at her pretty skirts, and whose easy conquest had rendered her somewhat contemptuous, but at the look of perplexed annoyance and bewildered distress in the lad's face, her better nature soon got the upper hand. She realized that her remark had been unwarrantably spiteful, and wishing to make atonement, she said with a touch of coquetry which quickly spread balm over the honest yokel's injured vanity:
“La! Master Jezzard, you do seem to make a body say some queer things. But there! you must own 'tis mighty funny about that Scarlet Pimpernel!” she added, appealing to the company in general, just as if Master Jezzard had been disputing the fact. “Why won't he let anyone see who he is? And those who know him won't tell. Now I have it for a fact from my lady's own maid Lucy, that the young lady as is stopping at Lady Blakeney's house has actually spoken to the man. She came over from France, come a fortnight to-morrow; she and the gentleman they call Mossoo Deroulede. They both saw the Scarlet Pimpernel and spoke to him. He brought them over from France. Then why won't they say?”
“Say what?” commented Johnny Cullen, the apprentice.
“Who this mysterious Scarlet Pimpernel is.”
“Perhaps he isn't,” said old Clutterbuck, who was clerk of the vestry at the church of St. John's the Evangelist.
“Yes!” he added sententiously, for he was fond of his own sayings and usually liked to repeat them before he had quite done with them, “that's it, you may be sure. Perhaps he isn't.”
“What do you mean, Master Clutterbuck?” asked Ursula Quekett, for she knew the old man liked to explain his wise saws, and as she wanted to marry his son, she indulged him whenever she could. “What do you mean? He isn't what?”
“He isn't. That's all,” explained Clutterbuck with vague solemnity.
Then seeing that he had gained the attention of the little party round him, he condescended to come to more logical phraseology.
“I mean, that perhaps we must not ask, 'who IS this mysterious Scarlet Pimpernel?' but 'who WAS that poor and unfortunate gentleman?'”
“Then you think …” suggested Mistress Polly, who felt unaccountably low-spirited at this oratorical pronouncement.
“I have it for a fact,” said Mr. Clutterbuck solemnly, “that he whom they call the Scarlet Pimpernel no longer exists now: that he was collared by the Frenchies, as far back as last fall, and in the language of the poets, has never been heard of no more.”
Mr. Clutterbuck was very fond of quoting from the works of certain writers whose names he never mentioned, but who went by the poetical generality of “the poets.” Whenever he made use of phrases which he was supposed to derive from these great and unnamed authors, he solemnly and mechanically raised his hat, as a tribute of respect to these giant minds.
“You think that The Scarlet Pimpernel is dead, Mr. Clutterbuck? That those horrible Frenchies murdered him? Surely you don't mean that?” sighed Mistress Polly ruefully.
Mr. Clutterbuck put his hand up to his hat, preparatory no doubt to making another appeal to the mysterious poets, but was interrupted in the very act of uttering great thoughts by a loud and prolonged laugh which came echoing from a distant corner of the grounds.
“Lud! but I'd know that laugh anywhere,” said Mistress Quekett, whilst all eyes were turned in the direction whence the merry noise had come.
Half a head taller than any of his friends around him, his lazy blue eyes scanning from beneath their drooping lids the motley throng around him, stood Sir Percy Blakeney, the centre of a gaily-dressed little group which seemingly had just crossed the toll-gate.
“A fine specimen of a man, for sure,” remarked Johnnie Cullen, the apprentice.
“Aye! you may take your Bible oath on that!” sighed Mistress Polly, who was inclined to be sentimental.
“Speakin' as the poets,” pronounced Mr. Clutterbuck sententiously, “inches don't make a man.”
“Nor fine clothes neither,” added Master Jezzard, who did not approve of Mistress Polly's sentimental sigh.
“There's my lady!” gasped Miss Barbara suddenly, clutching Master Clutterbuck's arm vigorously. “Lud! but she is beautiful to-day!”
Beautiful indeed, and radiant with youth and happiness, Marguerite Blakeney had just gone through the gates and was walking along the sward towards the band stand. She was dressed in clinging robes of shimmery green texture, the new-fashioned high-waisted effect suiting her graceful figure to perfection. The large Charlotte, made of velvet to match the gown, cast a deep shadow over the upper part of her face, and gave a peculiar softness to the outline of her forehead and cheeks.
Long lace mittens covered her arms and hands and a scarf of diaphanous material edged with dull gold hung loosely around her shoulders.
Yes! she was beautiful! No captious chronicler has ever denied that! and no one who knew her before, and who saw her again on this late summer's afternoon, could fail to mark the additional charm of her magnetic personality. There was a tenderness in her face as she turned her head to and fro, a joy of living in her eyes that was quite irresistibly fascinating.
Just now she was talking animatedly with the young girl who was walking beside her, and laughing merrily the while:
“Nay! we'll find your Paul, never fear! Lud! child, have you forgotten he is in England now, and that there's no fear of his being kidnapped here on the green in broad daylight.”
The young girl gave a slight shudder and her child-like face became a shade paler than before. Marguerite took her hand and gave it a kindly pressure. Juliette Marny, but lately come to England, saved from under the very knife of the guillotine, by a timely and daring rescue, could scarcely believe as yet that she and the man she loved were really out of danger.
“There is Monsieur Deroulede,” said Marguerite after a slight pause, giving the young girl time to recover herself and pointing to a group of men close by. “He is among friends, as you see.”
They made such a pretty picture, these two women, as they stood together for a moment on the green with the brilliant September sun throwing golden reflections and luminous shadows on their slender forms. Marguerite, tall and queen-like in her rich gown, and costly jewels, wearing with glorious pride the invisible crown of happy wifehood: Juliette, slim and girlish, dressed all in white, with a soft, straw hat on her fair curls, and bearing on an otherwise young and child-like face, the hard imprint of the terrible sufferings she had undergone, of the deathly moral battle her tender soul had had to fight.
Soon a group of friends joined them. Paul Deroulede among these, also Sir Andrew and Lady Ffoulkes, and strolling slowly towards them, his hands buried in the pockets of his fine cloth breeches, his broad shoulders set to advantage in a coat of immaculate cut, priceless lace ruffles at neck and wrist, came the inimitable Sir Percy.
Chapter V: Sir Percy and His Lady
To all appearances he had not changed since those early days of matrimony, when his young wife dazzled London society by her wit and by her beauty, and he was one of the many satellites that helped to bring into bold relief the brilliance of her presence, of her sallies and of her smiles.
His friends alone, mayhap—and of these only an intimate few—had understood that beneath that self-same lazy manner, those shy and awkward ways, that half-inane, half-cynical laugh, there now lurked an undercurrent of tender and passionate happiness.
That Lady Blakeney was in love with her own husband, nobody could fail to see, and in the more frivolous cliques of fashionable London this extraordinary phenomenon had oft been eagerly discussed.
“A monstrous thing, of a truth, for a woman of fashion to adore