Mary Eleanor Wilkins Freeman

Madelon


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that Burr Gordon had to resist himself as well as her in this matter. She had tended a monthly rose in the south window all winter, and she wore two red roses in her black braids. Her cheeks and her lips were fuller of warm red life than the roses. She lowered her black eyes before her father and her brothers, for there was a light in them which she could not subdue, which belonged to Burr Gordon only. No costly finery had Madelon Hautville, but she had done some cunning needle-work on an old black-satin gown of her mother's, and it was fitted as softly over her sweet curves as a leaf over a bud. A long garland of flowers after her own design had she wrought in bright-colored silks around the petticoat, and there were knots of red ribbon to fasten the loopings here and there. And she wore another red rose in her lace tucker against her soft brown bosom. Madelon wore, too, trim black-silk stockings with red clocks over her slender ankles, and little black-satin shoes with steel buckles and red rosettes. Every one of her brothers, except the youngest, Richard, must needs compare her in his own heart, to her disparagement, with some maid not his sister, but they all viewed her with pride. Old David Hautville's eyes, under his thick, white brows, followed her and dwelt upon her as she moved around the kitchen.

      Madelon had got out her red cloak and her silk hood, and it was nearly time to start when there was a knock on the door. Madelon's face was pale in a second, then red again. She pushed Richard aside. “I'll go to the door,” said she.

      She knew somehow that it was Burr Gordon, and when she opened the door he stood there. He looked curiously embarrassed, but she did not notice that. His mere presence for the moment seemed to fill all her comprehension. She had no eye for shades of expression.

      “Come in,” said she, all blushing and trembling before him, and yet with a certain dignity which never quite deserted her.

      “Can I see you a minute?” Burr said, awkwardly.

      “Come this way.”

      Madelon led the way into the best room, where there was no fire. It had not been warmed all winter, except on nights when Burr had come courting her. In the midst of it the great curtained bedstead reared itself, holding its feather-bed like a drift of snow. The floor was sanded in a fine, small pattern, there were white tasselled curtains at the windows, and there was a tall chest of drawers that reached the ceiling. The room was just as Madelon's mother, who had been one of the village girls, had left it.

      Madelon glanced at the hearth, where she had laid the wood symmetrically—all ready to be kindled at a moment's notice should Burr come. “I'll light the fire,” said she, in a trembling voice.

      “No, I can't stop,” returned the young man. “I've got to go right up to the tavern. Look here, Madelon—”

      “Well?” she murmured, trembling.

      “I want to know if—look here, won't you lilt for the dancing to-night, Madelon?”

      Madelon's face changed. “That's all he came for,” she thought. She turned away from him. “You'd better get Luke Corliss to fiddle,” she said, coldly.

      “We can't. I started to go over there, and I met a man that lives next door to him, and he said it was no use, for Luke had gone down to Winfield to fiddle at a ball there.”

      “I don't feel like lilting to-night,” said Madelon.

      The young man colored. “Well,” said he, in a stiff, embarrassed voice, and he turned towards the door, “we won't have any ball to-night, that's all,” he added.

      “Well, you can go visiting instead,” returned Madelon, suddenly.

      “I'd rather go a-visiting—here!” cried Burr, with a quick fervor, and he turned back and came close to her.

      Madelon looked at him sharply, steeling her heart against his tender tone, but he met her gaze with passionate eyes.

      “Oh, Madelon, you look so beautiful to-night!” he whispered, hoarsely. Her eyes fell before his. She made, whether she would or not, a motion towards him, and he put his arms around her. They kissed again and again, lingering upon each kiss as if it were a foothold in heaven. A great rapture of faith in her lover and his love came over Madelon. She said to herself that they had lied—they had all lied! Burr had never courted Dorothy Fair. She believed, with her whole heart and soul, that he loved her and her alone. And, indeed, she was at that time, at that minute, right and not deceived; for Burr Gordon was one of those who can encompass love in one tense only, and that the present; and they who love only in the present, hampered by no memories and no dreams, yield out love's sweetness fully. All Burr Gordon's soul was in his kisses and his fond eyes, and her own crept out to meet it with perfect faith.

      “I will lilt for the dancing,” she whispered.

      The Hautvilles were going to the ball on their wood-sled, drawn by oxen. David was to drive them, and take the team home. It was already before the door when Burr came out, and Madelon asked him to ride with them, but he refused. “I've got to go home first,” he said, and plunged off quickly down the old road, the short-cut to his house.

      Madelon Hautville, in her red cloak and her great silk hood, stood in the midst of her brothers on the wood-sled, and the oxen drew them ponderously to the ball. The tavern was all alight. Many other sleds were drawn up before the door; indeed, certain of the young men who had not their especial sweethearts took their ox-sleds and went from door to door collecting the young women. Many a jingling load slipped along the snowy road to the tavern that night, and the ball-room filled rapidly.

      At eight o'clock the ball opened. Madelon stood up in the little gallery allotted to the violins and lilted, and the march began. Two and two, the young men and the girls swung around the room. Madelon lilted with her eyes upon the moving throng, gay as a garden in a wind; and suddenly her heart stood still, although she lilted on. Down on the floor below Burr Gordon led the march, with Dorothy Fair on his arm. Dorothy Fair, waving a great painted fan with the tremulous motion of a butterfly's wing, with her blue brocade petticoat tilting airily as she moved, like an inverted bell-flower, with a locket set in brilliants flashing on her white neck, with her pink-and-white face smiling out with gentle gayety from her fair curls, stepped delicately, pointing out her blue satin toes, around the ball-room, with one little white hand on Burr Gordon's arm.

      Chapter III

      Suddenly all Madelon's beauty was cheapened in her own eyes. She saw herself swart and harsh-faced as some old savage squaw beside this fair angel. She turned on herself as well as on her recreant lover with rage and disdain—and all the time she lilted without one break.

      The ball swung on and on, and Madelon, up in the musicians' gallery, sang the old country-dances in the curious dissyllabic fashion termed lilting. It never occurred to her to wonder how it was that Dorothy Fair, the daughter of the orthodox minister, should be at the ball—she who had been brought up to believe in the sinful and hellward tendencies of the dance. Madelon only grasped the fact that she was there with Burr; but others wondered, and the surprise had been great when Dorothy in her blue brocade had appeared in the ball-room.

      This had been largely of late years a liberal and Unitarian village, but Parson Fair had always held stanchly to his stern orthodox tenets, and promulgated them undiluted before his thinning congregations and in his own household. Dorothy could not only not play cards or dance, but she could not be present at a party where the cards were produced or the fiddle played. There was, indeed, a rumor that she had learned to dance when she was in Boston at school, but no one knew for certain.

      Dorothy Fair was advancing daintily between the two long lines, holding up her blue brocade to clear her blue-satin shoes, to meet the young man from the opposite corner, flinging out gayly towards her, when suddenly, with no warning whatever, a great dark woman sped after her through the dance, like a wild animal of her native woods. She reached out her black hand and caught Dorothy by the white, lace-draped arm, and she whispered loud in her ear.

      The people near, finding it hard to understand the African woman's thick tongue, could not exactly vouch for the words, but the purport of her hurried speech they did not mistake. Parson Fair had discovered