on a slope of the Culm valley. As far as the eye can reach, lies a most beautiful panorama of diversified hill and dale with rounded trees, every field hedged with them. The quiet herds of Devon cattle lie ruminating and adorning the green bosom of the country. The whole scene has a charming cultured aspect, as if some giant landscape-gardener had laid it out. What peacefulness! How beautiful the cattle!
‘Aren’t they innocent things, them bas’es,
And haven’t they got old innocent faces?
A-strooghin’ their legs that lazy way,
Or a-standin’ as if they meant to pray.
They’re that sollum an’ lovin’ an’ steady an’ wise,
And the butter meltin’ in their big eyes,
Eh, what do you think about it, John?
Is it the stuff they’re feedin’ on?
The clover, and meadow grass, and rushes,
And then goin’ pickin’ among the bushes,
And sniffin’ the dew when its fresh and fine,
The sweetest brew of God’s own wine.’
“And then the Devonshire clotted cream! It is delicious, yet simply made. The milk stands on the hob till the cream rises and attains almost the consistency of dough. Every son of Devon, native and adopted, enjoys this luxury to the full.
“The Culm is a little wandering river, abounding in trout. Otters are hunted at Hemyock. Foxes also are found in the neighbourhood, and on one occasion the noble wild red deer approached within five miles of us. Birds of all kinds are plentiful, and flowers abound. Bullfinches are a pest, even among the apple-trees. In my first walk, I saw a kingfisher and a jay. The country exudes vegetation at every pore. The mildness of the climate is evidenced by the fact that on Saturday last (October 17) I saw in bloom the foxglove, poppy, primrose, wild anthernum, and many other flowers. I ate a strawberry grown in the open; watched the bees on the mignonette beds, and saw a wood-pigeon’s nest with young. The climax is reached when I say that a man of great agricultural faith, in the neighbouring parish of Halberton, is attempting a second crop of potatoes.
“The country is well-watered; little rills gush from every quarter. The natives reckon by the flowers—e.g., ‘He went to Canada last hyacinth time.’ The gentlemen’s seats are lovely in the extreme, and are surrounded by trees that would not grow ‘in the cold North’s unhallowed ground.’ Within a stone’s throw of the ‘square,’ and in a former Coleraine gentleman’s seat, grow Wellingtonia pines, the cypress, the breadfruit tree, the Spanish chestnut, and other exotic beauties. A house in the village has its walls adorned with passion-flowers, now in bloom.
“We are out of the tourist’s track here. The motor rarely invades our quiet life; indeed, the roads are not suited for motoring, as the streams cross them in several places, and a foot-bridge affords the only means of dry transit for the passengers.
“I need not dwell on the Devon dialect. It is familiar to every reader of Lorna Doone. Suffice it to say that it slides out with the maximum ease, and in defiance of every rule of grammar. Have I exhausted Devonian joys? Nay, I could mention the melodious church-bells, the beauty of the children, and many other matters; but I have fulfilled my intention, if I have conveyed the quaintness, the peace, and the good living of this part of rural Devon—a land ‘where the plain old men have rosy faces, and the simple maidens quiet eyes.’”
Hence it appears that all the glory did not depart from Devon with fustian coats and brass buttons.
Mr. Henry, it will be observed, speaks admiringly, as well he may, of the extreme loveliness of the country-seats. So far as the Culm valley is concerned, none will compare with Bradfield, the immemorial home of the Walrond family. Readers of Perlycross will recollect the brave veteran, Sir Thomas Waldron, and the wrong done to his honoured remains; and they may perchance note the different modes of spelling the name. Blackmore follows the local pronunciation, and the precedent of good old John Waldron, founder of an almshouse at Tiverton, of whom Harding remarks, “By his arms I judge his ancestors were branched from the ancient family at Bradfield, near Cullompton, where they were located in Henry II.’s time.”
According to Hutchins, the family of Walrond is descended from Walran Venator, to whom William I. gave eight manors in Dorsetshire. The name is indubitably of French origin, and apparently represents the old Latin patronymic Valerian.
To turn from names to things, an authentic note attests that, in 1332, John Walrond had a licence for an oratory. Presumably this was the ancient chapel of which Lysons speaks, and which probably stood on a site still known as the Chapel Yard, on the north side of the mansion. The present house does not go back to so remote a time. On the north wall are the words, “Vivat E. Rex”; and elsewhere may be seen the dates 1592 and 1604. It is considered that the house was rebuilt in sections and at intervals, during the short reign of Edward VI., and towards the close of that of Elizabeth.
Apart from inevitable decay, the mansion remained practically unaltered until about the middle of the last century, when it was thoroughly restored by the late Sir John Walrond, who planted the fine avenues of oak and cedar. Sir John did nothing to destroy or impair the character of the place, and the changes he introduced were extremely judicious, as indeed was to be expected from a gentleman of his refined taste. Son of Mr. Benjamin Bowden Dickinson, of Tiverton, who assumed his wife’s name on his marriage with the heiress of the last of the Bradfield line, he came into possession in 1845. At that time the house consisted of north and south gabled wings, united by the old hall, and in ruinous repair, roughcast and whitewashed. Low offices disfigured the west side, and the south wall was propped with timber. A farmyard and other buildings occupied the site of the present entrance.
Such was Bradfield. To-day it is one of the most charming and beautiful homes in the West. The most ancient and characteristic portion is the noble hall, which is forty-four feet long by twenty-one feet wide, and glories in a magnificent hammer-beam roof, adorned with carved angels, a rich cornice, carved pendants, and old oak plenishings. The napkin panelling is in excellent preservation, and the fine woodwork, once covered with many coats of paint, is now fully exposed. Quaint and delightful features of the apartment are the open fireplace, the minstrel gallery, and a dog-gate which kept canine favourites below stairs. Just off the minstrel gallery is the state bedroom, containing a good sketch of the hall and gallery in days of yore, which gives one to see how rich the colouring must have been. Below the gallery is the “buttery hatch,” and beyond the “buttery hatch,” the old kitchen, now the library.
The drawing-room, communicating by a doorway with the hall dais, and one of the last rooms to be restored, has, in lieu of paint and whitewash, walls of moulded oakwork, a richly panelled and decorated ceiling, and a Jacobean mantelpiece. On the screen over the doorway are coloured figures of Adam and Eve; and among other curios are an embroidered silk sachet, in which is enclosed a love letter from Mr. Walrond to Anne Courtenay, written on parchment, and dated October 27, 1659, and a prayer-book belonging to the old family chapel. Many other charming sights the interior affords, such as the oak panelling of the dining-room, its old chimney-piece, its pictures. And outside is a rare plesaunce, with clipped box-trees, and great clipped yews, and a lake, and an old bowling-green. Truly, an ideal country-house!
Another branch of the Walronds lived at Dulford House, which is also in the neighbourhood. Neither of these mansions can be exactly identified with the “Walderscourt” of the romance, which is represented as standing on a spot roughly indicated by Pitt Farm, in the parish of Culmstock, and not far from the village.
CULMSTOCK VICARAGE AND CHURCH (page 33).
There are coloured effigies of the Cavalier period in Uffculme Church, which, by the way, has a magnificent screen, sixty-seven feet in length, probably the longest in the county. Nothing authentic is known about the effigies, but many have the impression that