friends, tied some cotton round both wrists, put two new combs in her hair, painted her forehead, and tied up in the end of her body-cloth clean parched rice[112] and cowrie-shells. These she gave to the bystanders, as she walked seven times round the funeral pyre, upon which lay the body. She then ascended the heap of wood, sat down upon it, and taking the thief’s head in her lap, without cords or levers or upper layer or faggots, she ordered the pile to be lighted. The crowd standing around set fire to it in several places, drummed their drums, blew their conchs, and raised a loud cry of “Hari bol! Hari bol! [113]” Straw was thrown on, and pitch and clarified butter were freely poured out. But Shobhani’s was a Sahamaran, a blessed easy death: no part of her body was seen to move after the pyre was lighted—in fact, she seemed to die before the flame touched her.
By the blessing of his daughter’s decease, the old householder beheaded himself.[114] He caused an instrument to be made in the shape of a half-moon with an edge like a razor, and fitting the back of his neck. At both ends of it, as at the beam of a balance, chains were fastened. He sat down with eyes closed; he was rubbed with the purifying clay of the holy river, Vaiturani[115]; and he repeated the proper incantations. Then placing his feet upon the extremities of the chains, he suddenly jerked up his neck, and his severed head rolled from his body upon the ground. What a happy death was this!
The Baital was silent, as if meditating on the fortunate transmigration which the old householder had thus secured.
“But what could the thief have been laughing at, sire?” asked the young prince Dharma Dhwaj of his father.
“At the prodigious folly of the girl, my son,” replied the warrior king, thoughtlessly.
“I am indebted once more to your majesty,” burst out the Baital, “for releasing me from this unpleasant position, but the Raja’s penetration is again at fault. Not to leave your royal son and heir labouring under a false impression, before going I will explain why the brave thief burst into tears, and why he laughed at such a moment.”
He wept when he reflected that he could not requite her kindness in being willing to give up everything she had in the world to save his life; and this thought deeply grieved him.
Then it struck him as being passing strange that she had begun to love him when the last sand of his life was well nigh run out; that wondrous are the ways of the revolving heavens which bestow wealth upon the niggard that cannot use it, wisdom upon the bad man who will misuse it, a beautiful wife upon the fool who cannot protect her, and fertilizing showers upon the stony hills. And thinking over these things, the gallant and beautiful thief laughed aloud.
“Before returning to my sires-tree,” continued the Vampire, “as I am about to do in virtue of your majesty’s unintelligent reply, I may remark that men may laugh and cry, or may cry and laugh, about everything in this world, from their neighbours’ deaths, which, as a general rule, in no wise concern them, to their own latter ends, which do concern them exceedingly. For my part, I am in the habit of laughing at everything, because it animates the brain, stimulates the lungs, beautifies the countenance, and—for the moment, good-bye, Raja Vikram!”
The warrior king, being forewarned this time, shifted the bundle containing the Baital from his back to under his arm, where he pressed it with all his might.
This proceeding, however, did not prevent the Vampire from slipping back to his tree, and leaving an empty cloth with the Raja.
Presently the demon was trussed up as usual; a voice sounded behind Vikram, and the loquacious thing again began to talk.
THE VAMPIRE’S SIXTH STORY
—In Which Three Men Dispute about a Woman.
On the lovely banks of Jumna’s stream there was a city known as Dharmasthal—the Place of Duty; and therein dwelt a certain Brahman called Keshav. He was a very pious man, in the constant habit of performing penance and worship upon the river Sidi. He modelled his own clay images instead of buying them from others; he painted holy stones red at the top, and made to them offerings of flowers, fruit, water, sweetmeats, and fried peas. He had become a learned man somewhat late in life, having, until twenty years old, neglected his reading, and addicted himself to worshipping the beautiful youth Kama-Deva[116] and Rati his wife, accompanied by the cuckoo, the humming-bee, and sweet breezes.
One day his parents having rebuked him sharply for his ungovernable conduct, Keshav wandered to a neighbouring hamlet, and hid himself in the tall fig-tree which shadowed a celebrated image of Panchanan.[117] Presently an evil thought arose in his head: he defiled the god, and threw him into the nearest tank.
The next morning, when the person arrived whose livelihood depended on the image, he discovered that his god was gone. He returned into the village distracted, and all was soon in an uproar about the lost deity.
In the midst of this confusion the parents of Keshav arrived, seeking for their son; and a man in the crowd declared that he had seen a young man sitting in Panchanan’s tree, but what had become of the god he knew not.
The runaway at length appeared, and the suspicions of the villagers fell upon him as the stealer of Panchanan. He confessed the fact, pointed out the place where he had thrown the stone, and added that he had polluted the god. All hands and eyes were raised in amazement at this atrocious crime, and every one present declared that Panchanan would certainly punish the daring insult by immediate death. Keshav was dreadfully frightened; he began to obey his parents from that very hour, and applied to his studies so sedulously that he soon became the most learned man of his country.
Now Keshav the Brahman had a daughter whose name was the Madhumalati or Sweet Jasmine. She was very beautiful. Whence did the gods procure the materials to form so exquisite a face? They took a portion of the most excellent part of the moon to form that beautiful face? Does any one seek a proof of this? Let him look at the empty places left in the moon. Her eyes resembled the full-blown blue nymphaea; her arms the charming stalk of the lotus; her flowing tresses the thick darkness of night.
When this lovely person arrived at a marriageable age, her mother, father, and brother, all three became very anxious about her. For the wise have said, “A daughter nubile but without a husband is ever a calamity hanging over a house.” And, “Kings, women, and climbing plants love those who are near them.” Also, “Who is there that has not suffered from the sex? for a woman cannot be kept in due subjection, either by gifts or kindness, or correct conduct, or the greatest services, or the laws of morality, or by the terror of punishment, for she cannot discriminate between good and evil.”
It so happened that one day Keshav the Brahman went to the marriage of a certain customer of his,[118] and his son repaired to the house of a spiritual preceptor in order to read. During their absence, a young man came to the house, when the Sweet Jasmine’s mother, inferring his good qualities from his good looks, said to him, “I will give to thee my daughter in marriage.” The father also had promised his daughter to a Brahman youth whom he had met at the house of his employer; and the brother likewise had betrothed his sister to a fellow student at the place where he had gone to read.
After some days father and son came home, accompanied by these two suitors, and in the house a third was already seated. The name of the first was Tribikram, of the second Baman, and of the third Madhusadan. The three were equal in mind and body, in knowledge, and in age.
Then the father, looking upon them, said to himself, “Ho! there is