etc. It is frequently used by our old writers as a title, and is repeatedly given to Prince Arthur in the Faërie Queene"—(N. Eng. Dict., art. "Childe").
Byron uses the word in the Spenserian sense, as a title implying youth and nobility.]
3 [John, Lord Maxwell, slew Sir James Johnstone at Achmanhill, April 6, 1608, in revenge for his father's defeat and death at Dryffe Sands, in 1593. He was forced to flee to France. Hence his "Good Night." Scott's ballad is taken, with "some slight variations," from a copy in Glenriddel's MSS.—Minstrelsy of the Scottish Border, 1810, i. 290-300.]
4 [Amongst others, The Battle of Talavera, by John Wilson Croker, appeared in 1809; The Vision of Don Roderick, by Walter Scott, in 1811; and Portugal, a Poem, by Lord George Grenville, in 1812.]
f Some casual coincidence.—[MS. B.M.]
5 Beattie's Letters. [See letter to Dr. Blacklock, September 22, 1766 (Life of Beattie, by Sir W. Forbes, 1806, i. 89).]
g Satisfied that their failure.—[MS. B.M.]
6 [See Quarterly Review, March, 1812, vol. vii. p. 191: "The moral code of chivalry was not, we admit, quite pure and spotless, but its laxity on some points was redeemed by the noble spirit of gallantry which courted personal danger in the defence of the sovereign ... of women because they are often lovely, and always helpless; and of the priesthood.... Now, Childe Harold, if not absolutely craven and recreant, is at least a mortal enemy to all martial exertion, a scoffer at the fair sex, and, apparently, disposed to consider all religions as different modes of superstition." The tone of the review is severer than the Preface indicates. Nor does Byron attempt to reply to the main issue of the indictment, an unknightly aversion from war, but rides off on a minor point, the licentiousness of the Troubadours.]
7 [See Mémoires sur l'Ancienne Chevalerie, par M. De la Curne de Sainte-Palaye, Paris, 1781: "Qu'on lise dans l'auteur du roman de Gérard de Roussillon, en Provençal, les détails très-circonstanciés dans lesquels il entre sur la réception faite par le Comte Gérard à l'ambassadeur du roi Charles; on y verra des particularités singulières qui donnent une etrange idée des moeurs et de la politesse de ces siècles aussi corrompus qu'ignorans" (ii. 69). See, too, ibid., ante, p. 65: "Si l'on juge des moeurs d'un siècle par les écrits qui nous en sont restés, nous serons en droit de juger que nos ancêtres observèrent mal les loix que leur prescrivirent la décence et l'honnêteté."]
8 [See Recherches sur les Prérogatives des Dames chez les Gaulois sur les Cours d'Amours, par M. le Président Rolland [d'Erceville], de l'Académie d'Amiens. Paris, 1787, pp. 18-30, 117, etc.]
9 [The phrase occurs in The Rovers, or the Double Arrangement (Poetry of the Anti-Jacobin, 1854, p. 199), by J. Hookham Frere, a skit on the "moral inculcated by the German dramas—the reciprocal duties of one or more husbands to one or more wives." The waiter at the Golden Eagle at Weimar is a warrior in disguise, and rescues the hero, who is imprisoned in the abbey of Quedlinburgh.]
10 ["But the age of chivalry is gone—the unbought grace of life, the cheap defence of nations," etc. (Reflections on the Revolution in France, by the Right Hon. Edmund Burke, M.P., 1868, p. 89).]
11 [Passages relating to the Queen of Tahiti, in Hawkesworth's Voyages, drawn from journals kept by the several commanders, and from the papers of Joseph Banks, Esq. (1773, ii. 106), gave occasion to malicious and humorous comment. (See An Epistle from Mr. Banks, Voyager, Monster-hunter, and Amoroso, To Oberea, Queen of Otaheite, by A.B.C.) The lampoon, "printed at Batavia for Jacobus Opani" (the Queen's Tahitian for "Banks"), was published in 1773. The authorship is assigned to Major John Scott Waring (1747-1819).]
12 [Compare Childish Recollections: Poetical Works, 1898, i. 84, var. i.—
"Weary of love, of life, devour'd with spleen,
I rest a perfect Timon, not nineteen."]
13 [John Moore (1729-1802), the father of the celebrated Sir John Moore, published Zeluco. Various views of Human Nature, taken from Life and Manners, Foreign and Domestic, in 1789. Zeluco was an unmitigated scoundrel, who led an adventurous life; but the prolix narrative of his villanies does not recall Childe Harold. There is, perhaps, some resemblance between Zeluco's unbridled childhood and youth, due to the indulgence of a doting mother, and Byron's early emancipation from discipline and control.]
h To the Lady Charlotte Harley.—[MS. M.]
14 [The Lady Charlotte Mary Harley, second daughter of Edward, fifth Earl of Oxford and Mortimer, was born 1801. She married, in 1823, Captain Anthony Bacon (died July 2, 1864), who had followed "young, gallant Howard" (see Childe Harold, III. xxix.) in his last fatal charge at Waterloo, and who, subsequently, during the progress of the civil war between Dom Miguel and Maria da Gloria of Portugal (1828-33), held command as colonel of cavalry in the Queen's forces, and finally as a general officer. Lady Charlotte Bacon died May 9, 1880. Byron's acquaintance with her probably dated from his visit to Lord and Lady Oxford, at Eywood House, in Herefordshire, in October-November, 1812. Her portrait, by Westall, which was painted at his request, is included among the illustrations in Finden's Illustrations of the Life and Works of Lord Byron, ii. See Gent. Mag., N.S., vol. xvii. (1864) p. 261; and an obituary notice in the Times, May 10, 1880, See, too, letter to Murray, March 29, 1813 (Letters, 1898, ii. 200).]
15 [The reference is to the French proverb, L'Amitié est l'Amour sans Ailes, which suggested the last line (line 412) of Childish Recollections, "And Love, without his pinion, smil'd on youth," and forms the title of one of the early poems, first published in 1832 (Poetical Works, 1898, i. 106, 220).]
16 [In 1814, when the dedication was published, Byron completed his twenty-sixth year, Ianthe her thirteenth.]
17 [For the modulation of the verse, compare Pope's lines—
"Correctly cold, and regularly low."
Essay on Criticism, line 240.
"Glows while he reads, but trembles as he writes."
Ibid., line 198.]
18 [Ianthe ("Flower o' the Narcissus") was the name of a Cretan girl wedded to one Iphis (vid. Ovid., Metamorph., ix. 714). Perhaps Byron's dedication was responsible for the Ianthe of Queen Mab (1812, 1813), who in turn bestowed her name on Shelley's eldest daughter (Mrs. Esdaile, d. 1876), who was born June 28, 1813.]