in this the hyposulphite can be dissolved. The list looks formidable but the whole can be readily packed in the hamper of the size given. It will be seen that no intensifying solutions are enumerated amongst the requisites. A negative is better strengthened in the quiet of one's dark-room at home.
HOMEWARDS.
KARL GREGER.
Now we must give a hint or two as to the exposures required. We will suppose that on the plates to be used a satisfactory negative of an open English landscape, on a bright June day with fleecy clouds in the sky, can be secured with an aperture of f/11 in 1/25th of a second. If that be so, then on an equally fine day in July or August, at an altitude of about 6000 feet, the same kind of view should theoretically be secured in 1/50th second, and a stop of f/16—that is, the photographic light is about four times as strong. It must, however, be recollected that at this altitude, and particularly near mid-day, the shadows are not illuminated to the same degree from the sky. The darker blue sky shows that the light which at a low altitude goes to make a pale blue sky is to be found in the direct rays of the sun, and not scattered to give a luminous sky. As the shadows are principally illuminated by the light from the sky, it follows that the shadows will be darker at a high than at a low altitude, for this reason amongst others, the exposure should not be curtailed to the amount given above. If the aperture be reduced to f/16 it is probable that the exposure of 1/25th second will be not more than sufficient to give. For our own part we prefer to give longer and to expose well for the deep shadows, trusting to development to give us properly "gradated" pictures. As the sun goes down toward the horizon, the shadows get more illumined from local reflection, and it is scarcely necessary to alter the exposure until considerably nearer sunset than at home, when the exposure must be considerably prolonged. For views in which there is little but ice and snow, the exposure should be very much curtailed. There is so little contrast that if the exposure be at all prolonged the picture will be inevitably flat. The shadows are illumined by an immense quantity of light reflected from the white surface, and the difficulty is to get sufficient contrast. The writer well remembers one set of beautiful views, taken from the top of a mountain some 10,000 feet high, where the eye could see nothing but snow-fields and ice and swirling masses of clouds. The day was not bright, but to get a satisfactory picture a stop of f/32 was necessary with only an exposure of 1/70th of a second. Plates given an exposure of 1/25th second with a stop f/16 showed little besides a plain white mass. It would be difficult to give hints for every kind of view. The judgment of the operator must be brought into play and no actinometer will be of much use under the varied conditions which are the rule, not the exception.
Now as to development. The "one-solution" given by the metol and amidol cartridges are the most readily prepared, and in five times out of six will scarcely be bettered, but for the sixth time may fail, because of their "rigidity." For these exceptional negatives, solutions of an oxidizing agent such as pyrogallol, of a restrainer (bromide), and of an accelerator are to be recommended. For the latter, the carbonate (not the bicarbonate) of potash is much to be recommended, though some prefer ammonia. Two formulæ are given, either of which will be found extremely useful. When the exposure has been prolonged enough for details in deep shadows to be brought out, it will generally happen that over-exposure has been given to the high-lights, and it is to keep these in the printing state that care is required. In the old collodion dry plate days, it was very usual to bring out a complete phantom image of a subject before any density was given to it. When this was properly out, the intensifier of silver nitrate and pyrogallol was applied, and the picture gradually brought up to printing density. It was usually full of detail in the high-lights and shadows, all of which would be found in the finished print. Such is the same procedure which we recommend, strive to get out an image of feeble density but full of detail, and then give the density.
The plate should first of all be thoroughly soaked in a solution of the alkali which can be used, and then a few drops of the pyrogallol solution be dropped into the developing cup with an equal number of drops of the restrainer. The alkaline solution is then returned to the cup and again poured into the dish and over the plate. By degrees the required phantom image will make its appearance, and now bromide and pyrogallol are added until it is evidently complete. The plate is then washed in water, a final wash being given in a very weak solution of acetic acid or citric and water. After a final rinse with water the plate is treated with the pyrogallol solution and restrainer in the proportion recommended for the ordinary development of the plate, omitting the alkali. The density will begin to appear, and when it flags, a little alkali is added (a few drops at a time) to the solution. Keep the image fairly feeble at above half the proper printing density, and fix. The plate should then be kept for intensification, preferably by Mr. Chapman Jones's, when a mercury solution is applied, and then a ferrous oxalate to reduce the latter to the metallic state. It will be found if this procedure is adopted, that the negative is built up with a greater range of light gradation than by bringing it out by a one-solution method of development. If one wishes to exercise artistic treatment, then in the preliminary stage more importance can be given to any desired part by applying a camel's hair brush soaked in normal pyrogallol solution with its restrainer. The prominence thus gained will be kept in the subsequent operations. When applying the brush care must be taken that the image blends as it were with the rest of the picture. No abrupt increase of density must be permitted, as if it be, the result will be anything but satisfactory.
The following is an ammonia-pyro developer, with which the writer usually works.
| A | ||
| Ammonia | 1 | part. |
| Water | 9 | parts. |
(Of course, should the ammonia be taken half strength allowance must be made for the dilution.)
| B | ||
| Potassium bromide | 20 | grains. |
| Water | 1 | ounce. |
(When travelling it is very convenient to have the bromide weighed out into 20 grain packets.)
| P | |
| Pyrogallol | dry. |
| S | |
| Saturated solution of sulphite of soda. | |
When the view has strong contrasts and the plate has been exposed for the shadows take of A 30 minims and 2 ounces of water and soak the plate in it as given above. Then add to the cup, of B 2 drams, of S 1 dram, and about quarter grain of P. Pour back the solution of ammonia from the dish, and then apply the mixture till all detail appears, and proceed as indicated above. A saturated solution of potassium carbonate may be substituted for the ammonia solution.
Before closing this chapter it may be of use to the reader to tabulate the number of thicknesses of atmospheres through which light has to travel at different altitudes of the sun at sea level.
| Altitude. | Atmosphere. | ||||
| 90° | 1.000 | ||||
| 80° |
| ||||