Vicente Blasco Ibanez

Blood and Sand


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whole audience caught the contagion, got excited, and stood up, each trying to look over his neighbour's head, but all they were able to see was the slow ascent of the police, who pushed a way for themselves from bench to bench, and finally reached the group where the disturbance was going on.

      "Sit down!" … shouted the more peaceable, who were prevented from seeing the arena, where the toreros were continuing their work.

      The general tumult was gradually calmed and the rows of heads round the circular line of benches resumed their previous regularity during the progress of the corrida. But the audience seemed to have its nerves over-strained, and gave vent to its feelings, by uncalled-for animosity, or contemptuous silence towards certain of the fighters.

      The crowd, exhausted by its previous outburst of emotion, regarded all that followed as insipid, and so diverted its boredom by eating and drinking. The refreshment sellers of the Plaza walked round between the barriers, throwing up the articles asked for with marvellous dexterity. Oranges flew like golden balls up to the very highest benches, in a straight line from the hands of the seller to that of the buyer, as if drawn by a thread. Bottles of aerated drinks were opened, and the golden wine of Andalusia shone in the glasses.

      Soon a current of curiosity ran round the seats. Fuentes was going to fix banderillas in his bull, and everyone expected something extraordinarily dexterous and graceful. He advanced alone into the midst of the Plaza, with the banderillas in his hand, quiet and self-possessed, moving slowly, as if he were beginning some game. The bull followed his movements with anxious eyes, astonished to see this man alone in front of him, after the previous hurly-burly of outspread cloaks, cruel pikes sticking into his neck, and horses which placed themselves in front of his horns, as if offering themselves to his attack.

      The man hypnotised the beast, approaching so close as even to touch his pole with the banderillas. Then with short tripping steps he ran away, pursued by the bull, which followed him as though fascinated, to the opposite end of the Plaza. The animal seemed cowed by the fighter, and obeyed his every movement, until at last, thinking the game had lasted long enough, the man opened his arms with a dart in either hand, drew up his graceful slim figure on tip-toe, and advancing towards the bull with majestic tranquillity, fixed the coloured darts in the neck of the surprised animal.

      Three times he performed this feat, amid the acclamations of the audience. Those who thought themselves "connoisseurs" now had their revenge for the explosion of admiration provoked by Gallardo. This was what a true torero should be! This was real art!

      Gallardo stood by the barrier, wiping the sweat from his face with a towel handed to him by Garabato. Afterwards he drank some water, and turned his back on the circus, so as not to see the prowess of his rival. Outside the Plaza he esteemed his rivals with the fraternity established by danger; but once they trod the arena they all became his enemies and their triumphs pained him like insults. This general enthusiasm for Fuentes which obscured his own great triumphs seemed to him like robbery. On the appearance of the fifth bull, which was his, he leapt into the arena, burning to astonish everybody by his prowess.

      If a picador fell he spread his cloak and drew the bull to the other end of the arena, bewildering it with a succession of cloak play that left the beast motionless. Then Gallardo would touch it on the muzzle with one foot, or would take off his montero and lay it between the animal's horns. Again and again he took advantage of its stupefaction and exposed his stomach in an audacious challenge, or knelt close to it as though about to lie down beneath its nose.

      Under their breath the old aficionados muttered "monkey tricks!" "Buffooneries that would not have been tolerated in former days!" … But amidst the general shouts of approval they were obliged to keep their opinion to themselves.

      When the signal for the banderillas was given, the audience was amazed to see Gallardo take the darts from El Nacional, and advance with them towards the bull. There was a shout of protest. "He with the banderillas!" … They all knew his failing in that respect. Banderilla play was only for those who had risen in their career step by step, who before arriving at being matadors had been banderilleros for many years by the side of their masters, and Gallardo had begun at the other end, killing bulls from the time he first began in the Plaza.

      "No! No!" shouted the crowd.

      Doctor Ruiz yelled and thumped inside the barrier.

      "Leave that alone, lad! You know well enough what is wanted. Kill!"

      But Gallardo despised his audience, and was deaf to its advice when his daring impulses came over him. In the midst of the din he went straight up to the bull, and before it moved—Zas! he stuck in the banderillas.[44] The pair were out of place and badly driven in. One of them fell out with the animal's start of surprise, but this did not signify. With the tolerance that a crowd always has for its idol excusing, even justifying, its shortcomings, the spectators watched this daring act smilingly. Gallardo, rendered still more audacious, took a second pair of banderillas and stuck them in, regardless of the warnings of those who feared for his life. This feat he repeated a third time, badly, but with such dash, that what would have provoked hisses for another, produced only explosions of admiration for him. "What a man! How luck helped that fearless man!" …

      The bull carried four banderillas instead of six, and those were so feebly planted that it scarcely seemed to feel the discomfort.

      "He is still fresh!"[45] shouted the aficionados from the benches, alluding to the bull, while Gallardo with his montero on his head, grasping rapier and muleta in his hands, advanced towards him, proud and calm, trusting to his lucky star.

      "Out—all of you!" he cried again.

      He turned his head, feeling that some one was remaining close to him regardless of his orders. It was Fuentes a few steps behind him who had followed him with his cloak on his arm pretending not to have heard, but ready to rush to his assistance, as if he foresaw some accident.

      "Leave me, Antonio," said Gallardo half angrily, and yet respectfully, as if he were speaking to an elder brother.

      His manner was such that Fuentes shrugged his shoulders disclaiming all responsibility. Turning his back he moved slowly away, certain that he would be suddenly required.

      Gallardo spread his cloth on the very head of the wild beast, which at once attacked it. A pass. "Olé!" roared the enthusiasts. The animal turned suddenly, throwing itself again on the torero with a violent toss of its head that tore the muleta out of his hand. Finding himself disarmed and attacked he was obliged to run for the barrier, but at this instant Fuentes' cloak diverted the animal's charge. Gallardo, who guessed during his flight the cause of the bull's sudden distraction, did not leap the barrier, but sat on the step and there remained some moments watching his enemy a few paces off. His flight ended in applause of this display of calmness.

      He recovered his muleta and rapier, carefully re-arranged the red cloth, and once again placed himself in front of the brute's head, but this time not so calmly. The lust of slaughter dominated him, an intense desire to kill as soon as possible the animal which had forced him to fly in the sight of thousands of admirers.

      He scarcely moved a step. Thinking that the decisive moment had come he squared himself, the muleta low, and the pommel of the rapier raised to his eyes.

      Again the audience protested, fearing for his life.

      "Don't strike! Stop!" … "O..h!"

      An exclamation of horror shook the whole Plaza; a spasm which made all rise to their feet, their eyes starting, whilst the women hid their faces, or convulsively clutched at the arm nearest them.

      As the matador struck, the sword glanced on a bone. This mischance retarded his escape, and caught by one of the horns he was hooked up by the middle of his body, and despite his weight and strength of muscle, this well-built man was lifted, was twirled about on its point like a helpless dummy until the powerful beast with a toss of its head sent him flying several yards away. The torero fell with a thump on the sand with his limbs spread wide apart, just like a frog dressed up