I trust, be gathered from the perusal of this Tale; namely, that, without due governance of the passions, high aspirations and generous emotions will little avail their possessor. The impersonations of the Tempter, the Tempted, and the Better Influence may be respectively discovered, by those who care to cull the honey from the flower, in the Sexton, in Luke, and in Sybil.
The chief object I had in view in making the present essay was to see how far the infusion of a warmer and more genial current into the veins of old Romance would succeed in reviving her fluttering and feeble pulses. The attempt has succeeded beyond my most sanguine expectation. Romance, if I am not mistaken, is destined shortly to undergo an important change. Modified by the German and French writers — by Hoffman, Tieck, Hugo, Dumas, Balzac, and Paul Lecroix (le Bibliophile Jacob)— the structure commenced in our own land by Horace Walpole, Monk Lewis, Mrs. Radcliffe, and Maturin, but left imperfect and inharmonious, requires, now that the rubbish which choked up its approach is removed, only the hand of the skilful architect to its entire renovation and perfection.
And now, having said my say, I must bid you, worthy reader, farewell. Beseeching you, in the words of old Rabelais, “to interpret all my sayings and doings in the perfectest sense. Reverence the cheese-like brain that feeds you with all these jolly maggots; and do what lies in you to keep me always merry. Be frolic now, my lads! Cheer up your hearts, and joyfully read the rest, with all ease of your body, and comfort of your reins.”
Kensal Manor-House,
December 15, 1849.
BOOK 1
THE WEDDING RING
It has been observed, and I am apt to believe it is an observation which will generally be found true, that before a terrible truth comes to light, there are certain murmuring whispers fly before it, and prepare the minds of men for the reception of the truth itself.
Gallick Reports: Case of the Count Saint Geran.
CHAPTER 1
THE VAULT
Let me know, therefore, fully the intent
Of this thy dismal preparation —
This talk fit for a charnel.
Webster.
Within a sepulchral vault, and at midnight, two persons were seated. The chamber was of singular construction and considerable extent. The roof was of solid stone masonry, and rose in a wide semicircular arch to the height of about seventeen feet, measured from the centre of the ceiling to the ground floor, while the sides were divided by slight partition-walls into ranges of low, narrow catacombs. The entrance to each cavity was surrounded by an obtusely-pointed arch, resting upon slender granite pillars; and the intervening space was filled up with a variety of tablets, escutcheons, shields, and inscriptions, recording the titles and heraldic honors of the departed. There were no doors to the niches; and within might be seen piles of coffins, packed one upon another, till the floor groaned with the weight of lead. Against one of the pillars, upon a hook, hung a rack of tattered, time-out-of-mind hatchments; and in the centre of the tomb might be seen the effigies of Sir Ranulph de Rokewode, the builder of the mausoleum, and the founder of the race who slept within its walls. This statue, wrought in black marble, differed from most monumental carved-work, in that its posture was erect and lifelike. Sir Ranulph was represented as sheathed in a complete suit of mail, decorated with his emblazoned and gilded surcoat, his arm leaning upon the pommel of a weighty curtal-axe. The attitude was that of stern repose. A conically-formed helmet rested upon the brow; the beaver was raised, and revealed harsh but commanding features. The golden spur of knighthood was fixed upon the heel; and, at the feet, enshrined in a costly sarcophagus of marble, dug from the same quarry as the statue, rested the mortal remains of one of “the sternest knights to his mortal foe that ever put speare in the rest.”
Streaming in a wavering line upon the roof, the sickly flame of a candle partially fell upon the human figures before alluded to, throwing them into darkest relief, and casting their opaque and fantastical shadows along the ground. An old coffin upon a bier, we have said, served the mysterious twain for a seat. Between them stood a bottle and a glass, evidences that whatever might be the ulterior object of their stealthy communion, the immediate comfort of the creature had not been altogether overlooked. At the feet of one of the personages were laid a mattock, a horn lantern — from which the candle had been removed — a crowbar, and a bunch of keys. Near to these implements of a vocation which the reader will readily surmise, rested a strange superannuated terrier with a wiry back and frosted muzzle; a head minus an ear, and a leg wanting a paw. His master, for such we shall suppose him, was an old man with a lofty forehead, covered with a singularly shaped nightcap, and clothed, as to his lower limbs, with tight, ribbed, gray worsted hose, ascending externally, after a bygone fashion, considerably above the knee. The old man’s elbow rested upon the handle of his spade, his wrist supported his chin, and his gray glassy eyes, glimmering like marsh-meteors in the candle-light, were fixed upon his companion with a glance of searching scrutiny.
The object of his investigation, a much more youthful and interesting person, seemed lost in reverie, and alike insensible to time, place, and the object of the meeting. With both hands grasped round the barrel of a fowling-piece, and his face leaning upon the same support, the features were entirely concealed from view; the light, too, being at the back, and shedding its rays over, rather than upon his person, aided his disguise. Yet, even thus imperfectly defined, the outline of the head, and the proportions of the figure, were eminently striking and symmetrical. Attired in a rough forester’s costume, of the mode of 1737, and of the roughest texture and rudest make, his wild garb would have determined his rank as sufficiently humble in the scale of society, had not a certain loftiness of manner, and bold, though reckless deportment, argued pretensions on the part of the wearer to a more elevated station in life, and contradicted, in a great measure, the impression produced by the homely appearance of his habiliments. A cap of shaggy brown fur, fancifully, but not ungracefully fashioned, covered his head, from beneath which, dropping, in natural clusters over his neck and shoulders, a cloud of raven hair escaped. Subsequently, when his face was more fully revealed, it proved to be that of a young man, of dark aspect, and grave, melancholy expression of countenance, approaching even to the stern, when at rest; though sufficiently animated and earnest when engaged in conversation, or otherwise excited. His features were regular, delicately formed, and might be characterized as singularly handsome, were it not for a want of roundness in the contour of the face which gave the lineaments a thin, worn look, totally distinct, however, from haggardness or emaciation. The nose was delicate and fine; the nostril especially so; the upper lip was short, curling, graceful, and haughtily expressive. As to complexion, his skin had a truly Spanish warmth and intensity of coloring. His figure, when raised, was tall and masculine, and though slight, exhibited great personal vigor.
We will now turn to his companion, the old man with the great gray glittering eyes.
Peter Bradley, of Rookwood — comitatû Ebor — where he had exercised the vocation of sexton for the best part of a life already drawn out to the full span ordinarily allotted to mortality, was an odd caricature of humanity. His figure was lean, and almost as lank as a skeleton. His bald head reminded one of a bleached skull, allowing for the overhanging and hoary brows. Deep-seated, and sunken within their sockets, his gray orbs gleamed with intolerable lustre. Few could endure his gaze; and, aware of his power, Peter seldom failed to exercise it. He had likewise another habit, which, as it savored of insanity, made him an object of commiseration with some, while it rendered him yet more obnoxious to others. The habit we allude to, was the indulgence of wild screaming laughter at times when all merriment should be checked; and when the exhibition of levity must proceed from utter disregard of human grief and suffering, or from mental alienation.