only one thing, I can say only one thing, only one thing—God, let my son live. I have no other words, all is dark around me, everything is falling. I understand nothing, and there's such a terror in my heart, O Lord, that I can say only this one thing—God, let my son live! Let him live! Forgive me for praying so poorly. But I cannot pray in any other way. You understand, O Lord, I can't. Look at me! Just look at me! Do you see? Do you see how my head shakes, do you see how my hands shake? But what are my hands, O Lord! Have pity on him. He is so young—he has a birthmark on his right hand. Let him live, even if only a little while, a little while. He is so young, such a mere foolish child—he's still fond of sweets. I bought him grapes. Pity—have pity!
[She weeps in a subdued way, covering her face with her hands. Man speaks without looking at her.
THE FATHER'S PRAYER
Here I am praying, you see. I've bent my old knees. I've prostrated myself in the dust before you. I'm kissing the ground, do you see? Maybe I have sometimes offended you. If so, forgive me, forgive me. It is true, I was haughty, arrogant. I demanded and did not beg. Often I condemned—forgive me. And if you wish, if this be your will, punish me, but spare my son. Spare him, I beg you. Not for mercy, not for pity do I pray you. I pray for justice. You are old, and I am old too. You will understand more easily than I. Bad people wanted to kill him, people who insult you by their deeds and defile your earth—bad, heartless people, who throw stones from behind corners. From behind corners, the scoundrels! Do not then, I pray you, permit the fulfilment of this evil deed. Stay the blood, give back the life—give back the life to my noble son! You took everything away from me, but did I ever ask you like a beggar: "Give me back my wealth, give me back my friends, give me back my talent"? No, never. I did not even ask you for my talent, and you know what his talent means to a man. It is more than life. I thought perhaps that's the way it ought to be, and I bore everything, bore everything with pride. But now I ask you on my knees, in the dust, kissing the earth: "Give back my son's life." I kiss your earth!
[He rises. Someone called He listens indifferently to the father's and mother's prayers.
WIFE
I'm afraid your prayer was not humble enough. There was a certain tone of pride in it.
MAN
No, no, my wife, I spoke well to Him, the way a man should speak. He cannot love cringing flatterers better than brave, proud men who speak the truth. No, wife, you cannot understand. Now I believe also and feel reassured—in fact, I am happy. I feel that I too still signify something to my boy, and it makes me glad. Go and see if he's asleep. He needs a lot of good, hard sleep.
[The Wife goes out. Man, with a friendly look to the corner where Someone in Gray stands, picks up the toy clown, plays with it, and gives its red nose a quick kiss. At that instant his Wife enters and Man speaks shamefacedly.
MAN
I was begging his pardon. I insulted this fool. Well, how is our dear boy?
WIFE
He is so pale.
MAN
That's nothing. It'll pass away. He lost a lot of blood.
WIFE
It makes me so sad to look at his poor shorn head. He had such beautiful golden curls.
MAN
They had to be cut so that the wound could be washed. Never mind, wife, his hair will grow again and be still finer. Did you keep what was cut off? Be sure to keep it. His precious, blood is on it.
WIFE
Yes, I put it away in the chest, the last one left of all our wealth.
MAN
Don't worry about wealth. Just wait until our son begins to work. He'll restore all we've lost. I feel well again, wife, and I firmly believe in our future. Do you remember our poor little rosy room? The good neighbors scattered oak leaves in it, and you made a wreath of them and put it on my head and said I was a genius.
WIFE
I say so still. Other people have ceased to appreciate you, but not I.
MAN
No, my dear little wife, you're wrong. What genius creates outlives the old dirty bundle of rags known as the body, whereas I am still living, and my productions—
WIFE
No, they're not dead and they never will die. Do you remember that corner house you built ten years ago? Every evening at sunset you go to look at it. Is there a more beautiful building in the whole city, is there any with more depth to it?
MAN
Yes, I purposely built it so that the last rays of the setting sun should fall upon it and set its windows aglow. When the whole city is in darkness, my house is still taking leave of the sun. It was well done, and perhaps it will survive me a little while at least. What do you think?
WIFE
Of course, my friend.
MAN
The only thing that hurts, wife, is that the people have forgotten me so soon. They might have remembered me a little longer, just a little longer.
WIFE
They have forgotten what they knew, and ceased to love what they loved.
MAN
They might have remembered me a little longer, a little longer.
WIFE
I saw a young artist near that house. He studied it carefully and made a sketch of it in his sketchbook.
MAN
Ah, why didn't you tell me that before? It's highly significant, highly significant. It means that my ideas are accepted and handed down by others, and even if I am forgotten, my ideas will live. It is tremendously significant.
WIFE
Yes, my dear, you are not forgotten. Do you remember the young man who bowed so reverently to you on the street?
MAN
Yes, that's so, wife. He was a fine, very fine youth. He had such a nice young face. It's good you reminded me of his bow. It has sent a ray of brightness into my heart. But I feel sleepy. I must be tired. I am old too, my dear little gray wife. Have you noticed it?
WIFE
You're just as handsome as ever.
MAN
And my eyes are bright?
WIFE
Yes, your eyes are bright.
MAN
And my hair is black as pitch?
WIFE