a blunt question.
'Do you think people who go in for music, art, and that kind of thing, ought to marry?'
'I never thought about it at all,' Alma replied, with a careless laugh, striking a finger across the strings of the violin which she held on her lap.
'We're generally told they shouldn't,' pursued Dymes, in a voice which had lost its noisy confidence, and was a little uncertain. 'But it all depends, you know. If people mean by marriage the ordinary kind of thing—of course, that's the deuce. But it needn't be. Lots of people marry nowadays and live in a rational way—no house, or bother of that kind; just going about as they like, and having a pleasant, reasonable life. It's easy enough with a little money. Sometimes they're a good deal of help to each other; I know people who manage to be.'
'Oh, I dare say,' said Alma when he paused. 'It all depends, as you say. You're going on to Italy at once?'
Her half-veiled eyes seemed to conceal amusement, and there was good-humoured disdain in the setting of her lips. With audacity so incredible that it all but made her laugh, Dymes, not heeding her inquiry, jerked out the personal application of his abstract remarks. Yes, it was a proposal of marriage—marriage on the new plan, without cares or encumbrance; a suggestion rather than a petition; off-hand, unsentimental, yet perfectly serious, as look and tone proclaimed.
'There's much to be said for your views,' Alma replied, with humorous gravity, 'but I haven't the least intention of marrying.'
'Well, I've mentioned it.' He waved his hand as if to overcome an unwonted embarrassment. 'You don't mind?'
'Not a bit.'
'I hope we shall meet again before long, and—some day, you know—you may see the thing in another light. You mustn't think I'm joking.'
'But it is rather a joke.'
'No; I never was more in earnest about anything, believe me. And I'm convinced it's a good idea. However, you know one thing—if I can be of use to you, I shall. I'll think it over—your chances and so on; something may suggest itself. You're not cut out for everyday things.'
'I try to hope not.'
'Ah, but you can take my word for it.'
With this comforting assurance, Felix Dymes departed. No melodrama; a hand-grip, a significant nod, a loud humming as he went downstairs.
Alma presently began a new letter to Sibyl Carnaby. It was written in a cheery humour, though touched by the shadow of distressful circumstance. She told the story of Mr. Dymes's visit, and made merry over it. 'I am sure this is the very newest thing in "proposals". Though I live in such a dull, lonely way, it has made me feel that I am still in touch with civilisation. And really, if the worst come to the worst—but it's dangerous to joke about such things.' She touched lightly on the facts of her position. 'I'm afraid I have not been doing very much. Perhaps this is a fallow time with me; I may be gaining strength for great achievements. Unfortunately, I have a lazy companion. Miss Steinfeld (you know her from my last letter, if you got it) only pretends to work. I like her for her thorough goodness and her intelligence; but she is just a little melancholisch, and so not exactly the companion I need. Her idea just now is that we both need "change" and she wants me to go with her to Bregenz, on the Bodensee. Perhaps I shall when the weather gets hot.'
It had surprised her to be told by Felix Dymes that he obtained her address at Munich from Miss Leach, for the only person in England to whom she had yet made known her departure from Leipzig was her step-mother. Speak of her how they might, her acquaintances in London still took trouble to inform themselves of her movements. Perhaps the very completeness of the catastrophe in which she was involved told in her favour; possibly she excited much more interest than could ever have attached to her whilst her name was respected. There was new life in the thought. She wrote briefly to Dora Leach, giving an account of herself, which, though essentially misleading, was not composed in a spirit of conscious falsehood. For all her vanity, Alma had never aimed at effect by practice of deliberate insincerities. Miss Leach was informed that her friend could not find much time for correspondence. 'I am living in the atmosphere of art, and striving patiently. Some day you shall hear of me.' And when the letter was posted, Alma mused long on the effect it would produce.
With the distinguished violinist; the friend of Herr Wilenski, spoken of to Mrs. Frothingham, she had as yet held no communication, and through the days of early summer she continued to neglect her music. Indolence grew upon her; sometimes she spent the whole day in a dressing-gown, seated or reclining, with a book in her hand, or totally unoccupied. Sometimes the military bands in the public gardens tempted her to walk a little, or she strolled with Miss Steinfeld through the picture galleries; occasionally they made short excursions into the country. The art student had acquaintances in Munich, but did not see much of them, and they were not the kind of people with whom Alma cared to associate.
In July it was decided that they should go for a few weeks to Bregenz; their health called for the change, which, as Miss Steinfeld knew of a homely pension, could be had at small expense. Before their departure the art student was away for a few days, and, to relieve the dreariness of an existence which was becoming burdensome, Alma went out alone one afternoon, purposing a trip by steam-tram to the gardens at Nymphenburg. She walked to the Stiglmeyerplatz, where the tram starts, and there stood waiting. A carriage drove past, with a sound of English voices, which drew her attention. She saw three children, a lady, and a gentleman. The last-mentioned looked at her, and she recognised Cyrus Redgrave. Whether he knew her face seemed uncertain. Hoping to escape unobserved, she turned quickly, and walked a few yards. Before she faced round again, a quick footstep approached her, and the next moment Mr. Redgrave stood, hat in hand, courteously claiming her acquaintance.
'I thought I could not possibly be mistaken!'
The carriage, having stopped for him to alight, was driving away.
'That is my sister and her children,' said Redgrave, when he had warmly shaken hands and expressed his pleasure at the meeting. 'You never met her. Her husband is in India, and you see me in full domesticity. This morning I posted a note to you; of course, you haven't received it yet.'
Alma did her best to behave with dignity. In any case it would have been trying to encounter such a man as Redgrave—wealthy, elegant, a figure in society, who must necessarily regard her as banished from polite circles; and in her careless costume she felt more than abashed. For the first time a sense of degradation, of social inferiority, threatened to overwhelm her self-respect.
'How did you know my address?' she asked, with an involuntary imitation of hauteur, made pathetic by the flush on her face and the lingering half-smile.
'Mrs. Frothingham kindly gave it me.—You were walking this way, I think?—My sister is living at Stuttgart, and I happened to come over just in time to act as her courier on a journey to Salzburg. We got here yesterday, and go on tomorrow, or the day after. I dropped you a note, asking if I might call.'
'Where have you seen Mamma lately?' asked Alma, barely attentive to the explanations he was giving her.
'In London, quite by chance. In fact, it was at Waterloo Station. Mrs. Frothingham was starting for the country, and I happened to be going to Wimbledon. I told her I might possibly see you on my way through Munich.'
Alma began to recover herself. That Cyrus Redgrave should still take an interest in her was decidedly more gratifying than the eccentric compliment of Felix Dymes. She strove to forget the humiliation of having been found standing in a public place, waiting for a tram-car. In Redgrave's manner no change was perceptible, unless, indeed, he spoke with more cordiality, which must be prompted by kind feeling. Their acquaintance covered only a year or two, and had scarcely amounted to what passes for friendship, but Redgrave seemed oblivious of late unpleasant events.
'I'm glad you didn't call unexpectedly,' she said, trying to strike a light note. 'I'm a student now—no longer an amateur—and live as a student must.'
'So much the better. I'm a natural bohemian myself, and like nothing so well as to disregard ceremony. And, by-the-bye, that's