happy at a public school?" This sentence probably contains the pith of what he afterwards remembered of his own school life, and there is no doubt that a nature like his, at once loving and high-spirited, had much to suffer. It was a mistake, however, to suppose that at Eton there were any serious blows to bear, or to assume that laws of love which might have led a spirit so gentle as Shelley's, were adapted to the common stuff of which the English boy is formed. The latter mistake Shelley made continually throughout his youth; and only the advance of years tempered his passionate enthusiasm into a sober zeal for the improvement of mankind by rational methods. We may also trace at this early epoch of his life that untamed intellectual ambition—that neglect of the immediate and detailed for the transcendental and universal—which was a marked characteristic of his genius, leading him to fly at the highest while he overleaped the facts of ordinary human life. "From his earliest years," says Mrs. Shelley, "all his amusements and occupations were of a daring, and in one sense of the term, lawless nature. He delighted to exert his powers, not as a boy, but as a man; and so with manly powers and childish wit, he dared and achieved attempts that none of his comrades could even have conceived. His understanding and the early development of imagination never permitted him to mingle in childish plays; and his natural aversion to tyranny prevented him from paying due attention to his school duties. But he was always actively employed; and although his endeavours were prosecuted with puerile precipitancy, yet his aim and thoughts were constantly directed to those great objects which have employed the thoughts of the greatest among men; and though his studies were not followed up according to school discipline, they were not the less diligently applied to." This high-soaring ambition was the source both of his weakness and his strength in art, as well as in his commerce with the world of men. The boy who despised discipline and sought to extort her secrets from nature by magic, was destined to become the philanthropist who dreamed of revolutionizing society by eloquence, and the poet who invented in "Prometheus Unbound" forms of grandeur too colossal to be animated with dramatic life.
A strong interest in experimental science had been already excited in him at Sion House by the exhibition of an orrery; and this interest grew into a passion at Eton. Experiments in chemistry and electricity, of the simpler and more striking kind, gave him intense pleasure—the more so perhaps because they were forbidden. On one occasion he set the trunk of an old tree on fire with a burning-glass: on another, while he was amusing himself with a blue flame, his tutor came into the room and received a severe shock from a highly-charged Leyden jar. During the holidays Shelley carried on the same pursuits at Field Place. "His own hands and clothes," says Miss Shelley, "were constantly stained and corroded with acids, and it only seemed too probable that some day the house would be burned down, or some serious mischief happen to himself or others from the explosion of combustibles." This taste for science Shelley long retained. If we may trust Mr. Hogg's memory, the first conversation which that friend had with him at Oxford consisted almost wholly of an impassioned monologue from Shelley on the revolution to be wrought by science in all realms of thought. His imagination was fascinated by the boundless vistas opened to the student of chemistry. When he first discovered that the four elements were not final, it gave him the acutest pleasure: and this is highly characteristic of the genius which was always seeking to transcend and reach the life of life withdrawn from ordinary gaze. On the other hand he seems to have delighted in the toys of science, playing with a solar microscope, and mixing strangest compounds in his crucibles, without taking the trouble to study any of its branches systematically. In his later years he abandoned these pursuits. But a charming reminiscence of them occurs in that most delightful of his familiar poems, the "Letter to Maria Gisborne."
While translating Pliny and dabbling in chemistry, Shelley was not wholly neglectful of Etonian studies. He acquired a fluent, if not a correct, knowledge of both Greek and Latin, and astonished his contemporaries by the facility with which he produced verses in the latter language. His powers of memory were extraordinary, and the rapidity with which he read a book, taking in seven or eight lines at a glance, and seizing the sense upon the hint of leading words, was no less astonishing. Impatient speed and indifference to minutiae were indeed among the cardinal qualities of his intellect. To them we may trace not only the swiftness of his imaginative flight, but also his frequent satisfaction with the somewhat less than perfect in artistic execution.
That Shelley was not wholly friendless or unhappy at Eton may be gathered from numerous small circumstances. Hogg says that his Oxford rooms were full of handsome leaving books, and that he was frequently visited by old Etonian acquaintances. We are also told that he spend the 40 pounds gained by his first novel, "Zastrozzi," on a farewell supper to eight school-boy friends. A few lines, too, might be quoted from his own poem, the "Boat on the Serchio," to prove that he did not entertain a merely disagreeable memory of his school life. (Forman's edition, volume 4 page 115.) Yet the general experience of Eton must have been painful; and it is sad to read of this gentle and pure spirit being goaded by his coarser comrades into fury, or coaxed to curse his father and the king for their amusement. It may be worth mentioning that he was called "the Atheist" at Eton; and though Hogg explains this by saying that "the Atheist" was an official character among the boys, selected from time to time for his defiance of authority, yet it is not improbable that Shelley's avowed opinions may even then have won for him a title which he proudly claimed in after-life. To allude to his boyish incantations and nocturnal commerce with fiends and phantoms would scarcely be needful, were it not that they seem to have deeply tinged his imagination. While describing the growth of his own genius in the "Hymn to Intellectual Beauty," he makes the following reference to circumstances which might otherwise be trivial:—
While yet a boy, I sought for ghosts, and sped
Thro' many a listening chamber, cave, and ruin,
And starlight wood, with fearful steps pursuing
Hopes of high talk with the departed dead.
I call'd on poisonous names with which our youth is fed,
I was not heard, I saw them not—
When, musing deeply on the lot
Of life, at that sweet time when winds are wooing
All vital things that wake to bring
News of birds and blossoming—
Sudden, thy shadow fell on me;
I shrieked, and clasped my hands in ecstasy!
Among the Eton tutors was one whose name will always be revered by Shelley's worshippers; for he alone discerned the rare gifts of the strange and solitary boy, and Shelley loved him. Dr. Lind was an old man, a physician, and a student of chemistry. Shelley spent long hours at his house, conversing with him, and receiving such instruction in philosophy and science as the grey-haired scholar could impart. The affection which united them must have been of no common strength or quality; for when Shelley lay ill of a fever at Field Place, and had conceived the probably ill-founded notion that his father intended to place him in a mad-house, he managed to convey a message to his friend at Eton, on the receipt of which Dr. Lind travelled to Horsham, and by his sympathy and skill restored the sick boy's confidence. It may incidentally be pointed out that this story, credited as true by Lady Shelley in her Memorials, shows how early an estrangement had begun between the poet and his father. We look, moreover, vainly for that mother's influence which might have been so beneficial to the boy in whom "love and life were twins, born at one birth." From Dr. Lind Shelley not only received encouragement to pursue his chemical studies; but he also acquired the habit of corresponding with persons unknown to him, whose opinions he might be anxious to discover or dispute. This habit, as we shall see in the sequel, determined Shelley's fate on two important occasions of his life. In return for the help extended to him at Eton, Shelley conferred undying fame on Dr. Lind; the characters of Zonaras in "Prince Athanase," and of the hermit in "Laon and Cythna," are portraits painted by the poet of his boyhood's friend.
The months which elapsed between Eton and Oxford were an important period in Shelley's life. At this time a boyish liking for his cousin, Harriet Grove, ripened into real attachment; and though there was perhaps no formal engagement between them, the parents on both sides looked with approval on their love. What it concerns us to know about this early passion, is given in a letter from a brother of Miss Grove. "Bysshe was at that time (just after leaving Eton) more attached to my sister Harriet than