musical instruments, seals, coins, headgear, chairs and umbrellas of State. Golden pipes and betel-boxes show the perfection of the goldsmith's art, and metal statues vie with those of sculptured wood or stone. Here Captain Cook left his treasure trove from the Southern seas, and the Council Chamber of the Museum contains portraits and souvenirs of the great navigators who sailed into the uncharted ocean of geographical discovery, and in various stages of their adventurous careers anchored at Java, to display the wondrous trophies of unknown lands in the island then regarded as the farthest outpost of contemporary civilisation.
The toelatingskaart, or Javanese passport, formerly indispensable for insular travel beyond the radius of forty miles from Batavia, though not yet obsolete, proves practically needless, and is never once demanded during a six weeks' stay. The small addition contributed to the rich revenue by this useless official "permit," appears the sole reason for retaining it, now that vexatious restrictions are withdrawn. In the intervals of arranging an up-country tour from monotonous Weltevreden, destitute of any attraction beyond the white colonnades and verdant groves flanking sleepy canals and quaint bridges, the local industry of sarong stippling affords a curious interest. Every city in Java possesses a special type of this historic dress, represented on the walls of temples dating before the Christian era, and worn by the Malay races from time immemorial. This strip of cotton cloth, which forms the attire both of men and women, is twisted firmly round the body, and requires no girdle to secure it. Palm-fronds, birds, and animals, geometric patterns, religious emblems, fruits and flowers, are represented in bewildering confusion. The girls, with flower-decked hair and scanty garb, occupy a long, low shed, filled with rude frames for stretching the cloth, painted in soft-tinted dyes—brown, blue, and amber for the most part—with tapering funnels. These waxed cloths allow infinite scope for native imagination, only a small panel of formal design being obligatory, the remaining surface fancifully coloured at will in harmonious hues. No two sarongs are alike, and the painted battek, notwithstanding the simplicity of the cotton background, represents an amount of labour and finish which makes the archaic garment a costly, though almost indestructible production. The graceful slandang, a crossed scarf of the same material, only serves as a shoulder-strap, wherein the brown Malay baby sits contentedly, for the ugly white jacket of the Dutchwoman is now compulsory on the native. Every variety of battek, basket-work, mats, and quaint silver or brass ware, is brought by native peddlers to the broad verandahs of the hotel, the patient and gentle people content to spend long hours on the marble steps, dozing between their scanty bargains, or crimsoning their months with the stimulating morsel of betel-nut, said to allay the hunger, thirst, and exhaustion of the steaming tropics. The conquered race, cowed by ages of tyranny under native princes, possesses those mild and effeminate characteristics fostered by a languid and enervating climate. That the salient angles of the sturdy Dutch character, which accomplished so many feats of endurance in the earlier days of the colony, should undergo rapid disintegration by intermarriage with the native stock, must arouse regret in all who realise the claims to respect possessed by the fighting forefathers of Holland's tropical dependencies.
Educational matters were for centuries in abeyance, and until 1864 the Malays were forbidden to learn the language of their European rulers. Many dialects are found in Java's wide territory, but Low Malay has been declared the official tongue, and with the advance of public opinion, wider views prevail concerning the rights of the subject race. A good Roman Catholic priest, one of the most enlightened and liberal Dutchmen encountered in Java, asserts that in the schools of the Colonial Government, the Malay boy possesses a mathematical facility superior to that of the Dutch scholar, in spite of the advantage accruing from hereditary education.
At the sunset hour, Batavian life awakens from the long slumbers of the tropical afternoon, and as the golden light filters through the waving palms, the long Schul-Weg, beside the central canal, fills with saunterers, enjoying the delights of that brief spell, when peace and coolness fall on the world before the sudden twilight drops veil after veil of deepening gloom, merging into the "darkness which may be felt," for the twelve hours of the tropical night. Gathering clouds reveal but scanty glimpses of the moon in these January weeks, but through rifts in the sombre canopy, the Southern stars hang low in the dome of heaven, and shine like burning lamps, appearing almost within reach of an outstretched hand.
