Mary Eleanor Wilkins Freeman

By the Light of the Soul


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it back, revealing the bold yet delicate outlines of her temples. She thought how glad she should be when her hair was grown. She had had an illness two years before, and her mother had judged it best to have her hair cut short. It was now just long enough to hang over her ears, curving slightly forward like the old-fashioned earlocks. She had her hair tied back from her face with a pink ribbon in a bow on top of her head. She loosened this ribbon, and shook her hair quite loose. She peeped out of the golden radiance of it at herself, then she shook it back. She was charming either way. She was undeveloped, but as yet not a speck of the mildew of earth had touched her. She was flawless, irreproachable, except for the knowledge of her beauty, through heredity, in her heart, which was older than she herself.

      Suddenly Maria, after a long gaze of rapture at her face in the glass, gave a great start. She turned and saw her mother standing in the door looking at her.

      Maria, with an involuntary impulse of concealment, seized her brush, and began brushing her hair. “I was just brushing my hair,” she murmured. She felt as guilty as if she had committed a crime.

      Her mother continued to look at her sternly. “There isn't any use in your trying to deceive me, Maria,” said she. “I am ashamed that a child of mine should be so silly. To stand looking at yourself that way! You needn't think you are so pretty, because you are not. You don't begin to be as good-looking as Amy Long.”

      Maria felt a cold chill strike her. She had herself had doubts as to her superior beauty when Amy Long was concerned.

      “You don't begin to be as good-looking as your aunt Maria was at your age, and you know yourself how she looks now. Nobody would dream for a minute of calling her even ordinary-looking,” her mother continued in a pitiless voice.

      Maria shuddered. She seemed to see, instead of her own fair little face in the glass, an elderly one as sallow as her mother's, but without the traces of beauty which her mother's undoubtedly had. She saw the thin, futile frizzes which her aunt Maria affected; she saw the receding chin, indicative at once of degeneracy and obstinacy; she saw the blunt nose between the lumpy cheeks.

      “Your aunt Maria looked very much as you do when she was your age,” her mother went on, with the calm cruelty of an inquisitor.

      Maria looked at her, her mouth was quivering. “Did I look like Mrs. Jasper Cone's baby that died last week when I was a baby?” said she.

      “Who said you did?” inquired her mother, unguardedly.

      “She did. She came up behind me with Mrs. Elliot when I was waiting for father to get the peaches, and she said her baby that died looked just like me; she had always thought so.”

      “That Cone baby look like you!” repeated Maria's mother. “Well, one's own always looks different to them, I suppose.”

      “Then you don't think it did?” said Maria. Tears actually stood in her beautiful blue eyes.

      “No, I don't,” replied her mother, abruptly. “Nobody in their sober senses could think so. I am sorry poor Mrs. Cone lost her baby. I know how I felt when my first baby died, but as for saying it looked like you—”

      “Then you don't think it did, mother?”

      “It was one of the homliest babies I ever laid my eyes on, poor little thing, if it did die,” said Maria's mother, emphatically. She was completely disarmed by this time. But when she saw Maria glance again at the glass she laid hold of her moral weapons, the wielding of which she believed to be for the best spiritual good of her child. “Your aunt Maria was very much better looking than you at her age,” she repeated, firmly. Then, at the sight of the renewed quiver around the sensitive little mouth her heart melted. “Get out of your clothes and into your night-gown, and get to bed, child,” said she. “You look well enough. If you only behave as well as you look, that is all that is necessary.”

      Chapter III

      Maria fell asleep that night with the full assurance that she had not been mistaken concerning the beauty of the little face which she had seen in the looking-glass. All that troubled her was the consideration that her aunt Maria, whose homely face seemed to glare out of the darkness at her, might have looked just as she did when she was her age. She hoped, and then she hoped that the hope was not wicked, that she might die young rather than live to look like her aunt Maria. She pictured with a sort of pleasurable horror, what a lovely little waxen-image she would look now, laid away in a nest of white flowers. She had only just begun to doze, when she awoke with a great start. Her father had opened her door, and stood calling her.

      “Maria,” he said, in an agitated voice.

      Maria sat up in bed. “Oh, father, what is it?” said she, and a vague horror chilled her.

      “Get up, and slip on something, and go into your mother's room,” said her father, in a gasping sort of voice. “I've got to go for the doctor.”

      Maria put one slim little foot out of bed. “Oh, father,” she said, “is mother sick?”

      “Yes, she is very sick,” replied her father. His voice sounded almost savage. It was as if he were furious with his wife for being ill, furious with Maria, with life, and death itself. In reality he was torn almost to madness with anxiety. “Slip on something so you won't catch cold,” said he, in his irritated voice. “I don't want another one down.”

      Maria ran to her closet and pulled out a little pink wrapper. “Oh, father, is mother very sick?” she whispered again.

      “Yes, she is very sick. I am going to have another doctor to-morrow,” replied her father, still in that furious, excited voice, which the sick woman must have heard.

      “What shall I—” began Maria, but her father, running down the stairs, cut her short.

      “Do nothing,” said he. “Just go in there and stay with her. And don't you talk. Don't you speak a word to her. Go right in.” With that the front door slammed.

      Maria went tiptoeing into her mother's room, still shaking from head to foot, and her blue eyes seeming to protrude from her little white face. Even before she entered her mother's room she became conscious of a noise, something between a wail and a groan. It was indescribably terrifying. It was like nothing which she had ever heard before. It did not seem possible that her mother, that anything human, in fact, was making such a noise, and yet no animal could have made it, for it was articulate. Her mother was in fact both praying and repeating verses of Scripture, in that awful voice which was no longer capable of normal speech, but was compounded of wail and groan. Every sentence seemed to begin with a groan, and ended with a long-drawn-out wail. Maria went close to her mother's bed and stood looking at her. Her poor little face would have torn her mother's heart with its piteous terror, had she herself not been in such agony.

      Maria did not speak. She remembered what her father had said. As her mother lay there, stretched out stiff and stark, almost as if she were dead, Maria glanced around the room as if for help. She caught sight of a bottle of cologne on the dresser, one which she had given her mother herself the Christmas before; she had bought it out of her little savings of pocket-money. Maria went unsteadily over to the dresser and got the cologne. She also opened a drawer and got out a clean handkerchief. She became conscious that her mother's eyes were upon her, even although she never ceased for a moment her cries of agony.

      “What—r you do—g?” asked her mother, in her dreadful voice.

      “Just getting some cologne to put on your head, to make you feel better, mother,” replied Maria, piteously. She thought she must answer her mother's question in spite of her father's prohibition.

      Her mother seemed to take no further notice; she turned her face to the wall. “Have—mercy upon me, O Lord, according to Thy loving kindness, according to the multitude of Thy tender mercies,” she shrieked out. Then the words ended with a long-drawn-out “Oh—oh—”

      Had Maria not been familiar with the words, she could not have understood them. Not a consonant was fairly