a hastily sketched water-colour, with its hills and terraces of vine; and above was a pale sky, blurred like greasy silver. The wind roamed moaning among the tops of the tall cypresses, set close together to protect the meadows from one of "the three plagues of Provence." And even as the mistral tweaked our noses with a chilly thumb and finger, our eyes caught sight of the second and more dreaded plague: the deceitfully gentle-seeming Durance, which in its rage can come tearing down from the Alps with the roar of a famished lion.
Far above the wide river, the Aigle glided across a high-hung suspension bridge, the song of the water floating up to our ears mingling with the purr of the motor—two giant forces, one set loose by nature, the other by man, duetting harmoniously together, while the wind wailed over our heads. But for the third and last plague of Provence we would have had to search in vain, for the land is no longer tormented by Parliament.
Always the road had stretched before us, up hill after hill, as straight drawn between its scantily grass-covered banks as the parting in an old man's hair; and always, far ahead, wave following wave of hill and mountain had seemed to roll toward us like the sea as we advanced to meet them. After the vineyards had come wild rocks, set with crumbling forts, and towers, and châteaux; then the mild interest of fruit blossom spraying pink and white among primly pollarded olives; then grape country again, with squat, low-growing vines like gnomes kicking up gnarled legs as they turned somersaults; then a break into wonderful mountain country, with Orgon's ruins towering skyward, dark as despair, a wild romance in stone. But before we reached the great suspension bridge, the Pont de Bonpas, the landscape appeared exhausted after its sublime efforts, and inclined to quiet down for a rest. It was only near Avignon that it sprung up refreshed, ready for more strange surprises; and the grim grandeur of the scenery as we approached the ancient town seemed to prophesy the mediæval towers and ramparts of the historic city.
Skirting the huge city wall, the blue car was the one note of modernity; but hardly had we turned in at a great gate worthy to open in welcome for Queen Jeanne of Naples, or Bertrand du Guesclin, than we were in the hum of twentieth-century life. I resented the change, for one expects nothing, wants nothing, modern in Avignon; but in a moment or two we had left the bright cafés and shops behind, to plunge back into the middle ages. Anything, it seemed, might happen in the queer, shadowed streets of tall old houses with mysterious doorways, through which the Aigle cautiously threaded, like a glittering crochet needle practicing a new stitch. Then, in the quiet place, asleep and dreaming of stirring deeds it once had seen, we stopped before a dignified building more like some old ducal family mansion than a hotel.
But it was a hotel, and we were to stop the night in it, leaving all sightseeing for the next morning. Lady Turnour was tired. She had done too much already for one day—with a reproachful glance at the chauffeur whom she thus made responsible for her prostration. Nothing would induce her to go out again that evening, and she thought that she would dine in her own sitting-room. She didn't like old places, or old hotels, but she supposed she would have to make the best of this one. She was a woman who never complained, unless it really was her duty, and then she didn't hesitate.
This was her mood when getting out of the car, but inside the quaint and charming house a look at the visitors' register changed it in a flash. There was one prince and one duke; there were several counts; and as to barons, they were peppered about in rich profusion. Each noble being was accompanied by his chauffeur, so evidently it was the "thing" to stop in the Hotel de l'Europe, and the haut monde considered Avignon worth wasting time upon. Instantly her ladyship resolved to recover gracefully from her fatigue, and descend to the public dining-room for dinner.
So fascinated was she by the list of great names, that she lingered over the reading of them, as one lingers over the last strawberries of the season; and I had to stand at attention close behind her, with her rugs over my arm, lest any one should miss seeing that she had a maid.
"Dane says the best thing is to make Avignon a centre, and stop here two or three nights, 'doing' the country round, before going on to Nîmes or Arles," she said to Sir Samuel, who was clamouring for the best rooms in the house. "I didn't feel I should like that plan, but thinking it over, I'm not sure he isn't right."
I knew very well what her "thinking it over" meant!
They stood discussing the pros and cons, and as I didn't yet know the numbers of our rooms, I was obliged to wait till I was told. I was not bored, however, but was looking about with interest, when I heard the teuf-teuf of a motor-car outside. "There goes Mr. Jack Dane with the Aigle," I thought; and yet there was a difference in the sound. I'm too amateurish in such matters to understand the exact reason for such differences, though chauffeurs say they could tell one make of motor from another by ear if they were blindfolded. Perhaps it wasn't our car leaving, but another one coming to the hotel!
I had nothing better to do than to watch for new arrivals. My eyes were lazily fixed on the door, and presently it opened. A figure, all fur and a yard wide, came in.
It was the figure of Monsieur Charretier.
Chapter X
For a minute everything swam before me, as it used to at the Convent after some older girl had twisted up the ropes of the big swing, with me in it, and let me spin round. Also, I felt as if a jugful of hot water had been dashed over my head. I seemed to feel it trickling through my hair and into my ears.
If I could have moved, I believe I should have bolted like a frightened rabbit, perfectly regardless of what Lady Turnour might think, caring only to dart away without being caught by the man I'd done such wild deeds to escape. But I was as helpless as a person in a nightmare; and, indeed, it was as unreal and dreadful to me as a nightmare to see that fat, fur-coated figure walking toward me, with the bearded face of Monsieur Charretier showing between turned-up collar and motor-cap surmounted by lifted goggles.
They say you have time to think of everything while you are drowning. I believe that, now, because I had time to think of everything while that furry gentleman took a dozen steps. I thought of all the things he and my cousins had ever done to disgust me with him during his "courtship." I asked myself whether his arrival here was a coincidence, or whether he'd been tracking me all along, step by step, while I'd been chuckling to myself over my lucky escape. I thought of what he would do when he recognized me, and what Lady Turnour would say, and Sir Samuel. And although I couldn't see exactly what good he could do in such a situation, I wished vaguely that my brother the chauffeur were on the spot. Then suddenly, with a wild rush of joy, I remembered that I was facing the danger through my little talc window.
Any properly trained heroine of melodrama would have ejaculated "Saved!" but I haven't a tragedy nose, and I gave only a stifled squeak, more like the swan-song of a dying frog than anything more romantic.
Nobody heard it, luckily; and Monsieur Charretier, who had just come into the twilight of the hall from the brighter light out of doors, bustled past the retiring figure of the lady's-maid without a glance. I had even to take a step out of his way, not to be brushed by his fur shoulder, so wide he was in his expensive motoring coat; and trembling from the shock, I awkwardly collided with Lady Turnour. She, in her turn, avoiding my onslaught as if I'd been a beggar in rags, stepped on Monsieur Charretier's toe.
He exclaimed in French, she apologized in English.
He bowed a great deal, assuring madame that she had not inconvenienced him. She accused her maid, whose stupidity was in fault; and because each one looked to the other rich and prosperous they were extremely polite to one another. Even then, though her ladyship snapped at me, "What has come over you, Elise? You're as clumsy as a cow!" he had no notice to waste upon the femme de chambre. Yet I dared not so much as murmur, "Pardon!" lest he should recognize my voice.
Fortunately my mistress and her husband were now ready to go up to their rooms, and we left Monsieur Charretier engaging quarters for himself and his chauffeur. Evidently he was going to stop all night; but from his indifference to me I judged joyfully that he had not come to the hotel armed with