quiet, a scene of continual mumming, with alternate music and discord, as they danced by torchlight before groups of citizens, who loitered at their forestairs, galleries, and arcades; and so the night of the 22nd November closed in, while the Regent's followers kept the gates of the castle securely guarded.
CHAPTER V.
THE ABBOT'S HOUSE.
Now gleams the moon on Arthur's mighty crest,
That dweller in the air abrupt and lone;
Hush'd is Edina in her nightly rest,
But hark! there comes a sweet and solemn tone,
The lingering strains that welled in ages gone.
The mind of Sir Patrick Gray was oppressed by vague doubts and apprehensions of—he knew not what. That the earl and countess were colder to him than when last they met he was painfully conscious by their absurdly haughty bearing, by the increased timidity of Murielle, and the undisguised petulance of her kinsman, perhaps her lover, the young Lord David.
Gray's love for Murielle was now no secret to the earl's powerful family, but being a poor younger son of the baron of Foulis, it was, as he bitterly knew, a matter of jest among the Douglases; for his whole inheritance were his sword and spurs, which he had won at the battle of Piperden, where the English, under Henry, earl of Northumberland, were defeated by the Scots under William Douglas, earl of Angus.
Moreover, Sir Patrick, by education, habit, and thought, was a staunch and loyal adherent of the young king, James II., as he had been of his father, who was so barbarously murdered at Perth; and thus, inspired by love and doubt, hope and fear, presuming upon the friendship of the abbot of Tongland, with whom he could "count kindred," through the MacLellans of Bombie, he presented himself at his mansion in the dusk, and was immediately ushered into the hall, or chamber of dais, where, as supper was over, a brilliant group, or rather several groups, were assembled.
The house of the abbot of Tongland (a wealthy monastery on the banks of the Dee, founded during the reign of David I., by Fergus, lord of Galloway, on his wedding the daughter of Henry, king of England,) was a quaint edifice, one portion of which had crow-stepped gables, and the other a battlement with singularly grotesque gurgoils, through the gaping mouths of which the rain had been disgorged upon the passers-by for centuries. An arch and great oak gate, furnished with a giant risp or tirling-pin of iron, guarded by six loopholes of warlike aspect, gave access to the house and its gardens, which sloped south towards the craigs of Salisbury.
The usual quiet and seclusion of the abbot's mansion were changed on this night for bustle, noise, and light; a crowd of pages, grooms, lacqueys, and armed men led saddled horses to and fro, or loitered about the entrance, while flakes of ruddy light fell through the deep windows of the chamber of dais upon the green shrubbery and the few flowers which still lingered since the last days of autumn.
This chamber was a veritable hall, such as might have graced a baron's castle. It had many niches or ambres of carved stone, a vast gothic fireplace, to the clustered pillars of which the fire-irons were chained in the old Scottish fashion, to prevent their being too readily used in brawls, and on the lintel was inscribed, in antique letters, the legend—
(Laus et honor Deo.)
On the hearth a fire of coal and oak-roots from the Figgate-muir was blazing cheerily.
In this chamber, the lordly abbot had feasted four years before the papal legate, Æneas Sylvius Piccolomini, bishop of Trieste, afterwards Pope Pius II., and it was on that occasion that the latter so wittily remarked, with an irreverent wink to the abbot of Melrose, "that if there was a great reason for prohibiting the marriage of priests, there was a much greater for permitting it."
The doors were oak carved with legends and monograms; the floor also was of oak, roughly dressed with the hatchet and secured with broad-headed nails, all the bright heads of which were visible, as it was not carpetted, but only strewn with fresh rushes from the Hunter's Bog. The walls were comfortably wainscotted up to where the vaulted roof rose in the form of an arch, and there the stone-work was covered by distorted figures, representing old legends connected with the abbey of Tongland.
The sleek and portly abbot was seated near the fire in a lofty chair, the back of which bore a carved mitre, and he was conversing easily and pleasantly with all his guests in turn, for he was a benign and amiable old prelate with a bald head, a rubicund and somewhat unmeaning visage, and twinkling eyes half hidden by wrinkles and fat.
Two chairs of state opposite were occupied by the earl and countess of Douglas. On tabourettes near them were seated Murielle and a group of ladies. Several gentlemen all richly dressed were loitering near them, for they were conversing gaily and variously employed—at chess, or the game of Troy; and on the silks, velvets, jewels, and cloth of gold and silver, of which their costumes were composed, the glow of the fire fell brightly, together with the light of twenty great candles, which flared in sconces of brass hung round the walls on tenter-hooks.
The stomacher of the countess-duchess was entirely covered with native pearls, for those found in the Scottish streams were held to be of great value. Among the costly jewels lost by Henry V., when his camp was plundered at Agincourt, Rymer mentions una perula Scotiæ; and only a few years before the date of our story, James I presented to Æneas Sylvius, the Roman legate, one, which is now in the papal crown.
Before her sweet face, pretty Murielle was manœuvring her fan, quite as skilfully as any of her countrywomen might do at the present day; and through the sticks of it, her merry and soft violet eyes peeped from time to time at a handsome and soldier-like man, who wore a crimson velvet pourpoint, with a steel gorget, a gold belt, and hanging sleeves of yellow silk. He was Sir Patrick Gray, the captain of the guard. While talking gravely of "the growing heresies of John Huss and Paul Crawer," he seemed to be entirely occupied with the countess of Ormond, before whom he knelt on one knee, and for whom he was winding and unwinding several balls of brightly coloured silk and golden thread, which she was using while embroidering a missal cover, for the ladies of those days were never idle; but in his abstraction, or pre-occupation with Murielle, he made many a provoking knot, which the little white fingers of the lovely countess required all their cunning to unravel.
His love for Murielle had brought him hither uninvited; and he felt (like his kinsman, MacLellan) that he was among the enemies of the king his master, and of the government; while the coldness with which the boy-noble and the girl-countess treated him filled his heart with sorrow and anger.
The scraps of conversation he heard all savoured of hostility to James and to his ministers, with dark hints of daring and ulterior political projects, as yet undeveloped and apparently obscure.
He was aware that Earl James of Abercorn, Earl Hugh of Ormond, Sir Malcolm Fleming, Sir Alan Lauder, and other kinsmen of the Douglases viewed him with undisguised aversion; and while he continued to play with the balls of thread, and utter pleasant commonplaces to the ladies near, those four personages were standing aloof in a corner, leaning on their swords, which were somewhere about five feet long, "nursing their wrath to keep it warm," and wishing they had the captain of the king's guard on a solitary hill-side, or even in the street without.
"And this Livingstone—I beg pardon, Sir Alexander Livingstone, Laird of Callender—a mere baron," he heard the earl of Douglas say to the abbot; "by what warrant or right is such a man as he regent of the realm?"
"I have heard your noble father ask the same question often, with the same tone—ay, and with the same sombre gloom in his eye, my lord," replied the abbot evasively.
"Well—know you by what right?" reiterated the young noble bitterly, giving vent to the hatred his dead father had carefully and unceasingly inspired and fostered.
"Is it hereditary?"