this talk about public distress is all humbug!”
THE WIDOW’S RETINUE.
Little dogs and all!
—Lear.
In giving an account of the arrival of Lady Lillycraft at the Hall, I ought to have mentioned the entertainment which I derived from witnessing the unpacking of her carriage, and the disposing of her retinue. There is something extremely amusing to me in the number of factitious wants, the loads of imaginary conveniences, but real encumbrances, with which the luxurious are apt to burthen themselves. I like to watch the whimsical stir and display about one of these petty progresses. The number of robustious footmen and retainers of all kinds bustling about, with looks of infinite gravity and importance, to do almost nothing. The number of heavy trunks, and parcels, and bandboxes belonging to my lady; and the solicitude, exhibited about some humble, odd-looking box, by my lady’s maid; the cushions piled in the carriage to make a soft seat still softer, and to prevent the dreaded possibility of a jolt; the smelling-bottles, the cordials, the baskets of biscuit and fruit; the new publications; all provided to guard against hunger, fatigue, or ennui; the led horses, to vary the mode of travelling; and all this preparation and parade to move, perhaps, some very good-for-nothing personage about a little space of earth!
I do not mean to apply the latter part of these observations to Lady Lillycraft, for whose simple kind-heartedness I have a very great respect, and who is really a most amiable and worthy being. I cannot refrain, however, from mentioning some of the motley retinue she has brought with her; and which, indeed, bespeak the overflowing kindness of her nature, which requires her to be surrounded with objects on which to lavish it.
In the first place, her ladyship has a pampered coachman, with a red face, and cheeks that hang down like dew-laps. He evidently domineers over her a little with respect to the fat horses; and only drives out when he thinks proper, and when he thinks it will be “good for the cattle.”
She has a favourite page, to attend upon her person; a handsome boy of about twelve years of age, but a mischievous varlet, very much spoiled, and in a fair way to be good for nothing. He is dressed in green, with a profusion of gold cord and gilt buttons about his clothes. She always has one or two attendants of the kind, who are replaced by others as soon as they grow to fourteen years of age. She has brought two dogs with her, also, out of a number of pets which she maintains at home. One is a fat spaniel, called Zephyr—though heaven defend me from such a zephyr! He is fed out of all shape and comfort; his eyes are nearly strained out of his head; he wheezes with corpulency, and cannot walk without great difficulty. The other is a little, old, gray-muzzled curmudgeon, with an unhappy eye, that kindles like a coal if you only look at him; his nose turns up; his mouth is drawn into wrinkles, so as to show his teeth; in short, he has altogether the look of a dog far gone in misanthropy, and totally sick of the world. When he walks, he has his tail curled up so tight that it seems to lift his feet from the ground; and he seldom makes use of more than three legs at a time, keeping the other drawn up as a reserve. This last wretch is called Beauty.
These dogs are full of elegant ailments, unknown to vulgar dogs; and are petted and nursed by Lady Lillycraft with the tenderest kindness. They are pampered and fed with delicacies by their fellow-minion, the page; but their stomachs are often weak and out of order, so that they cannot eat; though I have now and then seen the page give them a mischievous pinch, or thwack over the head, when his mistress was not by. They have cushions for their express use, on which they lie before the fire, and yet are apt to shiver and moan if there is the least draught of air. When any one enters the room, they make a most tyrannical barking that is absolutely deafening. They are insolent to all the other dogs of the establishment. There is a noble stag-hound, a great favourite of the Squire’s, who is a privileged visitor to the parlour; but the moment he makes his appearance, these intruders fly at him with furious rage; and I have admired the sovereign indifference and contempt with which he seems to look down upon his puny assailants. When her ladyship drives out, these dogs are generally carried with her to take the air; when they look out of each window of the carriage, and bark at all vulgar pedestrian dogs. These dogs are a continual source of misery to the household as they are always in the way, they every now and then get their toes trod on, and then there is a yelping on their part, and a loud lamentation on the part of their mistress, that fills the room with clamour and confusion.
Lastly, there is her ladyship’s waiting-gentlewoman, Mrs. Hannah, a prim, pragmatical old maid; one of the most intolerable and intolerant virgins that ever lived. She has kept her virtue by her until it has turned sour, and now every word and look smacks of verjuice. She is the very opposite to her mistress, for one hates, and the other loves, all mankind. How they first came together I cannot imagine; but they have lived together for many years; and the abigail’s temper being tart and encroaching, and her ladyship’s easy and yielding, the former has got the complete upper hand, and tyrannizes over the good lady in secret.
Lady Lillycraft now and then complains of it, in great confidence, to her friends, but hushes up the subject immediately, if Mrs. Hannah makes her appearance. Indeed, she has been so accustomed to be attended by her, that she thinks she could not do without her; though one great study of her life, is to keep Mrs. Hannah in good-humour, by little presents and kindnesses.
Master Simon has a most devout abhorrence, mingled with awe, for this ancient spinster. He told me the other day, in a whisper, that she was a cursed brimstone—in fact, he added another epithet, which I would not repeat for the world. I have remarked, however, that he is always extremely civil to her when they meet.
READY-MONEY JACK.
My purse, it is my privy wyfe,
This song I dare both syng and say,
It keepeth men from grievous stryfe
When every man for himself shall pay.
As I ryde in ryche array
For gold and silver men wyll me floryshe;
But thys matter I dare well saye,
Every gramercy myne own purse.
—Book of Hunting.
On the skirts of the neighbouring village, there lives a kind of small potentate, who, for aught I know, is a representative of one of the most ancient legitimate lines of the present day; for the empire over which he reigns has belonged to his family time out of mind. His territories comprise a considerable number of good fat acres; and his seat of power is in an old farm-house, where he enjoys, unmolested, the stout oaken chair of his ancestors. The personage to whom I allude is a sturdy old yeoman of the name of John Tibbets, or rather, Ready-Money Jack Tibbets, as he is called throughout the neighbourhood.
The first place where he attracted my attention was in the church-yard on Sunday; where he sat on a tombstone after the service, with his hat a little on one side, holding forth to a small circle of auditors; and, as I presumed, expounding the law and the prophets; until, on drawing a little nearer, I found he was only expatiating on the merits of a brown horse. He presented so faithful a picture of a substantial English yeoman, such as he is often described in books, heightened, indeed, by some little finery, peculiar to himself, that I could not but take note of his whole appearance.
He was between fifty and sixty, of a strong, muscular frame, and at least six feet high, with a physiognomy as grave as a lion’s, and set off with short, curling, iron-gray locks. His shirt-collar was turned down, and displayed a neck covered with the same short, curling, gray hair; and he wore a coloured silk neckcloth, tied very loosely, and tucked in at the bosom, with a green paste brooch on the knot. His coat was of dark green cloth, with silver buttons, on each of which was engraved a stag,