in the garden of the Tuileries. With the abolishment of imprisonment for debt, these regulations repealed themselves.
In an almost equally important matter, that of the hours of the three meals of the day, a great change also took place during this reign. The courtiers did not generally follow the king in his transferral of le dîner from eight o'clock in the morning (according to the custom established at the beginning of the reign) to noon, but the people seem to have adopted the new hour. The wars in Italy brought to the French table for the first time the pâtes of that country, vermicelli, macaroni, semoule, the lassagnes and others. For women in childbed and for consumptives were reserved the bouillons or "restaurants,"—these were composed of meat, of animals or of chickens, cut up very fine and distilled in an alembic with peeled barley, dried roses, cinnamon, coriander, and Damascus raisins. One of the most succulent of these bouillons was called restaurant divin.
Under François I, the dinner-hour was established at nine o'clock in the morning, and the supper-hour at five in the evening. It is true that the hour of rising was also most unreasonably early according to modern ideas. There was a popular rhyme:
| "Lever à cinq, dîner à neuf, Souper à cinq, coucher à neuf. Fait vivre d'ans nonante-neuf." |
(To rise at five, to dine at nine, to sup at five, to go to bed at nine, will make you live to ninety-nine.)
The national menu was further increased by contributions from Italy and from domestic producers, pâtes, cheeses, and some new fruits, apricots and plums; the latter, still a great favorite with the French, was called la reine Claude after the daughter of Louis XII. With the good living came an increase in drunkenness among all, lower classes, bourgeois, courtiers, and soldiers—the latter, indeed, to such an extent that the king felt constrained to issue edicts threatening this growing vice with the severest penalties: for the first offence, imprisonment; for the second, flogging in private; for the third, flogging in public; and the hardened offender ran a great risk of losing his ears and being banished from the kingdom.
With the reign of François I began the ancien régime—"that is to say, a government in which the subjects have no guarantee against oppression, even the most iniquitous, and the prince, no obstacle to his will, even the most capricious." In 1527, the president of the Parliament of Paris declared openly that the king was above the law, though he added that his sovereign will should be regulated by equity and reason. The nobility, reduced to a state merely of revenues and titles, were no longer the great feudal powers of the Dark Ages, "and at the sumptuous court which François opened to them they learned to ruin themselves and to obey." In the middle of this century, there was only one great feudal house remaining, that of Bourbon-Navarre, the head of which, Antoine, was quite without influence. Below were the grand seigneurs, the Montmorencys, the Guises, the La Trémouilles, the Châtillons, and others, but deprived of all the rights of the powerful feudal vassals of the king of former times; the clergy had been reduced to a condition of dependence upon the king by the concordat of 1516, which made him the unique dispenser of benefices; the tiers état—which included "the men of letters, who are called men of the long robe; the merchants, the artisans, the people, and the peasants"—had long been accustomed to obedience. "There had formerly been only manants (rustics, clowns), seigneurs, and fiefs; there is now a people, a king, and a France."
"If the accession of François I was a great occasion for the men," says M. de Lescure, "it was still more so for the ladies. In fact, it might be said that they ascended the throne with the new king. Admitted for the first time to the banquets, to the tourneys of the Hôtel des Tournelles, this hardy innovation gave the measure of their new destinies and of the credit reserved by the most gallant of monarchs for the fairest half of the human species." Unfortunately, the king was not inclined to make any distinctions among these new ornaments to his court, and while his predecessors had made strenuous efforts to reduce the license of manners, we find him issuing such edicts as this:
"François, by the grace of God, King of France, to our friend and loyal treasurer of our exchequer, Maître Jehan Duval, salutation and dilection. We desire, and we command you, that from the deniers of our aforesaid exchequer you pay, give, and deliver ready-money to Cécile de Viefville, dame des filles de joie, attending our court, the sum of forty-five livres tournois, making the value of twenty écus of gold sol at forty-five sols apiece, of which we have made and do make by these presents donation, as much for her as for the other women and girls of her vocation, to divide among themselves as they may advise, and this for their right for the month of May passed. … "
The court of the French kings itself is dated by their historians from this reign. Before François I, it did not exist. "Grave councillors only surrounded Louis XII, and the chaste Anne de Bretagne authorized around her only rare and tranquil pleasures. François I wished to be followed always by a troop so numerous that there were counted around the royal residence rarely less than six thousand and sometimes as many as eighteen thousand horses." By the brilliancy of its fêtes, this court attracted to itself the châtelaines, up to this time forgotten in the depths of their feudal castles. "At the beginning," says Mézeray, "this had an excellent effect, this amiable sex having introduced into the court politeness and courtesy, and imparting lively impulses of generosity to those whose souls were more nobly constituted. But the manners and customs became speedily corrupted; the offices, the benefices, were distributed according to the whims of the women, and they were the cause of the adoption of very pernicious maxims by the government."
The revival of the arts brought about by the Renaissance, and which François I had the intelligence to appreciate and encourage, and the somewhat greater sense of security in the body politic, combined to give to this court, and to the wealthy citizens of the capital, such extravagant luxury of dress and ornament that even this pleasure-loving monarch felt constrained to promulgate sumptuary laws on various occasions, an example which was followed by his son and successor, Henry II. The edict of 1538 proscribed chains of gold of too great weight for financiers and men of affairs, and it was intimated to them that it would be better not "to make their daughters too handsome and too rich when they married them." In 1543, the tissues of gold and silver were forbidden for men, with the exception of the relatives of the monarch, and this edict was renewed, four years later, by Henri II, greatly amended and amplified and extended to all, high and low, excepting the ladies in the queen's suite and the king's sister. In 1549, it was renewed, with still greater detail concerning the costumes of the two sexes.
The abuse of masks was of long standing, Charles VI having been addicted to their use, and in 1514, under Louis XII, the Parlement directed that all these false visages in the city, wherever found, should be collected and burned, and that, by order of the king, no more should be worn. During the captivity of François I in Madrid, the members of the Parlement set the example of reducing their style of living, limiting the number of their horses, etc.; and so great was the suspicion and distrust at this time, that a special edict was directed against the mysterious strangers who were seen in the streets of the city, all with long beards and carrying heavy sticks. The use of the latter was strictly forbidden, and the wearing of the former, "which seemed to conceal some pernicious designs against the peace of the State." Among the minor social revolutions which this monarch effected, in consequence of a wound received on his head, was that in the manner of wearing the hair and beard, which had prevailed since the time of Louis VII; François I reversed the ancient custom, and cut his hair short, but not his beard.
Paris, which had celebrated his accession with even more than the usual ceremonial, jousts, and tourneys, was greatly alarmed at the threat of the Connétable de Bourbon to march upon it with the allied forces of the King of England and of Charles V. The king, to reassure them, sent them the Sire de Brion, who declared to them that their monarch "had so much consideration for the city of Paris that he would sacrifice himself rather than allow it to be taken, that he was willing to expose his life in order to defend it, to live and to die with the Parisians, and that, if he could not come to it in person, he would send to it his wife, his children, and his mother, and all that he had and possessed, persuaded as he was that when he had lost the rest of the kingdom, he would readily recover all his losses if he could preserve Paris; that he had the intention to bring to it ten thousand Swiss, that he was aware of the attachment which the Parlement