E. C. Bentley

The Woman in Black


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and set himself in a purposeless mood to read up the accounts given in several journals. He became intrigued; his imagination began to work, in a manner strange to him, upon facts; an excitement took hold of him such as he had only known before in his bursts of art-inspiration or of personal adventure. At the end of the day he wrote and despatched a long letter to the editor of the Record, which he chose only because it had contained the fullest and most intelligent version of the facts.

      In this letter he did very much what Poe had done in the case of the murder of Mary Rogers. With nothing but the newspapers to guide him, he drew attention to the significance of certain apparently negligible facts, and ranged the evidence in such a manner as to throw grave suspicion upon a man who had presented himself as a witness. Sir James Molloy had printed this letter in leaded type. The same evening he was able to announce in the Sun the arrest and full confession of the incriminated man.

      Sir James, who knew all the worlds of London, had lost no time in making Trent's acquaintance. The two men got on well; for Trent possessed some secret of native tact which had the effect of almost abolishing differences of age between himself and others. The great rotary presses in the basement of the Record building had filled him with a new enthusiasm: he had painted there, and Sir James had bought at sight, what he called a machinery-scape in the manner of Heinrich Kley.

      Then a few months later came the affair known as the Ilkley mystery. Sir James had invited Trent to an emollient dinner, and thereafter offered him what seemed to the young man a fantastically large sum for his temporary services as special representative of the Record at Ilkley. "You could do it," the editor had urged. "You can write good stuff, and you know how to talk to people, and I can teach you all the technicalities of a reporter's job in half an hour. And you have a head for a mystery; you have imagination and cool judgment along with it. Think how it would feel if you pulled it off!" Trent had admitted that it would be rather a lark; he had smoked, frowned, and at last convinced himself that the only thing that held him back was fear of an unfamiliar task. To react against fear had become a fixed moral habit with him, and he had accepted Sir James's offer.

      He had pulled it off. For the second time he had given the authorities a start and a beating, and his name was on all tongues. He withdrew and painted pictures. He felt no leaning towards journalism, and Sir James, who knew a good deal about art, honorably refrained—as other editors did not—from tempting him with a good salary. But in the course of a few years he had applied to him perhaps thirty times for his services in the unraveling of similar problems at home and abroad. Sometimes Trent, busy with work that held him, had refused; sometimes he had been forestalled in the discovery of the truth. But the result of his irregular connection with the Record had been to make his name one of the best-known in England. It was characteristic of him that his name was almost the only detail of his personality known to the public. He had imposed absolute silence about himself upon the Molloy papers; and the others were not going to advertise one of Sir James's men.

      The Manderson case, he told himself as he walked rapidly up the sloping road to White Gables, might turn out to be terribly simple. Cupples was a wise old boy, but it was probably impossible for him to have an impartial opinion about his niece. Yet it was true that the manager of the hotel, who had spoken of her beauty in terms that aroused his attention, had spoken even more emphatically of her goodness. Not an artist in words, the manager had yet conveyed a very definite idea to Trent's mind. "There isn't a child about here that don't brighten up at the sound of her voice," he had said, "nor yet a grown-up, for the matter of that. Everybody used to look forward to her coming over in the summer. I don't mean that she's one of those women that are all kind heart and nothing else. There's backbone with it, if you know what I mean—pluck—any amount of go. There's nobody in Marlstone that isn't sorry for the lady in her trouble—not but what some of us may think she's lucky at the last of it." Trent wanted very much to meet Mrs. Manderson.

      He could see now, beyond a spacious lawn and shrubbery, the front of the two-storied house of dull red brick, with the pair of great gables from which it had its name. He had had but a glimpse of it from the car that morning. A modern house, he saw; perhaps ten years old. The place was beautifully kept, with that air of opulent peace that clothes even the smallest houses of the well-to-do in an English country-side. Before it, beyond the road, the rich meadow-land ran down to the edge of the cliffs; behind it a woody landscape stretched away across a broad vale to the moors. That such a place could be the scene of a crime of violence seemed fantastic; it lay so quiet and well-ordered, so eloquent of disciplined service and gentle living. Yet there beyond the house, and near the hedge that rose between the garden and the hot, white road, stood the gardener's tool-shed, by which the body had been found, lying tumbled against the wooden wall.

      Trent walked past the gate of the drive and along the road until he was opposite this shed. Some forty yards further along, the road turned sharply away from the house, to run between thick plantations; and just before this turn the grounds of the house ended, with a small white gate at the angle of the boundary hedge. He approached this gate, which was plainly for the use of gardeners and the service of the establishment; it swung easily on its hinges, and he passed slowly up a path that led towards the back of the house between the outer hedge and a tall wall of rhododendrons. Through a gap in this wall a track led him to the little neatly-built erection of wood, which stood among trees that faced a corner of the front. The body had lain on the side away from the house; a servant, he thought, looking out of the nearer windows in the earlier hours of the day before, might have glanced unseeing at the hut, as she wondered what it could be like to be as rich as Manderson.

      He examined the place carefully, and ransacked the hut within, but he could note no more than the trodden appearance of the uncut grass where the body had lain. Crouching low, with keen eyes and feeling fingers, he searched the ground minutely over a wide area; but the search was fruitless.

      It was interrupted by the sound—the first he had heard from the house—of the closing of the front door. Trent unbent his long legs and stepped to the edge of the drive. A man was walking quickly away from the house in the direction of the great gate.

      At the noise of a footstep on the gravel, the man wheeled with nervous swiftness and looked earnestly at Trent. The sudden sight of his face was almost terrible, so white and worn it was. Yet it was a young man's face. There was not a wrinkle about the haggard blue eyes, for all their tale of strain and desperate fatigue. As the two approached each other, Trent noted with admiration the man's breadth of shoulder and lithe, strong figure. In his carriage, inelastic as weariness had made it, in his handsome, regular features, in his short, smooth yellow hair and in his voice as he addressed Trent, the influence of a special sort of training was confessed. "Oxford was your playground, I think, my young friend," said Trent to himself.

      "If you are Mr. Trent," said the young man pleasantly, "you are expected. Mr. Cupples 'phoned from the hotel. My name is Marlowe."

      "You were secretary to Mr. Manderson, I believe," said Trent. He was much inclined to like young Mr. Marlowe. Though he seemed so near a physical break-down, he gave out none the less that air of clean living and inward health that is the peculiar glory of his social type at his years. But there was something in the tired eyes that was a challenge to Trent's penetration; an habitual expression, as he took it to be, of meditating and weighing things not present to their sight. It was a look too intelligent, too steady and purposeful, to be called dreamy. Trent thought he had seen such a look before somewhere. He went on to say: "It is a terrible business for all of you. I fear it has upset you completely, Mr. Marlowe."

      "A little limp, that's all," replied the young man wearily. "I was driving the car all Sunday night and most of yesterday, and I didn't sleep last night, after hearing the news—who would? But I have an appointment now, Mr. Trent, down at the doctor's—arranging about the inquest. I expect it'll be to-morrow. If you will go up to the house and ask for Mr. Bunner, you'll find him expecting you; he will tell you all about things and show you round. He's the other secretary; an American, and the best of fellows; he'll look after you. There's a detective here, by the way; Inspector Murch, from Scotland Yard. He came yesterday."

      "Murch!" Trent exclaimed. "But he and I are old friends. How under the sun did he get here so soon?"

      "I