town" used to pat their favourites on oiled backs, or make their bets on ivory tablets.
"If we were here by moonlight, we should see ghosts," I said. "Come, let us go before it grows any darker or sadder. The shadows seem to move. I think there's a lion crouching in that black corner."
"He won't hurt you, sister Una," said my brother Jack. "There's one thing you must see here before I take you home—back to the hotel, I mean; and that is the Saracen Tower, as they call it."
So we went into the Saracen Tower, and high up on the wall I saw the presentment of a hand.
"That is the Hand of Fatima," explained the guide, who had been following rather than conducting us, because the chauffeur knew almost as much about the amphitheatre as he did. "You should touch it, mademoiselle, for luck. All the young ladies like to do that here; and the young men also, for that matter."
Instantly my brother lifted me up, so that I might touch the hand; and then I would not be content unless he touched it too.
I had dinner in the couriers' room that evening, with my brother, when I had dressed Lady Turnour for hers. We were rather late, and had the room to ourselves, for the crowd which had collected there at luncheon time had vanished by train or motor. There was a nice old waiter, who was frankly interested in us, recognizing perhaps that, as a maid and chauffeur, we were out of the beaten track. He wanted to know if we had done any sight-seeing in Arles, and seemed to take it as a personal compliment that we had.
"Mademoiselle touched the Hand of Fatima, of course?" he asked, letting a trickle of sauce spill out of a sauce-boat in his friendly eagerness for my answer.
"Oh, yes, I saw to it that she did that," replied Mr. Dane, with conscious virtue in the achievement.
"It is for luck, isn't it?" I said, to make conversation.
"And more especially for love," came the unexpected answer.
"For love!" I exclaimed.
"But yes," chuckled the old man. "If a young girl puts her hand on the Hand of Fatima at Arles, that hand puts love into hers. Her fate is sealed within the month, so it is said."
"Nonsense!" remarked Mr. Dane, "I never heard that silly story before." And he went on eating his dinner with extraordinary nonchalance and an unusual, almost abnormal, appetite.
Chapter XIX
I shall always feel that I dreamed Aigues Mortes: that I fell asleep at night—oh, but fell very far, so much farther than one usually falls even when one wakes with the sensation of dropping from a great height, that I went bumping down, down from century to century, until I touched earth in a strange, drear land, to find I had gone back in time about seven hundred years.
Not that there is a conspicuous amount either of land or earth at Aigues Mortes, City of Dead Waters—if the place really does exist, which I begin to doubt already; but I have only to shut my eyes to call it up; and in my memory I shall often use it as a background for some mediæval picture painted with my mind. For with my mind I can rival Raphael. It is only when I try to execute my fancies that I fail, and then they "all come different," which is heart breaking. But it will be something to have the background always ready.
The dream did not begin while we spun gaily from Arles to Aigues Mortes, through pleasant if sometimes puerile-seeming country (puerile only because we hadn't its history dropping from our fingers' ends); but there was time, between coming in sight of the huge, gray-brown towers and driving in through the fortified gateway, for me to take that great leap from the present far down into the past.
To my own surprise, I didn't want to think of the motor-car. It had brought us to older places, but within this walled quadrangle it was as if we had come full tilt into a picture; and the automobile was not an artistic touch. Ingrate that I was, I turned my back upon the Aigle, and was thankful when Sir Samuel and Lady Turnour walked out of my sight around the corner of the picture. I pretended, when they had disappeared, that I had painted them out, and that they would cease to exist unless I relented and painted them in again, as eventually I should have to do. But I had no wish to paint the driver of the car out of my picture, for in spite of his chauffeur's dress he is of a type which suits any century, any country—that clear-cut, slightly stern, aquiline type which you find alike on Roman coins and in modern drawing-rooms. He would have done very well for one of St. Louis's crusaders, waiting here at Aigues Mortes to sail for Palestine with his king, from the sole harbour the monarch could claim as his on all the Mediterranean coast. I decided to let him remain in the dream picture, therefore, and told him so, which seemed to please him, for his eyes lighted up. He always understands exactly what I mean when I say odd things. I should never have felt quite the same to him again, I think, if he had stared and asked "What dream picture?"
I had been brought on this expedition strictly for use, not for ornament. We were going from Aigues Mortes to St. Gilles and from St. Gilles to Nîmes, therefore Arles was already a landmark in our past. I could walk about and amuse myself if I liked, but I must be at the inn before the return of my master and mistress to arrange a light repast collected at Arles, as we should have to lunch later at Nîmes, and the resources of Aigues Mortes were not supposed to be worthy of millionaires in search of the picturesque. There were several neat packages, the contents of which would aid and abet such humble refreshment as the City of Dead Waters could produce; but I had more than an hour to play with; and much can be done in an hour by an enthusiast with a good circulation.
I had not quite realized, however, how largely my brother's companionship contributed to my pleasure on these excursions. We had seen almost everything together, and suddenly it occurred to me that I was taking his presence too much for granted. He would not go with me now, because in so small a round we were certain to run up against the Turnours, and her ladyship might be pleased to give me another lecture like that of evil memory at Avignon. I would have risked future punishment for the sake of present pleasure, and it was on my tongue to say so; but I swallowed the words with difficulty, like an over-large pill.
So it fell out that I wandered off alone, sustaining myself on high thoughts of Crusaders as I gazed up at the statue of St. Louis, and paced the sentinels' pathway round the gigantic ramparts, unchanged since Boccanegra built them. Looking down from the ramparts the town, enclosed in the fortress walls, was like a faded chessboard cast ashore from the wreck of some ancient ship; and round the dark walls and towers waves of yellow sand and wastes of dead blue waters stretched as far as my gaze could reach, toward the tideless sea.
Louis bought this tangled desert of sand and water in the middle of the thirteenth century from an Abbot of Psalmodi, so the guide told me, and I liked the name of that abbot so much that I kept saying it over and over, to myself. Abbot of Psalmodi! It was to the ear what an old, illuminated missal is to the eye, rich with crimson lake, and gold, and ultramarine. It was as if I heard an echo from King Arthur's day, that dim, mysterious day when history was flushed with dawn; the Abbot of Psalmodi!
The heart of Aigues Mortes for me was the great tower of Constance, but a very wicked heart, full of clever and murderous devices, which was at its wickedest, not in the dark ages, but in the glittering times of Louis XIV. and of other Louis after him. That tower is the bad part of the dream where horrors accumulate and you struggle to cry out, while a spell holds you silent. In the days when Aigues Mortes was not a dream, but a terrible reality to the prisoners of that cruel tower, how many anguished cries must have broken the spell; cries from hideous little dungeons like rat-holes, cries from the far heights of the tower where women and children starved and were forgotten!
I was almost glad to get away; yet now that I am away I shall often go back—in my dream.
Alexander Dumas the elder went from Aigues Mortes to St. Gilles, driving along the Beaucaire Canal, on that famous tour of his which took him also to Les Baux; and we too went from Aigues Mortes to St. Gilles, though I'm sure the Turnours had no idea that it was a pilgrimage in famous footprints.