and flags of your camps, what are they but crosses gilded and adorned? Your victorious trophies not only imitate the appearance of a simple cross, but also that of a man affixed to it."9
This remarkable denunciation of the Cross as a Pagan symbol by a Christian Father who lived as late as the third century after Christ, is worthy of special attention; and can scarcely be said to bear out the orthodox account of the origin of the cross as a Christian symbol. It is at any rate clear that the cross was not our recognised symbol at that date; and that it is more likely to have been gradually adopted by us from Sun-God worshippers, than by the worshippers of Mithras and other pre-Christian conceptions of the Sun-God from us.
As our era was six or seven centuries old before the crucifix was introduced, and the earliest pictorial representation of the execution of Jesus still existing or referred to in any work as having existed was of even later date, much stress has been laid by us upon what we allege to be a caricature of the crucifixion of Jesus and of much earlier date. The drawing in question was discovered in 1856 to be scrawled upon a wall of the Gelotian House under the Palatine at Rome; and as no Christian representations of the alleged execution upon a cross-shaped instrument of even a reasonably early date exist, it would of course be greatly to our interest to be able to quote this alleged caricature, which is said to be as old as the third and perhaps even as old as the second century, as independent evidence of the truth of our story. But can we fairly do so?
The drawing in question is a very roughly executed representation of a figure with human arms, legs, and feet; but with an animal's head. The arms are extended, and two lines, which are said to represent a cross but appear in front of the figure instead of behind it, traverse the arms and trunk. In the foreground is a man looking at this grotesque figure; and an accompanying inscription is to the effect that "Alexamenos adores his God."
Tertullian relates that a certain Jew "carried about in public a caricature of us with this label, An ass of a priest. This figure had an ass's ears, and was dressed in a toga with a book; having a hoof on one of his feet."10
It is upon the strength of this passage and the two lines traversing the figure, that we, ignoring the fact that the figure is standing, claim this much-quoted graffito as conclusive evidence of the historical accuracy of our story. But it may be pointed out that even if this was a caricature of the execution of Jesus made at the date mentioned, a caricature, made certainly not less than two hundred years after the event, is not altogether trustworthy evidence as to the details.
And, was it a caricature of the execution of Jesus? It would appear not.
To commence with, the two lines or scratches—for they are little more—which we call a cross, need not necessarily have formed a part of the original graffito; and, even if they did, of themselves prove nothing. There is no reference to a cross in the inscription, nor is there anything to show that an execution of any kind is what is illustrated. Moreover, the hoof upon one foot, mentioned by Tertullian, is not to be seen; a remark which also applies to the toga and the book he mentions. And even what Tertullian referred to was not a caricature of the execution of Jesus.
It should also be noted that the head of the figure in this famous graffito, is more like that of a jackal than that of an ass; and appears to have been a representation of the Egyptian god Anubis, who is so often to be seen upon relics of the past as a figure with a jackal's head, with human arms extended, and with human legs and feet, as in this drawing.
Upon all points, therefore, our claim concerning the graffito is an ill-founded one; and it cannot be considered evidence regarding either cross or crucifixion.
There thus being no opposing evidence of any weight, it is quite clear from the fact that as late as the third century after Christ we find a Christian Father who venerated the sign or figure of the cross denouncing it as a symbol, that no material representations of that sign or figure were recognised as Christian till an even later date. And such a conclusion is borne out by the striking fact that when Clement of Alexandria at the beginning of the third century made out a list of the symbols which Christians were permitted to use, he mentioned the Fish and the Dove but said nothing regarding the Cross.11
As to the sign or figure of the cross referred to by the Fathers of the second and third centuries, even so high an authority as the Dean of Canterbury admits, as we shall see in the next chapter, that it was not "mainly" as reminding them of the death of Jesus that the Christians of the second and third centuries venerated it. If, therefore, not in the main, and, it would follow, not originally as a representation of the instrument of execution upon which Jesus died, what more likely than that the early Christians venerated the sign and figure of the cross as the age-old and widely accepted symbol of Life and of the Sun-God we know it to have been?
Anyway Minucius Felix may be said to stand alone in denouncing the symbol of the cross as non-Christian. And as even he expresses veneration for the figure of the cross, and must have approved of the sign of the cross in the initiatory rite of baptism, that denunciation evidently applied only to material representations of the cross.
Moreover the denunciation in question was clearly due to the fear that such objects might degenerate amongst Christians, as they afterwards did, into little better than idols. And if the sign or figure of the cross did not mainly remind the early Christians of the death of Jesus, it must have mainly reminded them of something else.
Chapter III.
The Evidence of the Other Fathers.
The works which have come down to us from the Fathers who lived before the days of Constantine make up over ten thousand pages of closely printed matter; and the first point which strikes those who examine that mass of literature with a view to seeing what the Christians of the first three centuries thought and wrote concerning the execution of Jesus and the symbol of the cross, is that the execution of Jesus was hardly so much as mentioned by them, and no such thing as a representation of the instrument of execution once referred to.
Another fact worthy of special note is that, whether the Fathers wrote in Greek and used the word stauros, or wrote in Latin and translated that word as crux, they often seem to have had in their mind's eye a tree; a tree which moreover was closely connected in meaning with the forbidden tree of the Garden of Eden, an allegorical figure of undoubtedly phallic signification which had its counterpart in the Tree of the Hesperides, from which the Sun-God Hercules after killing the Serpent was fabled to have picked the Golden Apples of Love, one of which became the symbol of Venus, the Goddess of Love. Nor was this the only such counterpart, for almost every race seems in days of old to have had an allegorical Tree of Knowledge or Life whose fruit was Love; the ancients perceiving that it was love which produced life, and that but for the sexual passion and its indulgence mankind would cease to be.
Starting upon an examination of the early Christian writings in question, we read in the Gospel of Nicodemus that when the Chief Priests interviewed certain men whom Jesus had raised from the dead, those men made upon their faces "the sign of the stauros."12 The sign of the cross is presumably meant; and all that need be said is that if the men whom Jesus raised from the dead were acquainted with the sign of the cross, it would appear that it must have been as a pre-Christian sign.
Further on in the same Gospel, Satan is represented as being told that "All that thou hast gained through the Tree of Knowledge, all hast thou lost through the Tree of the Stauros."13
Elsewhere we read that "The King of Glory stretched out his right hand, and took hold of our forefather Adam, and raised him: then, turning also to the rest, he said, 'Come with me as many as have died through the Tree which he touched, for behold I again raise you all up through the Tree of the Stauros.'"14 Some see in this peculiar pronouncement a reference to the doctrine of re-incarnation. In the Acts and Martyrdom of the Holy Apostle Andrew we are told that those who executed Andrew "lifted him up on the stauros," but "did not sever his joints, having received this order from the pro-consul, for he wished him to be in distress while hanging, and in the nighttime as he was suspended to