labor, and could not be done on the spot. Being convinced I only sought an excuse, he pressed me to write at least the bass to a recitative: I did so, not well, doubtless, because to attempt anything with success I must have both time and freedom, but I did it at least according to rule, and he being present, could not doubt but I understood the elements of composition. I did not, therefore, lose my scholars, though it hurt my pride that there should be a concert at Chambery in which I was not necessary.
About this time, peace being concluded, the French army repassed the Alps. Several officers came to visit Madam de Warrens, and among others the Count de Lautrec, Colonel of the regiment of Orleans, since Plenipotentiary of Geneva, and afterwards Marshal of France, to whom she presented me. On her recommendation, he appeared to interest himself greatly in my behalf, promising a great deal, which he never remembered till the last year of his life, when I no longer stood in need of his assistance. The young Marquis of Sennecterre, whose father was then ambassador at Turin, passed through Chambery at the same time, and dined one day at M. de Menthon's, when I happened to be among the guests. After dinner; the discourse turned on music, which the marquis understood extremely well. The opera of 'Jephtha' was then new; he mentioned this piece, it was brought him, and he made me tremble by proposing to execute it between us. He opened the book at that celebrated double chorus,
La Terra, l'Enfer, le Ciel meme,
Tout tremble devant le Seigneur!
[The Earth, and Hell, and Heaven itself,
tremble before the Lord!]
He said, "How many parts will you take? I will do these six." I had not yet been accustomed to this trait of French vivacity, and though acquainted with divisions, could not comprehend how one man could undertake to perform six, or even two parts at the same time. Nothing has cost me more trouble in music than to skip lightly from one part to another, and have the eye at once on a whole division. By the manner in which I evaded this trial, he must have been inclined to believe I did not understand music, and perhaps it was to satisfy himself in this particular that he proposed my noting a song for Mademoiselle de Menthon, in such a manner that I could not avoid it. He sang this song, and I wrote from his voice, without giving him much trouble to repeat it. When finished he read my performance, and said (which was very true) that it was very correctly noted. He had observed my embarrassment, and now seemed to enhance the merit of this little success. In reality, I then understood music very well, and only wanted that quickness at first sight which I possess in no one particular, and which is only to be acquired in this art by long and constant practice. Be that as it may, I was fully sensible of his kindness in endeavoring to efface from the minds of others, and even from my own, the embarrassment I had experienced on this occasion. Twelve or fifteen years afterwards, meeting this gentleman at several houses in Paris, I was tempted to make him recollect this anecdote, and show him I still remembered it; but he had lost his sight since that time; I feared to give him pain by recalling to his memory how useful it formerly had been to him, and was therefore silent on that subject.
I now touch on the moment that binds my past existence to the present, some friendships of that period, prolonged to the present time, being very dear to me, have frequently made me regret that happy obscurity, when those who called themselves my friends were really so; loved me for myself, through pure good will, and not from the vanity of being acquainted with a conspicuous character, perhaps for the secret purpose of finding more occasions to injure him.
From this time I date my first acquaintance with my old friend Gauffecourt, who, notwithstanding every effort to disunite us, has still remained so.—Still remained so!—No, alas! I have just lost him!—but his affection terminated only with his life—death alone could put a period to our friendship. Monsieur de Gauffecourt was one of the most amiable men that ever existed; it was impossible to see him without affection, or to live with him without feeling a sincere attachment. In my life I never saw features more expressive of goodness and serenity, or that marked more feeling, more understanding, or inspired greater confidence. However reserved one might be, it was impossible even at first sight to avoid being as free with him as if he had been an acquaintance of twenty years; for myself, who find so much difficulty to be at ease among new faces, I was familiar with him in a moment. His manner, accent, and conversation, perfectly suited his features: the sound of his voice was clear, full and musical; it was an agreeable and expressive bass, which satisfied the ear, and sounded full upon the heart. It was impossible to possess a more equal and pleasing vivacity, or more real and unaffected gracefulness, more natural talents, or cultivated with greater taste; join to all these good qualities an affectionate heart, but loving rather too diffusively, and bestowing his favors with too little caution; serving his friends with zeal, or rather making himself the friend of every one he could serve, yet contriving very dexterously to manage his own affairs, while warmly pursuing the interests of others.
Gauffecourt was the son of a clock-maker, and would have been a clock-maker himself had not his person and desert called him to a superior situation. He became acquainted with M. de la Closure, the French Resident at Geneva, who conceived a friendship for him, and procured him some connections at Paris, which were useful, and through whose influence he obtained the privilege of furnishing the salts of Valais, which was worth twenty thousand livres a year. This very amply satisfied his wishes with respect to fortune, but with regard to women he was more difficult; he had to provide for his own happiness, and did what he supposed most conducive to it. What renders his character most remarkable, and does him the greatest honor, is, that though connected with all conditions, he was universally esteemed and sought after without being envied or hated by any one, and I really believe he passed through life without a single enemy.—Happy man!
He went every year to the baths of Aix, where the best company from the neighboring countries resorted, and being on terms of friendship with all the nobility of Savoy, came from Aix to Chambery to see the young Count de Bellegarde and his father the Marquis of Antremont. It was here Madam de Warrens introduced me to him, and this acquaintance, which appeared at that time to end in nothing, after many years had elapsed, was renewed on an occasion which I should relate, when it became a real friendship. I apprehend I am sufficiently authorized in speaking of a man to whom I was so firmly attached, but I had no personal interest in what concerned him; he was so truly amiable, and born with so many natural good qualities that, for the honor of human nature, I should think it necessary to preserve his memory. This man, estimable as he certainly was, had, like other mortals, some failings, as will be seen hereafter; perhaps had it not been so, he would have been less amiable, since, to render him as interesting as possible, it was necessary he should sometimes act in such a manner as to require a small portion of indulgence.
Another connection of the same time, that is not yet extinguished, and continues to flatter me with the idea of temporal happiness, which it is so difficult to obliterate from the human heart, is Monsieur de Conzie, a Savoyard gentleman, then young and amiable, who had a fancy to learn music, or rather to be acquainted with the person who taught it. With great understanding and taste for polite acquirements, M. de Conzie possessed a mildness of disposition which rendered him extremely attractive, and my temper being somewhat similar, when it found a counterpart, our friendship was soon formed. The seeds of literature and philosophy, which began to ferment in my brain, and only waited for culture and emulation to spring up, found in him exactly what was wanting to render them prolific. M. de Conzie had no great inclination to music, and even this was useful to me, for the hours destined for lessons were passed anyhow rather than musically; we breakfasted, chatted, and read new publications, but not a word of music.
The correspondence between Voltaire and the Prince Royal of Prussia, then made a noise in the world, and these celebrated men were frequently the subject of our conversation, one of whom recently seated on a throne, already indicated what he would prove himself hereafter, while the other, as much disgraced as he is now admired, made us sincerely lament the misfortunes that seemed to pursue him, and which are so frequently the appendage of superior talents. The Prince of Prussia had not been happy in his youth, and it appeared that Voltaire was formed never to be so. The interest we took in both parties extended to all that concerned them, and nothing that Voltaire wrote escaped us. The inclination I felt for these performances inspired me with a desire to write elegantly, and caused me to endeavor to imitate the colorings of that author, with whom I was so much enchanted.