BUITENZORG.
The first destination of the up-country traveller in Java is Buitenzorg, the Dutch "Sans Souci," containing the Governor-General's rural Palace, the houses of Court officials, and the superb Botanical Garden, which ranks first among the horticultural triumphs of the world. The two hours' journey by the railway, which now traverses the whole of Java, shows a succession of tropical landscapes, appearing unreal in their fantastic and dream-like beauty. The glowing green of rice-fields, the dense forests of swaying palms, the porphyry tints of the teeming soil, and the purple mountains, carved into the weird contours peculiar to volcanic ranges, frame myriad pictures of unfamiliar native life with dramatic effect. Villages of woven basket-work cluster beneath green curtains of banana and spreading canopies of palm, the central mosque surmounting the tiny huts with many-tiered roofs, and walls inlaid with gleaming tiles of white and blue. Brown figures, with gay sarong and turbaned headgear, bring bamboo buckets to moss-grown wells, gray water-buffaloes crop marshy herbage, a little bronze-hued figure seated on each broad back, and busy workers stand knee-deep in slush, to transplant emerald blades of rice or to gather the yellow crops, for seedtime and harvest go on together in this fertile land. Our train halts at Depok, a Christian village unique in Java, for the religious history of the island shows little missionary enterprise among a race strangely indifferent to the claims of faith, and lightly casting away one creed after another, with a carelessness which has ever proved a formidable bar to spiritual progress. The Portuguese Jesuits were expelled by the Dutch, and English efforts at conversion were succeeded by a general exclusion of foreign missionaries. Public opinion eventually prevented the continuance of this despotic rule, and at the present day a certain number of Roman and Protestant clergy are supported by the Government, but Roman zeal outstrips the niggardly spiritual provision, and proves the appreciation in which it is held by full churches and devout worshippers. The Mohammedanism of the Malay lacks the fiery fervour common to Islam, and his slack hands are ever ready to forego all symbols of faith. From the region of rice and tapioca, maize and sugar-cane, we reach the great cacao plantations, hung with chocolate-coloured pods, and the ruddy kina-groves on the lower slopes of the mountain chain. The palms are everywhere, clashing their huge fronds, and undulating in waves of fiery green, the light and shadow of the golden evening reflected on the swaying foliage. Stately Palmyra, slender areca, graceful pandang with a length of scarlet crowning each smooth grey stem, the mighty royal palm, king of the forest, spreading cocoanuts, and a hundred unknown varieties, soaring among bread-fruit and teak, nutmeg and waringen, reveal the inexhaustible powers of tropical Nature. Buitenzorg occupies an ideal position between the blue and violet peaks of Gedeh and Salak, the guardian mountains of the fairy spot, perennially green with spring-like freshness, from the daily showers sweeping across the valley from one or other of the lofty crests, and possessing a delicious climate at an altitude of eight hundred feet. The Hotel Bellevue, where back rooms should be secured on account of a superb prospect, comprising river, mountain and forest, stands near the great entrance of the world-famous Gardens, and our balcony commands a profound ravine, carved by a clear river, winding away between forests of palm to the dark cone of Mount Salak, the climax of the picture. The artist destined to interpret the soul of Java is yet unborn, or unable to grasp the character of her unique and distinctive scenery, but a village of plaited palm-leaves, accentuating this tropical Eden, brings it down to the human level, where soft Malay voices, glimpses of domestic life, and a canoe afloat on the brimming stream, remind us that we are still on terra firma, and not gazing at a dreamland Paradise beyond earthly ken. Sleeping accommodation in the hills suggests little comfort. A hard mattress beneath a sheet is the sole furniture of the huge four-poster, surrounded by thick muslin curtains to exclude air and creeping things; pillows are stuffed hard with cotton-down, and no coverings are provided—an unalterable custom possessing obvious disadvantages in a climate reeking with damp, where the walls of a room closed for a day or two become