she liked better to do macramé work and to paint porcelain placques.
The packet-boat glided on. It was almost the last packet-boat in the state and upon almost its last journey. Presently there would go away forever the long, musical winding of the packet-boat horn. It would never echo any more among the purple hills, but the locomotive would shriek here as it shrieked elsewhere. Beyond the willows and sycamores, across the river whose reaches were seen at intervals, gangs of convicts with keepers and guards and overseers were at work upon the railroad.
The boat passing through a lock, the dark little girl stared, fascinated, at one of these convicts, a "trusty," a young white man who was there at the lock-keeper's on some errand and who now stood speaking to the stout old man on the coping of masonry. As the water in the lock fell and the boat was steadily lowered and the stone walls on either hand grew higher and higher, the figure of the convict came to stand far above all on deck. Dressed hideously, in broad stripes of black and white, it stood against the calm evening sky, with a sense of something withdrawn and yet gigantic. The face was only once turned toward the boat with its freight of people who dressed as they pleased. It was not at all a bad face, and it was boyishly young. The boat slipped from the lock and went on down the canal, between green banks. The negro on the towpath was singing and his rich voice floated across—
"For everywhere I went ter pray,
I met all hell right on my way."
The country gentlemen were laughing again, wrapped in the blue and fragrant smoke. The captain of the packet-boat came up the companionway and passed from group to group like a benevolent patriarch. Down below, supper was cooking; one smelled the coffee. The sun was slipping lower, in the green bottoms the frogs were choiring. Standing in the prow of the boat a negro winded the long packet-boat horn. It echoed and echoed from the purple hills.
The dark little girl was still staring at the dwindling lock. The black-and-white figure, striped like a zebra, was there yet, though it had come down out of the sky and had now only the green of the country about and behind it. It grew smaller and smaller until it was no larger than a black-and-white woodpecker—it was gone.
She appealed again to Miss Serena. "Aunt Serena, what do you suppose he did?"
Miss Serena, who prided herself upon her patience, put down her book for the tenth time. "Of whom are you speaking, Hagar?"
"That man back there—the convict."
"I didn't notice him. But if he is a convict, he probably did something very wicked."
Hagar sighed. "I don't think anybody ought to be made to dress like that. It—it smudged my soul just to look at it."
"Convicts," said Miss Serena, "are not usually people of fine feelings. And you ought to take warning by him never to do anything wicked."
A silence while the trees and the flowering blackberry bushes went by; then, "Aunt Serena—"
"Yes?"
"The woman over there with the baby—she says her husband got hurt in an accident—and she's got to get to him—and she hasn't got any money. The stout man gave her something, and I think the captain wouldn't let her pay. Can't I—wouldn't you—can't I—give her just a little?"
"The trouble is," said Miss Serena, "that you never know whether or not those people are telling the truth. And we aren't rich, as you know, Hagar. But if you want to, you can go ask your grandfather if he will give you something to give."
The dark little girl undoubled her white-stockinged legs, got up, smoothed down her blue gingham dress, and went forward until the tobacco-smoke wrapped her in a fragrant fog. Out of it came, genially, the Colonel's voice, rich as old madeira, shot like shot silk with curious electric tensions and strains and agreements, a voice at once mellifluous and capable of revealments demanding other adjectives, a voice that was the Colonel's and spoke the Colonel from head to heel. It went with his beauty, intact yet at fifty-eight, with the greying amber of his hair, mustache, and imperial; with his eyes, not large but finely shaped and coloured; with his slightly aquiline nose; with the height and easy swing of his body that was neither too spare nor too full. It went with him from head to foot, and, though it was certainly not a loud voice nor a too-much-used one, it quite usually dominated whatever group for the moment enclosed the Colonel. He was speaking now in a kind of energetic, golden drawl. "So he came up to me and said, 'Dash it, Ashendyne! if gentlemen can't be allowed in this degenerate age to rule their own households and arrange their own duels—'" He became aware of the child standing by him, and put out a well-formed, nervous hand. "Yes, Gipsy? What is it you want now?"
Hagar explained sedately.
"Her husband hurt and can't get to him to nurse him?" said the Colonel. "Well, well! That's pretty bad! I suppose we must take up a collection. Pass the hat, Gipsy!"
Hagar went to each of the country gentlemen, not with the suggested hat, but with her small palm held out, cupped. One by one they dropped into it quarter or dime, and each, as his coin tinkled down, had for the collector of bounty a drawling, caressing, humorous word. She thanked each gentleman as his bit of silver touched her hand and thanked with a sedate little manner of perfection. Manners at Gilead Balm were notoriously of a perfection.
Hagar took the money to the woman with the baby and gave it to her shyly, with a red spot in each cheek. She was careful to explain, when the woman began to stammer thanks, that it was from her grandfather and the other gentlemen and that they were anxious to help. She was a very honest little girl, with an honest wish to place credit where it belonged.
Back beside Miss Serena she sat and studied the moving green banks. The sun was almost down; there were wonderful golden clouds above the mountains. Willow and sycamore, on the river side of the canal, fell away. Across an emerald, marshy strip, you saw the bright, larger stream, mirror for the bright sky, and across it in turn you saw limestone cliffs topped with shaggy woods, and you heard the sound of picks against rock and saw another band of convicts, white and black, making the railroad. The packet-boat horn was blown again—long, musical, somewhat mournfully echoing. The negro on the towpath, riding sideways on his mule, was singing still.
"Aunt Serena—"
"Yes, Hagar."
"Why is it that women don't have any money?"
Miss Serena closed her book. She glanced at the